RIP Chuck Norris

 ...Missing in Action....

Chuck Norris became legendary through the jokes about him, that he is invincible and imortal. He was Not. But gone now at 86, he was an inspiration to many, especially in the 80's Romania.

A Force of One, a man who knew Good Guys Wore Black and An Eye for an Eye he was a Lone Wolf Mc Quade -the inspiration for the later series Walker, Texas Ranger.

I first saw him in the cinema in Breaker ! Breaker !, translated as Orasul fantoma -Ghost town (1977), which I tremember cleartly they had a print in Black and white. Re-saw that on video later on.  The battle with the broken bottle stayed vividly in my mind. He had no moustache at the time. Then on video fisrt films I saw was The Way of the Dragon, his first part in the 1972 Bruce Lee film (also directed by Lee), where he battles Lee in the Colosseum. The Colosseum would never be the same again. Oh, yes, for a bit, in Double Team where JCVD, a huge Norris and Lee fan, battles Mickey Rourke again in the Rome Arena. 

He was a Karate champion and he became Steve Mc Queen's instructor and McQueen adviced him to go into acting. 

Here's some Chuck Norris jokes:

Chuck Norris didn't die, God called him for backup!

Chuck actually died about 15 years ago. Death was too afraid to tell him

Chuck Norris went to Heaven to Judge God for his sins

RIP to the man who can put out a fire with a gallon of gasoline

The man who can beat the sun in a staring contest

The man whose diary is called the Guinness Book of World Records

Top films of 2025

Tough cookie, lost count of how many films I've seen. Less than probably any year. Over 200, less than 300 ? More ? I started to put them on Letterboxed starting late October but still didn't catch up with the rest.

***

Top of the series is here and films from 2024 are again a problem, The Brutalist and The Substance should've make the 2025 list, as there still are some of 2025 which I haven't seen yet (Hamnet,-saw it,. did not like at all- Resurrection, Sound of Falling ?). Marty Supreme would make Top 5 but I've seen it in Januaray 2026. 

Top Ten  soundtracks here. 

Just caught up with Park Chan-Wook's No Other Choice that makes the list. It's limited in Romanian Cinemas now, so try to see it on the big screen, it's worthy.

Kinda disappointed with Romanian Cinema this year too. I liked Kontinental '25 and that's it. Could 've been also Jude's Dracula but he made it such an intentional mess and duration wise a whole calvary...

But disappointments of the year: the new Running Man by Edgar Wright. And the last Mission: Impossible. Hopefully...Oy...

Top 5 -alphabetically:

all that's clickable as links are my "reviews"

Eddington -Ari Aster

O agente secreto-Kleber Mendonça Filho

One Battle After Another -Paul Thomas Anderson

Sinners -Ryan Cooglar

Sirat -Oliver Laxe

new entry on Jan. 2th 2026:   No Other Choice

Marty Supreme -also in Jan. 2026

Almost Famous ;) -also alphabetically:

Ballad of a Small Player -Edward Berger

Bugonia -Yorgos Lanthimos

Caught Stealing -Darren Aronofsky

Father Mother Sister Brother -Jim Jarmusch

Frankenstein -Guillermo del Toro

In the Hand of Dante -Julian Schnabel 

Nouvelle Vague -Richard Linklater

Nuremberg -James Vanderbilt

The Materialist -Kelly Reichardt

The Phoenician Scheme-Wes Anderson

Tornado - John McLean

Train Dreams- Clint Bentley

Warfare -Alex Garland & Ray Mendoza

Nicolas Cage Award of the Year:  The Surfer  (d. by Lorcan Finnegan) 2024 !

Horror:

28 years Later-Danny Boyle 

Together -Michael Shanks

Weapons -Zach Cregger

Good Boy- Ben Leonberg

The Monkey-Osgood Perkins

Dangerous Animals -Sean Byrne

The Gorge -Scott Derrickson

The Long Walk -Francis Lawrence

The Substance -2024, Coralie Fargeat

Keeper -Osgood Perkins

Comedy:

even weaker as it is, still good fun !!!

This is Spinal Tap 2:  The End Continues by the late Rob Reiner....

Bunny -Ben Jacobsen 

an indie, punkish NY film in the best way, kinetic, quirky, funny, dark comedy, punkimprovised, irreverent. Cool punk songs too.

Documentary:

Soundtrack for a coup d'etat -2024-Johan Grimonprez

the doors -When You're Strange- - Tom DiCillo, from 2009 but remastered in Cinema limited

pink floyd at pompei -1972. Adrian Mabel, remastered in Cinema limited

Devo -2024, Chris Smith   -netflix

Sly Lives! (aka the Burden of Black Genius) 2025/ Questlove   -netflix

Catch-Up -Four Aces:

Pale Flower- Masashiro Shinoda-1964 

La Traque -1975 Serge Leroy

The Childhood of a Leader -2015 Brady Corbet

Finalmente l'alba - Saverio Costanzo -2023, on which I wrote: 

Rome and Cinecitta 1953. More like a drreamlike story, a false thriller, homage to Fellini and La Dolce Vita, Notti di Cabiria, and linked to a real muder cold case known as the Italian Black Dahlia. Interesting slow film, in the Venice Competition in 2023. Modern beat score, strange and eerie. Song Last Nite by The Stokes (2011) on the end credits. 

3 1/2 out of 5

Nuremberg (2025)

 Nuremberg, to be seen in theaters. 

My favorite actor for the next Oscars would be Russell Crowe in an all-time high career role as Hermann Göring in this WW2 courtroom drama based on the real events pd the Trial at Nuremberg. His opponent in the film is Rami Malek as the shrink Hermann Göring in a weird casting choice. Screenwriter James Vanderbilt's 2nd feature has great production values (shot in Hungary for 7.5 mill. $ !!!), sets, costumes, supporting cast (John Slattery, Michael Shannon, Richard E. Grant, Colin Hanks,   Andreas Pietschmann as Rudolf Hess), dramatic music by Brian Tyler and great widescreen cinematography by Dariusz Wolski. Bsed on  Jack El-Hai's book,  "The Nazi and the Psychiatrist".

For many too academic, long (2h30 -I'd say Epic), ut a worthwhile dramatic story with a new take, worthy to be told TODAY.

3 1/2 out of 5 / 7 out of 10 !!!

The Long Walk (2025)

"Walk or Die"

Francis Lawrence never struck me as an auteur director. The Long Walk is his closest to a a personal filmmaking effort.

Constantine was probably his best flick, the man directed tons and tons of music videos, a sh***y version of I Am Legend, Red Sparrow, four Hunger Games, those probably qualifying him for this film. 

Stephen King's novel The Long Walk was published in 1979 under the name Richard Bachman, same as The Running Man, Rage, etc. 

It is set in a dystopic America, as in Hunger Games or recently in Civil War, in which young men participate in a race, without stops, until one remains. Same principle as Turkey Shoot or The Running Man (which was remade this year).  You have to keep walking at 3mph, steadily. You get only three warnings, one erased per hour if you march on.

The camera moves and moves and moves all along with the protagonist. The whole film is in movement. Belgian cinematographer Jo Willems, who worked with Lawrence on his Hunger Games films and Red Sparrow shot the film anamorpically on 2.39.1. The whole thing was shot in Manitoa, Canada, for 20 mill. $. 

The ensemble young actors are convincing, it helps they are not known. They are all called by their numbers. Cooper Hoffman (#47 / Licorice Pizza), David Jonsson (#23, Alien: Romulus), Garrett Wareing (# 38/ God is a Bullet), Charlie Plummer (#5 / All the Money in the World). Mark Hammil does a career best villain as The Major. Judy Greer is the only woman in the cast, as Cooper Hoffman's mother. The racial aspect, white, black, white, white, Asian, Indian. Let's say that is not the "woke" or globalism problem, welll, no Mexicanos, hispanics. 

Problem is the language, they all swear non stop, I guess they said, oh, it's Rated R so we can swear all the time we want. But f**k every three words is gratuitous to say the least, and they all talk the same swearing game, the boys as well as the major.

Script by J.T. Mollner (Strange Darling), the lastest on a series of aborted adpatations, from George A. Romero to Frank Darabont. 

Pulsing and dramatic score by Jeremiah Fraites, end titles have a country/Americana song composed for the film by   Shaboozey & Stephen Wilson Jr.- Took a Walk (not on the soundtrack). A rendition of Oh My Darling Clementine is sung by the boys at Mile 260 !!!

Reminded me of the WW2 war films, Sidney Lumet's The Hill (1965) in particular. And as they were running, of the final run of Black Hawk Down. 

7 out of 10 / 3.5 out of 5 !!!

*would've been more but I'd cut 15 min from the 108 min. running time, it loses its rhythm and has repetitions, most of the 50 "walkers" are just extras (in King's original there were 100 participants). 

The premise is as absurd as it gets and you got to believe it, also the lenght of the march is beyond belief... 

Warfare (2025)

Warfare, Alex Garland's follow-up to last year Civil War, team him with Iraq war veteran Ray Mendoza, his military advisor on Civil War, to tell the story of a f**ked up Navy Seals mission in 2006's Ramadi, Iraq. It's the grittiest battle of that war and this is a small vignette of an isolated team stuck in the chaos. The film plays in real time !

Tough, gritty, realistic, treated as a documentary, Warfare is a standalone piece of cinema, on the footsteps of Black Hawk Down and The Hurt Locker. Also it had 1/3 of their budgets. 

No music on 90 minutes of carnage and chaos, just an end credits song by Low ("Dancing and Blood", from 2018. Fantastic sound design from Glenn Freemantle (Oscar for Gravity). 

To be played Loud !!!!

4 out of 5, 8 out of 10 !!!

RIP Gene Hackman

Gene Hackman, one of the greatest Actors there ever was, (it's said he could play Anyone and Antything), died on Tuesday Feb. 26th. He was 95. He died suddenly along his wife and their dog ! His wife (the 2nd, married in 1991), the pianist Betsy Arakawa, was 64 ! The Police of Santa Fe discovered all three of them....

During the last 3-4 years I re-saw /saw again some of his films with the fear he'll die any moment. So, there was him at his most funniest in Get Shorty, the neo-noir Heist, action mentoring channeling The Conversation part -Tony Scott's Enemy of the State (2 bad it had Will Smith as a lead, if could've been Denzel or Jamie Foxx it'll rock more today), more good action thriller-The Package and the comedy I caught up Heartbreakers. Forgot he had a cameo in The Mexican when I gave that film another shot (totally hated it when it came out), tried to see again The Royal Tenenbaums but remembered how he quarreled with Wes Anderson (which I find completely overrated) and paused it. It's a great part but not a lengthy on.  Also discovered some gems like The Hunting Party (1971), The Split (bit cop part) when Jim Brown died and recently, when Kris Kristofferson passed I saw Cisco Pike (1971). Brilliant wicked part for Gene Hackman, probably last seen by me. 

He was retired since 2004 after the lesser comedy Welcome to Moosesport. He was painting and writing thriller noir/ history fiction novels. 

Hackman received two Academy Awards (for William Friedkin's The French Connection & Clint Eastwood's Unforgiven), two British Academy Films Awards (BAFTA), and four Golden Globes.

My faves after the obvious characters of Popeye Doyle, Harry Caul, Little Bill Daggett and Lex Luthor are Crimson Tide, Prime Cut, The Scarecrow, French Connection II (he's better in Frankenheimer's sequel than in Friedkin's hit, it's harder bit too imo) , Bite the Bullet, Night Moves, Eureka, Under Fire, so on...

Most amusingly he played the blindman in Mel Brooks' parody Young Frankenstein, in 1974, uncredited. It's kind of a cameo but now every obit mentions it as an important part. Come on, you AI generation morons...

As a kid I saw him first in cinemas in Superman, The Poseidon Adventure, The Domino Principle, Marooned, Zandy's Bride, The Gypsy Moths (that on TV). Then later his breakthrough part in Bonnie & Clyde. 

He was a superb villain always, suave and smiling. Also he could play men in uniform, military authority at best. And grand in westerns. But his secret gift was comedy. He Is, was and will be one of my favorite Actors. And as far as I checked everyone says he  was the Best Actor that ever IS !

 "If you look at yourself as a star, you've already lost something in the portrayal of any human being."

                                                             Gene Hackman (1930-2025)

Ridley's Favourite Flicks & LMA @87 !!!

Today Sir Rid is 87 !

Seems that not even Gladiator II is not the much expected BO hit he wanted to have. After the vain and bloated Napoleon and 3 flicks that didn't make much waves (The Last Duel, House of Gucci, All the Money in the World), plus the self-destruction (implosion) of the Alien franchise (Prometheus & Alien: Covenant), and a series that went nowhere in season 2 and was cancelled -Raised with Wolves, it seemed he recently fared better as a producer (Alien: Romulus).

This here is an unexpected list of Ridley Scott's favourite films, or the films who influenced him. Of course there are on top 2001-A Space Odyssey and Lawrence of Arabia, but there are also unexpected choices.

LMA/ Happy Birthday, and pls. give us one more movie we should care about ! Not You should Be Dancing, the Bee Gees biopic, you should be better dancing 4 real instead...

I already revisited recently Body of Lies and now I will watch again American Gangster, and might see again The Counselor, which I loved when it came out...Gladiator I revisit too much whenever I am on a binge of sorts..

Gladiator (2000)

 INTO THE ARENA*

Alin Ludu Dumbrava / Art & Roll, 2000.  Pus acum aici pentru comparatie cu Gladiator II. 

Filme de acest gen nu se mai fac de 35 de ani incoace. Costul unor asemenea superproductii (numite de italieni Peplum si de americani Toga and Sandals movies) era imens -figuranti, costume, decoruri, staruri, cai, pirotehnie. Lovitura de gratie a dat-o Cleopatra (1963), un urias esec de public, cel mai scump film al vremii sale, cel care si-a falimentat producatorii in asa hal incit Hollyood-ul a pus definitiv sub cheie genul. Cele mai bune mostre ale acestui gen de spectacol cinematografic sunt Ben-Hur (William Wyler, 1959), Caderea imperiului roman (Anthony Mann, 1964)si Spartacus (Stanley Kubrick, 1960). Asta pina la Gladiator. Pentru ca filmul lui Ridley Scott este mai mult decit un simplu peplum si se ridica net peste ele.

"Are you not entertained? "

Scott este un regizor baroc, acuzat mereu de detractorii sai pentru simtul sau acut vizual in detrimentul actorilor si al naratiunii. Dupa o cariera furtunoasa, plina de esecuri de public si certuri cu producatori lipsiti de viziune, Scott revine in forta cu un film care incheie mileniul in ideea ca de doua mii de ani incoace nu s-a schimbat mai nimic pe pamint. Colosseum-ul lui Scott este arena eterna, cea in care publicul spectator vrea senzatii tari, adrenalina, piine si circ. Este si ceea ce a ajuns cinematograful azi, o disfunctie intre arta si industrie, menita sa recupereze cu orice pret banii investiti si sa scoata din amorteala si rutina zilnica rontaitorii de popcorn. Lectia lui Scott din 2000 A.D. este ca se poate face un film pe care sa-l aclame publicul mic si mijlociu dar si criticii si cinefilii impatimiti. Pentru ca Gladiator este spectacolul pur, epic, maiestuos, cinema 100 %. Si mai mult, o sarja mascata a artistului impotriva unui sistem de mercenariat, in care intri in arena, te umpli de glorie si apoi multimea te uita imediat. La fel ca in Hollywood, unde esti vedeta pina la urmatorul film. Daca acesta e un esec, esti deja o glorie trecuta. Intreaga cariera a lui Scott a stat sub acest semn, fara premii, fara elogii, fara libertatea de a crea liber. Ridley Scott este Russell Crowe, gladiatorul care sta in arena si urla multimii insetate de singe, “acum sunteti multumiti?”. In arena realizezi ca poftele umane sunt mereu aceleasi de la prima caverna la primul pas in cosmos, sex si violenta, cit mai mult sex si cit mai multa violenta. Lumea in care traim a uitat definitiv maximele lui Marcus Aurelius (un Richard Harris in amurg), visele, nobletea. “Ce e Roma? -Un vis…” Replicile din film l-ar face invidios si pe Shakespeare. “Ceea ce facem in aceasta viata dainuie in eternitate”. Asta e si menirea artistului, a creatorului de cinema adevarat, ce va rezista mai mult decit o vara in box-office-uri. Oliver Reed primeste un ultim rol extraordinar, simbolic- Proximo, simbolul actorului care stie care e pretul gloriei. El stie cum poti sa-ti cumperi libertatea-trebuie sa cistigi multimea. In arena. Orice fel de arena, fie ea o scena de concert rock, un miting electoral, un ecran de cinema. Gladiator este o meditatie asupra a ceea ce se numeste showbusiness, punind accent pe mirajul pe care il exercita orice scena luminata asupra multimii.

Daca in martie 2001 Gladiator va lua sau nu cel putin cinci Oscaruri, (NA: si a luat exact 5, dar Scott nu, si asta eramarea lui sansa, da, as always, some movies direct themselves..) aceasta se va datora nu mesajului filmului si nici calitatilor sale cinematografice, ci faptului ca a fost un succes extraordinar, de public si apreciere generala. That’s showbiz, and there’s no business like showbusiness. Odata in viata Ridley Scott a iesit cistigator. In arena. Pe acordurile cele mai simfonice pe care le-a compus vreodata Hans Zimmer. Lights, camera, action: Give’em Hell! Pina la urmatoarea lupta: Cut!

ALD

*titlul vine de la o piesa de Michael Shenker, which I love(d).

5 stele din 5 !  (azi, NA, 2024 m-as duce la 9, pentru tot mambojambo-ul cu acel complot debil)

DVD director's cut, nu merita pentru ce in plus. More like deleted scenes. 171 mins vs. originalul la 155. L-am dat la Cinemateca Patria in 2014. 

RIP Ion Rițiu

Ion Rițiu enchanted my childhood. He was Rică Păsărin, the lead in Duelul (1981) by Sergiu Nicolaescu,Sergiu Nicolaescu, his last "comisar" film in Ceaușescu's times. Up to Supravietuitorul (2008), in which he gave Rițiu a part too, 30 odd years later. 

He was the rich bad boy gone mad in Sergiu s Ciuleandra (1985), Puiu Faranga,on the Liviu Rebreanuțs book adaptation. 

Next on an officier in Noi, cei din linia întâi (1985).

He was also the ottoman boss, Baiazid in Mircea (1988). 

Last film, Poker (2010), also by Le Serge. Actually Sergiu NicoleascuSergiu Nicoleascu was the only one who gave him film parts. Why? :(

I saw him as a kid on a theatre play in Oradea or Cluj. Hollywood type of charisma, nice diction, ultra photogenic old style (30s). I was charmed.  He worked as a theatre actor in Târgu-Mureș. Dan Alecsandrescu, my mom's youth friend, the theatre director there put him in many plays.

Ion Rițiu was 73 (born 4 Dec. 1950).

Obit from Gândul

RIP Donald Sutherland

Last Wednsday I was in TIFF at the Dolce far niente dinner ;) when a message shattered me.

I shared Keifer's post on FB, about the death of his father, Donald Sutherland, 

saying ONE OF THE LAST OF THE ONLY ONES (quoting the Danny & Dusty song)

The greatest Canadian actor of all times for sure, Sutherland was 88 now, would've been 89 in less than a month (born July 17, 1935).  Still active as an actor, almost 200 films to his name, and unbelievably he didn't win an Oscar ever. Shameful, but they gave him a Honorary Award in 2018, just like with Peter Fonda and other Greats. I met him briefly at a Dec. 1st Buftea studios Media Pro Party when he shot there An American Haunting in 2005,  he was also in Romania in Cold Mountain, the nightmare of waiters in Poiana Brasov because of his contractual clause of non-smoking around him ;)

one of The Dirty Dozen 

one of the M.A.S.H. (Hawkeye)

John Klute in Klute

1900  (absolutely brilliant part !!!)

Fellini's Casanova -masterpiece and a career best

Don't Look Now 

Homer in The Day of the Locust

Liam Devlin in The Eagle Has Landed

The Eye of the Needle

Ordinary People

my soft spot for Kelly's Heroes

The Invasion of the Body Snatchers 1979 

X in JFK

a Soviet colonel in Citizen X 

The  Puppets Masters (1994, saw and did promo when on HBO, a sort of Body Snatchers by Robert A. Heinlein)

His last great part was in Mr. Harrigan's Phone (2022), based on a Stephen King's story, on Netflix. Before that I loved him  in 2019's The Burnt Orange Heresy as the reclusive painter Jerome Debney.

Before that Ad Astra as the Kurtz in space figure. He was John Paul Getty in Danny Boyle's Trust miniseries, a much superior fare on the kidnapping of the Man's nephew than Ridley Scott's film.  But more popularity came as President Snow in the Hunger Games series.

The Sympathizer (2024)

"Nothing is more important than independence and freedom."

The Sympathizer is on Max / HBO Max. All Seven Episodes of it. And it won't be a second season. Why? That's how the book ends.

Based on Pullizer prize winning book by Vietnamese writer Viet Thanh Nguyen.

Directed by Korean master Park Chan-wook (Sympathy for Mr. & Lady Vengeance, Oldboy, Thirst, The Handmaiden, etc.), but only three episodes, created by him and Don McKellar (Last Night).

Produced by Robert Downey Jr. with his wife, Susan (Team Downey) with A24 & Rhombs Media, tough sell for HBO/Max but it's there, like Ripley was for Netflix.

The best stunt in it is Downey pulling a Dr. Strangelove, meaning he plays not one but FIVE characters, and all explosive, the exact opposite of his acting in Oppenheimer, he's all over the place (literally). 

https://www.menshealth.com/entertainment/a60674223/the-sympathizer-robert-downey-jr-characters/

My favourite of these characters is Niko Damianos, the director absolutely based on Francis Ford Coppola, whose film The Hamlet is a wanna-be little Apocalypse Now.  Starring an absolutely nuts Method Actor named Ryan Glenn played by a crazy unshaved David Duchovny, a mix of Nick Nolte, Lee Marvin and with a wink to Downey's own character in Tropic Thunder.

Hoa Xuande is the protagonist known as The Captain, caught between two worlds. He is also a mongrel, his father being white (The Frenchman Priest, another pose for Robert Downey Jr.), his mother Vietnamese. He is also a mole, working for the Vietcong but posing as an Intelligence officier for the South Vietnam American allied. He has to leave the country with the Southern bigshiots, seeking refugee in America after the fall of Saigon. He tells his story in many ingenious flashbacks Together with his childhood friends Bon and Man, they have a pact, "All For One and One for all". Then, things change...There's something out of Once Upon a Time In America here, especially in the last episode. 

Absolutely great score by Chan-wook Park's collaborator, Cho Young-Wuk. 

And amazingly enough, most of the film (miniseries that is still a film) is in Vietnamese (& English surely). How did a Korean direct Vietnamese actors (as far as I know Park Chan-wook works through a translator, at least that's how it went 8 years back or so when he also came to Romania to Anonimul festival-he came in Bucharest way before, at Fantasia 1st edition with his 1st film, JSA). He did Stoker in English (2013, through translator) and the mini-series of The Little Drummer Girl (2018, for AMC). 

Civil War (2024) & cronica audio

 cronica radio despre noul film a lui Alex Garland, Civil War ! 

acum in cinema

Kirsten Dunst, Wagner Moura & co sunt o echipa de jurnalisti de razboi ca in filmele din anii '70, de la Vietnam la Beirut.

Soundtrack interesant, Suicide (Alan Vega), Silver Apples, De La Soul. 

Dune part Two (2024)

 Saw Dune. Zwei. Nicht Drei ;)

here's my and my buddies thoughts of the 1st Villeneuve film. 

direct link: https://revistagolan.com/dume-despre-dune-7-oameni-scriu-despre-filmul-lui-villeneuve/?fbclid=IwAR0eGR8HEUUou5D3ooGccvXo4MiSKwxvs66ECYlCK-OryJ-vy9rkUYIGFj0

This time I'm not sure I can gather them for a part deux review...but weirdly enough none of them saw it in the 1st 2 weeks...

My main interest. As in Heroes (old Gods, Almost Dead topic...) Chris Walken is the Emperor Shaddam IV. Sounds like an SNL sketch to many it seems, read a review that considered that to be a grave mistake. Dudes, this is the guy from Deer Hunter, The Dead Zone and The King of New York.

If you know him from a Fatboy Slim video that's your problem. 

The Man is a monument of whatever you want, pop culture, and for some of us bigger than the religions and conflicts of Dune. 

More Cowbell ?

-I didn't care about the freemen, Wonka with blue eyes, Zendaya Mondatta, his mom and his sis. The worms looks great, the dunes are all righy (Jordan), Zimmer pulls some Tubular Bells in the ending, Elvis is a mean Feyd Rautha and Bardem (Stilgar) plays like he's Anthony Quinn on steroids. Shades of Lawrence of Arabia were in the original novel, here there is Star Wars galore, esp. The Empire Strikes Back, the battle on the ice planet, revisited here on yellow sand.  What else? A Gladiator scene in black and white and too little emotion- for me. Not enough cowbell. Amazingly this went straight to Top IMDB #11 (while the 1st film didn't even make the top 250 !!!), let's see how it will do in due time. #3 should be better imo. It has more politics in the plot, less worms and Mu'adib becomes who he should be (a Vader analogy?)

                                                       May the Dude be with you!

The Zone of Interest (2023)

I was expecting Jonathan Glazer's fourth feature with much anticipation. He doesn't make a a lot of films, four in over 20 years...the 1st one, Sexy Beast (2000) stuck with me from the first frame, Birth (2004) so and so and last one ten years ago , Under the Skin (2013) was an UFO of the foremost cinematic kind (in my Top of 2014 films and soundtracks). So, when I first about the plot of his new film that took ten years to make, The Zone of Interest, the fact that is shot in German and on location in Poland's Auschwitz-Birkenau made me want to see it more than any film in last year's Festival de Cannes. I am now totally convinced it should've won Palme d'Or more and much more than Anatomy of a Fall, which is for me one of the most overrated films of 2023. Zone won Cannes' Prix du Jury in 2023, the FIPRESCI prize and two tech awards, Johnnie Burn for the sound and Mica Levi for the music (the Cannes soundtrack award). 

The Zone of Interest is loosely based by the Martin Amis book, but it takes just the plot idea from there. Beyond that it went into a deconstruction of the Evil as banality, and offers a very different view of the Holocaust from the Inside Out.

One of last year's best and most powerful films (also in cinematic language) , where what you hear is more important than what you see-and go and see it in a cinema, it plays now near you.

Will definetly win the Oscar for the best foreign film and sound, it's nominated for 5 categories including best film and best direction. More than Nolan and Scorsese Glazer's direction is topnotch, original, artful, an observational film, experimental, in many ways avant-garde. 

                                        thermal b & w photography sequences

The Day The Clown Cried (1972)

Lost masterpiece, horrible misfire, infamous idea, one of the myths I heard all my life was about Jerry Lewis' "lost film" (banned from viewing by Lewis himself), The Day The Clown Cried (1972). 

Now it looks the film will be shown this year. So, thee might be hopes to see it in the near future.

Source: Joe Dante 

https://www.thenationalnews.com/arts-culture/2024/01/05/jerry-lewis/

Napoleon (2023)

 work in progress...or regress...

cos' so many asked me about this, and if i liked it, or is it good, and why this and that...

Well, as far as it goes, for me it was the biggest disappointment of 2023 (see my faved here).

Some expected this like the 2nd coming, I gave up on sir Rid some time ago (last cool one was The Counselor and that was 10 years ago...), I have huge reservations on Alien: Covenant which I appreciated then, as I did with the beginning of Raised by Wolves series, and tahn he killed it, he self-imploded his best films with adding crap to their coda-Blade Runner and Alien that is...I hope he won't f**k up the Gladiator thing too...well, which Gladiator, aha, aka The son of Maxxxximussss...

well, the main problem isn't dramaturgy as some say, or the timing (and I am very sure a 4 hour length won't improve it..) but the casting of  mr. Joaquin "joker" Phoenix as Nap B., in a cross between his Commodus (from 2000's Gladiator) and Joker (2019). An Emo Napoleon ? you got one....Napoleon is Afraid ;)

Ok, now 3 Oscar nods, for set, visual f/x and costumes...no biggie

I liked the music (by Martin Phipps, newcomer on Sir Rid's team) much better than on the last Ridley Scott films, and that was its best asset. 

No performances, no nothing. I started to write about it in Romanian and was kinda mean to it. made me see again WATERLOO (1970), which I saw as a kid on the big screen and was uber-impressed and I gotta acknowledge again that it's such a better film still. And Rod Steiger rulezzz, and he's the man.

also there's the Stanley Kubrick paradoxxx-because Waterloo was a flop Kubrick did not get to do his Napoleon. And that is a pity. Nap B. was to be played by Jack Nicholson. Yes. And they were supposed to shoot in Romania, 'cos we got em horses and costumes. Didn't happen. Kubrick did Brry Lyndon instead, giving Ryan O'Neal a life eternally. 

I have butto see the 5h30 restored cut to see of Abel Gance's Napoleon (1927).  They worked 30 years to redo that. And the original cut was 7 hours. So, even at 4 hours, a Scott Director's cut I guess it won't change the cue too much.

RIP Ryan O'Neal

Ryan O'Neal is gone, he died on December 8th 2023 in Santa Monica. He was 82...

His only Oscar nomination was for Love Story (1970). 

Though all his other parts were better, this was what the audiences identified him with. His problem was he was too beautiful and charismatic and also maybe didn't improve in the acting domain (like Redford did, or go into directing, etc), Maybe he should've.

Wild Rovers

What's Up, Doc?

Paper Moon

Nickelodeon

The Driver

Barry Lyndon

A Bridge Too Far

All great parts and classics of the Seventies. Except maybe, The Thief Who came to Dinner (1973). The computer subject is too over dated 2day.  He ended his most brilliant decade with Oliver's Story, a maligned sequel to Love Story in 1979. 

I guess O'Neal was thinking, especially after the flops of Barry Lyndon, The Driver and Nickelodeon, "why bother?". A Bridge Too Far / Un pod prea indepartat (1977) was at the time the most expensive film ever made and when it came out, no one wanted to see it. Maybe it made its money back by today, great war flick anyway, I was too young when It played in theaters, or something, I missed it 'til DVD dayz (& nights). Well, Wild Rovers in 1971 a beautiful elegiac western by Blake Edwards, was also a flop, due to the downbeat ending, and the timing of the release. I was amazed when I finally saw in on TNT in gorgeous widescreen. You can see it all on youtube, great copy)

First time I saw him on the big screen in The Main Event (, 1979), which reunited him with Barbra Streisand for a minor comedy after their uber hit What's Up, Doc? (Peter Bogdanovich, 1972). Also ca$h in was the Romanian title, Love story pe ring !!! Ryan plays a washed-up boxer, and that's whht he was before he became an  Actor.

Also with Bogdanovich he did Paper Moon (1973), where he acted along his daughter, Tatum O'Neal, who won an Oscar for Supporting Actress, at 10 being the youngest person to do so in the history of films, and Nickelodeon (1976), a misfire at the time, but that today seems intimate arthouse fare compared to a film like Babylon (2022). And of course his part for Stanley Kubrick's Barry Lyndon (1975), a flop then, and today considered one of the best films ever made. full point, and my soft spot, The Driver, the existentialist neo-noir by Walter Hill (1978).

Unfortunately the Eighties were not his decade, he had a troubled life and later career. Green Ice (Gheata verde), a minor film he did in 1981 was a recrudescent entry in Romanian Theaters in the Eighties. I mean, they played it all the time... and it was a mediocre film. Totally forgetabble. I rememeber it so well cos I had to see it too many times and even I wrote my first piece of published film critism on that (compared with Tarkovski's Stalker !!!, yep, published in the local newspaper, "Drum Nou" (New Road) in 1998, thanks dad, well, it was for mom, named in the piece as a lady who likes "nice films" and "nice scenery". My critique on her kalofilia....The Main Event also I saw with mom and dad at the Popular Cinema in Brasov, I remember, it was an after ski event, came from the ski directly to the theatre 'cos my dad knew the manager (Mrs. Nicolau, and she helped me 5-6 years later to start presenting films there, oh boy was I shy, but did it did me good....), and we left the skis and sticks in the cloak room, and afterwards left on Dupa Ziduri (after the Walls). I mean, we did that a lot (House Calls and Goodbye Girl were other Romantic comedies fares we saw there that way). 

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But really, going back to Ryan, if you wanna see a UFO, i mean, outthere in the woods (lost), see Tough Guys Don't Dance (1987), A Cannon fodder entry, directed (?) by Norman Mailer, based on his novel. Well, I just saw it now again (it's also on youtube), and well, it's totally worth a new look.

More Ryan recent fares were mostly cameos, the producer in Burn, Hollywood, Burn: An Alan Smithee Film! (1987), oy, oy, the tycoon in Zero Effect (1998), whoever in People I Know (2002), yes, that was the name for all of that, played in theaters no less. The last time I saw him in The Knight of Cups (2015), Malick's maliquesque -read:[most self indulgent], where he is basically himeslf. If you wanna check his blink-and-miss scenes, the film is now on HBO Max.

Libertate / Freedom (2023)

 cronica in românește aici

And now, in ingles...

Libertate/Freedom -a necessary film

The fifth cinema feature by Tudor Giurgiu (Despre oameni și melci/About people and Snails, Why Me?), has a strong theme that hurt us (and still hurts). The Sibiu events of December 1989 were not told until now on film.

2 million bullets were shot (!!!) , 99 people died and 272 were wounded, 522 persons suspected as terrorists were illegally detained in a swimming pool of the Sibiu Military Unit 01512, last of them freed only on February 1^st 1990. It was complete chaos & hellfire and there were the most casualties in the country, after the ones in Bucharest.

A very tough and a very necessary film. 

In 33 years after the ”Point Zero” there was only one important film about the ”Revolution”, Hîrtia va fi albastră/The paper will be Blue, by Radu Muntean (2006), and in the same year a satirical view of it-A fost sau nu afost/12:08 East of Bucharest, by Corneliu Porumboiu. Together with a documentary (a bit abstract and experimental) Videograme dintr-o revoluție/Videograms of a Revolution, by Andrei Ujică and Harun Farocki in 1992 (you can see it on youtube and it's even more relevant today!). 

A prestigious ensemble cast, a whole generation of actors (I won't name names out of respect for all of them-I counted 27 parts of equal importance) a detailed research that took 4 years and a half (script written by Giurgiu with Cecilia Ștefănescu based on an idea by Nap Toader), set design (Vali Ighiceanu), costumes (Viorica Petrovici-update: Libertate just won the Award for best costumes and sets at the Waterloo Historical Film Festival, bravo!), and high production values, dynamic, violent hand-held photography by Alex Sterian, alert editing (Reka Lemhenyi), a prophetic and ironic title in the same time, not necessarily in the search for a Cathartic Truth, but a naturalist remake with the feeling and shape of a documentary. No one is condemned, there is no personal judgement, just what is puzzling all of us and is found in the films subtext -why did this happen and mostly, can it happen again?

To be seen -definitely in cinemas (October 6^th in theaters across the country).

Alin Ludu Dumbravă -Culturama nr. 3, octombrie 2023

Libertate (2023)

Libertate -un film necesar*

*această cronichetă a apărut în print în ziarul Culturama al Băncii de Cultură Apollonia, nr. 3, ediția octombrie 2023.

aceiasi cronica, in engleza, aici. 

Al cincilea lungmetraj de cinema a lui Tudor Giurgiu (Despre oameni și melci, De ce eu?), preia o temă gravă și care încă ne doare (și ne va mai durea). Evenimentele de la Sibiu din decembrie 1989 nu au mai fost povestite până acum. S-au tras 2 milione de gloanțe (!!!) , au murit 99 de oameni și alți 272 au fost răniți, 522 de persoane considerate teroriști au fost reținute ilegal într-un bazin gol al unității militare 01512, ultimii din ei fiind eliberați abia pe 1 februarie 1990, a fost haos total, au fost cei mai mulți morți din țară, după București.

Un film foarte dur, și un film absolut necesar. În 33 de ani de la ”Punctul Zero” a fost făcut un singur film important despre ”Revoluție”, Hîrtia va fi albastră de Radu Muntean (2006), și în același an un film-pamflet, A fost sau nu a fost, al lui Corneliu Porumboiu. Alături de un puternic documentar (dar puțin abstract și experimental) Videograme dintr-o revoluție, de Andrei Ujică și Harun Farocki din 1992 (filmul se poate vedea pe youtube și este mai cutremurător azi decît la data premierei!).

Distribuție de ansamblu, o generație întreagă de actori (nu am să numesc niciunul din respect pentru fiecare -am numărat 27 de roluri de egală importanță), o documentare minuțioasă care a durat patru ani și jumătate (scenariu scris de Giurgiu alături de Cecilia Ștefănescu după o idee de Nap Toader), scenografie (Vali Ighiceanu), costume (Viorica Petrovici-update, Liberatate tocmai a luat premiu pentru cele mai bune costume și decoruri la festivalul Filmului istoric de la Waterloo, bravo!) și o producție minuțioasă, imagine dinamică din mână, violentă, de Alex Sterian, montaj alert (Reka Lemhenyi), un titlu profetic și ironic în același timp, nu neapărat în căutarea unui Adevăr catartic, ci o reconstituire naturalistă cu aspect și tentă de documentar, fără a condamna pe nimeni, fără a emite judecăți personale, decît aceea care ne macină pe toți și care se găsește în subtextul filmului, de ce a trebuit să se întâmple asta și mai ales, se poate întîmpla din nou?

De văzut neapărat -și de văzut în cinema (din 6 octombrie în toată țara).

Alin Ludu Dumbravă

-critic de film-

*** Coda***sau P.S. (16.10.23, well, wasn't the best day, but the coldest til now..)

Mi s-a pus în vedere că mai sunt și alte filme despre ”Revoluție”, Cum mi-am petrecut sfîrșitul lumii al lui Cătălin Mitulescu, tot din 2006 nu e despre asta ci despre copilarie și Stare de fapt (1995) regia Stere Gulea, co-scenarist (sau "dupa o idee de") Lucian Pintilie !, despre care chiar uitasem, e un film isteric, sordid și cam periferic, răfuială cu securiștii. Dar dacă le vreți și pe astea de ce nu vorbim și de 15 de Sergiu Nicolaescu (2005) și chiar Punctul Zero (1996), unde avem reconstituirea execuției Ceaușeștilor. Atîta s-a putut...:D

”Nu suntem într-un film de Nicolaescu”, e replica din filmul lui Giurgiu. Nu, nu suntem. Suntem (aici) de mii de ani și într-o etapă nouă acum de 33 de ani într-un film prost. Se numește (I)Realitate mioritică. Libertatea e doar (sau ”decât”) un concept frumos, eteric, iluziv, escapist. Liber, adică dezlegare la pește...

Hârtia va fi albastră / The Paper will be Blue (2006)

Apropo de Libertate de Tudor Giurgiu, acum pe ecrane (cronica mea din ziarul de Brașov Culturama aici și în engleză aici), iată și cronica la celalat film despre ”Revolutie”, Hârtia va fi albastră de Radu Muntean, cu premiera pe 13 octombrie 2006 (i was there ;). Articolul a apărut atunci în revista Șapte Seri. Dacă vă interesează și Porumboiu, A fost sau n-a fost, cronica mea din epocă, tot Șapte Seri, e aici.

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Hîrtia e foarte albastră - Hîrtia va fi albastră 

 de Alin Ludu Dumbravă

 Şapte Seri / octombrie 2006

"There's no time No time to remember these days No time to hold back in that size We don't have no time, no time, no time... No time for revolution!" 

                                                              Falco - No Time for Revolution

Atenţiune, atenţiune! Film nou românesc! Iară cu revoluţia? Da, dar nu iară şi nu din nou, ci pentru prima dată... despre cei ce au băgat în stradă în noaptea de 22-23 decembrie, în capitala acestei ţări numită pe atunci R.S.R. (Republica Socialistă România), cei ce au murit de-an pixul la acea circotecă datorită căreia azi poţi să-ţi iei maşină în leasing şi să culegi căpşuni în spaniolă. Aşa zisa "Revoluţie", minunata lovitură de stat bazată pe zvonistică, fum fără foc şi foc fără fum, scăpată de sub control datorită unor tineri entuziaşti. Mulţi dintre ei n-au mai apucat să se entuziasmeze de a doua zi încolo, nici măcar să se deprime. Pentru cei care au avut ghinion, în confuzia generală, prezentată realist de Radu Muntean (la al doilea film de cinema, după Furia), 22-23 a fost o noapte fatală, nu "Conu' Leonida faţă cu reacţiunea". Ţţţţţ, noroc că a fost cald. Că altfel, dacă erau minus 30 de grade, se ducea de râpă tot evenimentul. Aah, şi să nu uit, era mai cald afară ca înăuntru.

OK. Precizări. Hîrtia va fi albastră e un film Important. Dur. Minimalist. Docu-dramă. Lumina de atunci, străzile sumbre, camera tremurată, dar foarte puţin, culorile desaturate (bravo Tudor Lucaciu). Nu mă aştept să se bată lumea pe bilete, pentru că aud zvonuri cum că "iară cu revoluţia, dom'le, ne laşi, au trecut 16 ani". Da, au trecut şi iată, un copil de 16 ani, nenăscut în tomberonul lui Ceaşcă, poate să afle şi el câte ceva. Să vadă primul film cu adevărat despre "noaptea cea mai lungă". Într-un stil narativ alert, cu miez şi point. Să afle de unde vine ciunga şi coca cola aia, că nu scrie pe net şi messenger! Eu cam atât aş avea de spus. Să-i ducă la film, cu clasa, de la şcoală. Aşa cum erau duşi elevii să facă cu mâna Cârmaciului, cînd trecea pe drum, sau cum recoltau cartofi, ca să avem agricultură. Am şi o problemă, una singură în unghi subiectiv şi muzical, genericul final cu Nana Mouskouri şi corul sclavilor. Mă aşteptam de la Radu la ceva gen Scorsese în Goodfellas, unde cântă Sid Vicious My Way, adică ceva mai punk, gen Zob cu o variantă la Deşteaptă-te, Române, sau varianta mea (că se discută în film despre Amadeus-ul austriac, RIP), No Time for Revolution. OK. După film am intrat într-o tutungerie-alimentară, butic, chiar în spatele Ateneului Român pe care scrie Molière, Franklin etc, şi era ca pe vremuri, salam, cu menţiunea fără soia. În continuare la noi hîrtia e foarte albastră. Nu ca cea de turnesol, că nu-şi schimbă culoarea, asemeni cameleonului naţional.