RIP Ace Frehley

 Ace was one of the original KISS members, left the band early, gifted guitarist, a real Ace...

He was 74...

RIP Drew Struzan

Drew Struzan, the man who designed some of the most iconic posters in the history of Movieland, for over 150 films. From the Star Wars and Indiana Jones series to Blade Runner, The Thing, Big Trouble in Little China and Back to the Future in the 80's, then over a new generation of filmmakers-Tim Burton-Planet of the Apes, Mars Attacks, Frank Darabont-The Shawnshank Redemption, The Mist (David's paintings), The Green Mile, Guillermo Del Toro-Hellboy, Pan's Labyrinth- has passed away on Oct. 13th. He was 78...

Note (grazie, LD): Legendary Italian poster art maestro Renato Casaro died on Sept. 30 at 89...He did the posters for the Leone spaghetti westerns, up to Flash Gordon and Conan the Barbarian (as they were Dino de Laurentiis productions). He retired in 1998 but came back in 2019, called by Quentin Tarantino to realize some "old school illustrated Western posters" ("Uccidimi Subito Ringo, disse il Gringo" aka "Kill Me Now Ringo, Said The Gringo", and "Nebraska Jim") for Italian films starring Rick Dalton, the character Leonardo DiCaprio plays in Once Upon a Time in Hollywood. 

Struzan and Casaro have even a poster in common, for The Name of the Rose in 1986, for whom they did both posters. 

     
Struzan                                                   Casaro

Struzan also designed LP covers before film posters, including the legendary Alice Cooper's 1975 `Welcome to My Nightmare`.

In 2013, he was the subject of Erik Sharkey’s feature documentary “Drew: The Man Behind The Poster,” with interviews with collaborators like George Lucas, Steven Spielberg, Harrison Ford, Frank Darabont, Tim Burton and Guillermo del Toro. 

exhaustive obit in Variety here 

 “Drew made event art. His posters made many of our movies into destinations…and the memory of those movies and the age we were when we saw them always comes flashing back just by glancing at his iconic photorealistic imagery. In his own invented style, nobody drew like Drew.”

Steven Spielberg 

RIP Diane Keaton

I was about to write RIP Annie Hall...

Diane Keaton was 79. Except Woody Allen's muse, friend (and girlfriend) and confidante (eight films together, from 1972's Play It Again Sam, ending with Manhattan Murder Mystery in 1993), she was Al Pacino's Michael Corleone's wife Kay in the three Godfathers, from fiancee to divorcee (also his girlfriend in real life), and exceptionally radicalist Louise Bryant in Warren Beatty's 1981's Reds. A very smart, intellectual. witty woman, personified best in Annie Hall (1977), character that used Keaton's manierisms, also her true family name is Hall, film that brought her an Oscar for best actress. She was also a feminist and an avant garde personality. And a great protograper (book Reservations). She never married and had two adopted kids. 

I think the last time I saw her was in Something's Gotta Give, the 2003 Nicholson weaker comedy...  She was in a lot of romantic comedies (Father of the Bride), heartfelt films  (The First Wives Club), dramas (Marvin's Room). But for me she will always be The Little Drummer Girl, in the excellent George Roy Hill film from 1984, based on the John le Carré book (not the 2018 series), where she plays a wannabe groupie terrorist, ideologically brainwashed and used, in a film that is more actualt today than Woody Allen's NY fantasies or the politics of Reds.

She as also great in Richard Brooks’  audacious drama with a sex twist, Looking for Mr. Goodbar (1977).

Diane Hall / Keaton was also a director, most famously for Be Unstrung Heroes (1995), she also directed Belinda Carlisle's hit video Heaven is a Place on Earth. She also produced Gus Van Sant's Elephant. She wrote memoirs thrice: “Then Again” (2011), “Let’s Just Say It Wasn’t Pretty” (2015) and “Brother and Sister” (2020).

 2017 Lifetime Achievement Award from the AFI/ American Film Institute. 

Obit in Variety here. 

Tribute by Woody Allen here.

“If Huckleberry Finn was a gorgeous young woman, he’d be Keaton,” Allen remembered thinking upon first seeing her.

Play Dirty (2025)

`There are two kinds of people in this world, those who know who Shane Black is, and those who don't!. Those can dig ;) 

NALD 

Well Shane Black is back as a writer/director, this time on Amazon Prime & theirs MGM  100 mill. $ streaming extravaganza.

It's a Parker film named Play Dirty (not to be confused with the 1969 André De TothWW2 actioner, the title comes from Black's unfilmed script for Lethal Weapon 2, unseen til today -Black's most proud and gritty work, or so they say ;).

It's based on the Richard Stark (aka Donald E. Westlake) iconic novels started in the 60's. Not one novel but `novels`. I guess they're trying to build  a franchise but this won't happen I guess cos' the film is the weakest of Black's career as a director (and that includes the reshot troubled 2018's The Predator). 

Mark Wahlberg is Parker, an obnoxious choice. He can't handle the character dark charisma and dry wit, a dangerous man with a code of its own. Stark's Parker is an Anti Hero, Steve Mc Queen would have done him justice. Or Kris Kristofferson. Even today's Brad Pitt cos' Russell Crowe's too overweight...

Robert Downey Jr. was supposed to play him but he backed off, remaining on board as a producer. Not sure even about Downey but definetly a better choice, Parker's before were Lee Marvin (Point Blank-1967- the most menacing), Jim Brown (The Split-1978, the black one), Robert Duvall (The Outfit-1973, the most aloof), Peter Coyote (Slayground-1983, the most unlikely), Mel Gibson (Payback-1999, the  coolest, but meanest to his director-check out only the Director's Cut), Jason Statham (Parker-2013, bleh..). I'm not adding two these the two Frenchie freejazzin', Made in USA (Jean Luc Godard, 1966) and Mise à Sac (Alan Cavalier, 1967).

*** (Here's an article on all the Parker films, and none until 2013 used the name Parker !!!)

Back to Play Dirty. Would've been better to play it cool tho. The film itself is a self indulgent mess, combo of action scenes, comedy and VFX gone awry.

Too many characters, too much useless plot, not a lot of chemistry between the actors. Rapper LaKeith Stanfield shines as Grofield, Stark's character that has his own novels. Would've liked more of the Thomas Jane character, and someone else for Tony Shaloub, the guy plays a caricature of the mob boss of  a ridiculous corny and cartoonish Outfit. Think a James Coburn, even in Hudson Hawk or  Kris Kristofferson (he was the boss of The Outfit in Payback, but not in the Director's Cut !!!).  Also for the Latin country (unanamed but it's Peru), some finer actors, plus Rosa Salazar as Zen is kinda unmemobrable and not at all a Femme Fatale type.

The running time (2h03) is overlong and the film loses steam in midstream.

+++The Plus:

Great score by Alan Silvestri, reminionscent of those he did for Predator and The Long Kiss Goodnight (based on Shane's script), jazzy and funk, dramatic and menacing where it needs to be. For me Silvestri's score is a great comeback to form. A bit of  007 Bond-sist swagger, Lalo Schifrin and The Taking of Pelham 123 by David Shire, the percussion points.

Also the opening credits are very cool, 60's like. They were made by Daniel Kleinman who did all the title sequences for James Bond starting with GoldenEye back in 1995. Amazingly he is not credited with imdb and Anca found this for me, thanx ! Her piece on the art of the opening credits is here. 

And here's the whole title sequence. 

Production values-high -especially the first action scene at the racing track.

The cinematography (superb 2.39:) by legendary Phillipe Rousselot (he's 80 now!), a lot of shades, shadows, reflections, in a NYC shot this time in Sydney, Australia !!!! Rousselot and Black worked together before in 2026's The Nice Guys.

Some of the wisecracks work better than the plotholes and the action. Also there are many references to Black's scripts and films, from the Christmas setting (Duh !) Lethal Weapon (the fall from the rooftop), The Long Kiss Goodnight (the House of Gretchen Mol, the chase in the snow, the scene by the water), Kiss Kiss Bang Bang, The Nice Guys, etc. Liked the Mark Cuban pun ;)

Shane Black's influences on this one are great films, from Bullit to Dirty Harry, Marathon Man to the obscure Hickey & Boggs (1972), you can check the interview here on Letterboxed. 

And another interview, exhaustive in Collider, with Black, executive producer Susan Downey and producer Jules Daly (also video). 

6 (out of 10) for fans of SB and Donald Westlake, otherwise a Fiver. 

2 1/2 to 3 out of 5.

Would've been way cooler 2 see it in a Cinema....