In Space no one hears you laugh. Or sneeze. Or does it?
Now finally out in theaters (it was first to premiere on streaming on Hulu). Saw it last night on the avan-premiere. The lighting, sound, sound fx, music, design, all it's super well done, on an A budget (shot on the Origo studios in Budapest). But too many references and beaten paths, a lot of plants but no payoffs, and a shorter running time (15 minutes easily less instead of 119) would've helped the pacing. I would've dropped the last act-or the final bit of the third act- in setting that for another film, also the premise on the Jackson colony planet, gritty and grim, with rain, poverty and darkness reminded me of the colony in Outland (1981) or the Mars environment in Total Recall (1990). That could've been used more imo.
Alien: Romulus is a reboot, a sequel, set on the timeline between Alien (1979) and Aliens (1986), and functioning on the mythology of the Prometheus (my thoughts here) and Alien: Covenant (my thoughts here), these two movies existing now in the Alien universe before the original Alien.
Weyland-Yutani are everywhere, as is the Romulus/Remus theme (children Raised by Wolves), another theme Ridley introduced in his 2020 series that were mixing the Blade Runner android themes with the Alien Synthetic beings-that being and remaining Ridley's obsession-"More Human Than Human" (Tyrell being in the same universe as Peter Weyland's "Building better Worlds").
Uruguayan Fede Alvarez (Evil Dead 2013 remake, Don't Breathe), a good choice for directing, was chosen by Ridley who supervised the film and
gave him notes. Alvarez and his buddy, Rodo Sayages (also director of Don't Breathe 2) wrote the script but took their notes and nods to all the franchise tropes.
The characters though are like pawns, younger actors, some annoying, ready to be sacrificed for the more important Directive, the WY priority. Just think of the original Alien cast and weep...Obvious cue, Rain (Cailee Spaeny from
Civil War) is all and all from Ripley.
The Andy Android (David Jonsson) is a step (& color) forward, instead of good/bad you get two chips, different sides of the same coin.
Another link to THE Alien (the 1979 film that is) is the Rook character, based on Ash, due to the
Ian Holm regeneration on CGI & AI symbiosis.
The music score, (key word: Pounding!) by Benjamin Wallfisch (partner of Hans Zimmer on
Dunkirk &
Blade Runner 2049, solo on It and The Flash) has the most references to the iconic score of Jerry Goldsmith for Alien, then
James Horner for Aliens and Hans Gregson-Williams for
Prometheus, plus a rendition of The Rheingold/Valkyrie Richard Wagner's anthem used in
Alien: Covenant.
“Dear Fede, Good luck. Good health. Good hunting. Don’t f–k up. Very best wishes, Ridley Scott.”
A great conversation between Ridley and Fede Alvarez here. Very cool.
But this is no longer (sir) Ridley's toy, neither is Fox's, its boss being now Disney (where the Alien films can now be streamed, on +!!!) and that's Weyland-Yutani Industries in the Real world making Science Fiction just science 1.0.1. And horror tru. But No One hears whoever Scream.
So, Romulus it's not innovative cinema but it's well done, some good practical FX, as opposed to only CGI, nice camerawork, claustrophobic widescreen (2.39: 1), Galo Olivares' 1st major credit, he did Gretel & Hansel for Osgood Perkins in 2000), and as I said lights & strobes, shadows, colors, flashes, fast movements- effective filmmaking. I reckon it will be a box office tie, at 80 million $ budget plus marketing and publicity costs this should make at least $300 mill to get a sequel.
But hey, we got one coming up ! The
Alien Hulu F/X series led by Noah Hawley (the creator of Fargo series, so there's some hope ;). Streaming in 2025.
3 out of 5, 6 out of 10 (for the qualities mentioned above).
At least it's Rated R ;) Also, it's been Seven long years (und a Pandemic) since t
he last Alien film on the big screen.
-also to be seen on the big screen. Full sound and scope.
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