The Drama (loved the title) has Bergmanesque, Woody Allenesque-through his Bergman love), Nouvelle Vague vibes too- and i must confess I enjoyed it more than the whole Sentimental Value thing. Or overbloated Baumbach's Marriage Story, all due to Bergman's tropes (ther is even a poster for The Passion of Anna, which the writer/director showed his actors in preparation for the shoot). Don't foreget Borgli is a Swede too.
Liked the energy, the humor, the storytelling, the editing, Daniel Pemberton's score, the acting of the two leads-Robert Pattison and Zendaya in her best part yet- imo-they had chemistry.
Dram Scenario was ok, Sick of You was intense, looking forward for more Kristoffer Borgli.
Project Hail Mary is the Feel Good science fiction film of the year, decade, and more, a hopeful unlikely buddy film well done, with winks to 2001, Intersellar, ET, Close Encounters of 3d kind and of course Rocky ;). Ryan Gosling is at his most charismatic and Rocky is a hoot ! Import Deutch Sandra Hüller (Anatomy of a Fall, Zone of Interest), does a good job, and also karaoke ;) Nice songs on the soundtrack (Kris Kristofferson, The Beatles, Dennis Wilson, Ike and Tina Turner) and effective score by Daniel Pemberton. It does what Mission 2 Mars and The Martian (also based on an Andy Weir book) did not manage to do, meanwhile touching the Grace ;)
See it on IMAX if you can, all the space sequences are shot in the format.
This is Film Noir, dark comedy, thriller, and most of all an homage of Kind Hearts and Coronets (1959), the classic Ealing comedy with Alce Guiness es ;), based on the novel , it says on the credits. "Insiperd by" those two.
Also has an 80's air, it's cynical and politically incorrect, stylish and crisp.
Finally a good part for Glen Powell as Becket Redfellow (cool names in this family !), after the huge misfire of new Running Man-Liked the guy in his SNL episode, I think he has more comedic potential than action chops, definetly romantic too.
Jessica Henwick is the romantic interest, Ruth. Bill Camp has a nice part as Warren Redfellow, also Topher Grace as one of the Redfellows (Steven) and Zach Woods (from Sillicon Valley) another one (Noah). Also Ed Harris' part as the patriarch Whitelaw Redfellow is more like a cameo, but he's effective as ever.
Amazingly enough this was shot in South Africa instead of New York and New Jersey !!!
Great score by Emile Mosserri and effective soundtrack-The Clapping Song (Shirley Ellis) , the Brazilian classic Take Me Back to Piaui by Juca Chaves, No Fear by Inflo, etc.
Tough cookie, lost count of how many films I've seen. Less than probably any year. Over 200, less than 300 ? More ? I started to put them on Letterboxed starting late October but still didn't catch up with the rest.
***
Top of the series is here and films from 2024 are again a problem, The Brutalist and The Substance should've make the 2025 list, as there still are some of 2025 which I haven't seen yet (Hamnet,-saw it,. did not like at all- Resurrection, Sound of Falling ?). Marty Supreme would make Top 5 but I've seen it in Januaray 2026.
Just caught up with Park Chan-Wook's No Other Choice that makes the list. It's limited in Romanian Cinemas now, so try to see it on the big screen, it's worthy.
Kinda disappointed with Romanian Cinema this year too. I liked Kontinental '25 and that's it. Could 've been also Jude's Dracula but he made it such an intentional mess and duration wise a whole calvary...
Finalmente l'alba - Saverio Costanzo -2023, on which I wrote:
Rome and Cinecitta 1953. More like a drreamlike story, a false thriller, homage to Fellini and La Dolce Vita, Notti di Cabiria, and linked to a real muder cold case known as the Italian Black Dahlia. Interesting slow film, in the Venice Competition in 2023. Modern beat score, strange and eerie. Song Last Nite by The Stokes (2011) on the end credits.
1st film I saw on 2026 it's one of the best of 2025 and one of Park Chan-wook's best. No Other Choice aka Eojjeolsuga eobsda. It's also the offical Korean Submission for Best International film at the Oscars and it's nominated for 3 Golden Globes Awards. No Other Choice premiered in the 2025 Venice Film Fest Competition. It won Best Director in Sitges FF.
It's limited in Romanian Cinemas now, so try to see it on the big screen, it's worthy. Just peropeare for slower development, the film has 2h19 mins.
I follow the Korean director for 25 years, ever since he came to Bucharest with his 1st feature, JSA (Joint Security Area) at the 1st Festasia fest edition. That was before Oldboy, Mr. and Mrs. Vengeance, Thirst, Handmaiden and Stoker. Saw most of his oeuvre, also the HBO series The Sympathiser, so I can say that this one it's one of his best.
Lee Byung-hun who is South Korean leading man is here a Paper Man, formerly "Pulp Man of the Year 2019." He was also in PCWook's JSA, in A Bittersweet Life, Squid Game series, even in G.I. Joe. He gets back at working with PCW after 25 years. Here he is a plain family man, with a desperate will to get back to his job that was downsized. Son Ye-jin is great too as his wife Miri, and so is the son Si-one and the daughter Ri-One- playing cello. And the two dogs (Si-Two and Ri-Two). And all the supporting characters. Great supporting characters !
It's a Korean Le Coupert / The Axe, based on Donald E.Westlake 1997 novel. It was made before by Costa-Gavras in 2005 as The Ax, a great black comedy, merciless, starring José Garcia. But Wook-Chan goes even further in absurdity and satire. He co-wrote this with Don McKellar, they worked together before on The Sympathiser. The film is produced by Costa-Gavras family and it's dedicated to the Greek director, who kept the rights of the novel and gave them to Park Chan. The film was supposed to be in English first (starting 2009) but kept developing.
Via IMDB: During a live discussion with Costa-Gavras at the 2019 Busan International Film Festival, Park told audiences that he was still working on his adaptation of Westlake's novel. The film was described by Park as a "lifetime project" and that while he hadn't begun filming it yet, he wished "to make this film as my masterpiece." Gavras, who still held the rights to the book, had helped Park to develop the project. The film was set to be an English-language picture, with Don McKellar co-writing the script alongside Park.
The design is fabulous too, from the bonsai and the greenhouse to the seasons change, going from summer to winter (it was shot in a period of five months, from August 2024 to January 2025). The colors are very important for the transitions and the story. Impeccable widescreen (2.35 : 1) cinematography (by Kim Woo-hyung who worked before with the director on The Little Drummer Girl series) and editing (Kim Sang-bum, Park's editor since JSA), adding to the plot points and directing.
Great score too, and great idea of a cello subplot, by Chan-wook Park's collaborator, Cho Young-Wuk. The score includes incidental classical music, Mozart piano concerto (no. 23!), Marin Marais and pop hits, Korean and American (Hold On I'm Coming by Sam and Dave -1966), edited and directed on camera (one set-piece might as well be the best Cinema scene of 2025!-and the funniest -with subtitles too ;).
4 out of 5 / 8 out of 10 !!!
“I've always been trying to follow the footsteps of the great masters of cinema, most of whom have passed away today. I've tried very hard to reach their level. And I think in certain scenes or certain films, I might have reached a similar level, but there's still a very long way to go. So, when I think about how many more films I can make for the rest of my life, I feel very rushed.”
Saw a horrible amonut of series/tv series, some new, some renewed, some cancelled, some I quit...
Mayor of Kingstown s04 -4 -toughest yet, Lennie James, Richard Brake, Eddie Falco, Laura Benanti.
The Iris Affair -miniseries- 8 eps big fsss. Tom Hollander good.
The Last Frontier -should've quit
got back to Slow Horses s2 1/2 -5 -Gary Oldman getting more and more Legend !
Down Cemetery Gates -loses steam after ep. 4
The White Lotus s03 - -best yet-Walton Goggins, Scott Glenn, Parker Posey.
It: Welcome to Derry -quit
Task sez. 1 not much
Duster 1 sez. cancelled , was kinda fun
Subteran 1 sez. oy vey
Landman s. 1 ep.7-10 / sez 2 ep. 1-5 (in Top Series 2024, contd. in 2026)
The Lowdown 8 eps - Tulsa noir on the songs of J.J.Cale, Ethan Hawke as jouranlist Lee Raybon gets beaten up all the time. Created by Sterlin Harjo (Reservation Dogs).
Pluribus s01 -Vince Gilligan is moving way to slow...
Peacemaker s02 -even better than season One.
The Studio 1 season-10 eps., Seth Rodgen's satire is hit and miss but the episodes are short and Bryan Carnston as Griffin Mill is a blast !
Dept. Q sez 1, 9 eps. (renewed) -the Sweedish series of thriller books by Jussi Adler-Olsen get new (Scott Frank for Netflix) and way too slow treatment with Matthew Goode as Carl Morck.
The Last of Us -season 3. All gets weak after Pedro Pascal is no more.
Monster The Ed Gein Story (sez 3 -8 eps) -see below
Walking Dead-New York -quit
Alien: Earth s 1 -they did some good, and then they did some real bad. Continuing to mix the Weyland Yutanis with the Blad Runners, Prometheus, Timothy Olyphant's android Kirsch is a hoot !
Paradise season 1 (renewed) -cool idea of post apocalyptic city under a dome.
Dope Thief sez. 1 -Ridley Scott produced and directed the first episode. Based on a true story.
Movies mix with the legacy of serial killers -from Psycho to Texas Chainsaw Massacre to Silence of the Lambs. Clever post-modern choices. Plus Ilsa Koch and the Nazis ! But a truly great performance form Charlie Hunnam. And Tom Hollander is Alfred Hitchcock. Even Mindhunter returns in ep. 8. Too much grand guignol as always but way way upper than the other 2 seasons (the 2nd I quit watching...)
Why is though Ed Gein made so sympathetic and a victim, "mother's boy" ?
Diane Keaton was 79. Except Woody Allen's muse, friend (and girlfriend) and confidante (eight films together, from 1972's Play It Again Sam, ending with Manhattan Murder Mystery in 1993), she was Al Pacino's Michael Corleone's wife Kay in the three Godfathers, from fiancee to divorcee (also his girlfriend in real life), and exceptionally radicalist Louise Bryant in Warren Beatty's 1981's Reds. A very smart, intellectual. witty woman, personified best in Annie Hall (1977), character that used Keaton's manierisms, also her true family name is Hall, film that brought her an Oscar for best actress. She was also a feminist and an avant garde personality. And a great protograper (book Reservations). She never married and had two adopted kids.
I think the last time I saw her was in Something's Gotta Give, the 2003 Nicholson weaker comedy... She was in a lot of romantic comedies (Father of the Bride), heartfelt films (The First Wives Club), dramas (Marvin's Room). But for me she will always be The Little Drummer Girl, in the excellent George Roy Hill film from 1984, based on the John le Carré book (not the 2018 series), where she plays a wannabe groupie terrorist, ideologically brainwashed and used, in a film that is more actualt today than Woody Allen's NY fantasies or the politics of Reds.
She as also great in Richard Brooks’ audacious drama with a sex twist, Looking for Mr. Goodbar (1977).
Diane Hall / Keaton was also a director, most famously for Be Unstrung Heroes (1995), she also directed Belinda Carlisle's hit video Heaven is a Place on Earth. She also produced Gus Van Sant's Elephant. She wrote memoirs thrice: “Then Again” (2011), “Let’s Just Say It Wasn’t Pretty” (2015) and “Brother and Sister” (2020).
2017 Lifetime Achievement Award from the AFI/ American Film Institute.
`There are two kinds of people in this world, those who know who Shane Black is, and those who don't!. Those can dig ;)
NALD
Well Shane Black is back as a writer/director, this time on Amazon Prime & theirs MGM 100 mill. $ streaming extravaganza.
It's a Parker film named Play Dirty (not to be confused with the 1969 André De TothWW2 actioner, the title comes from Black's unfilmed script for Lethal Weapon 2, unseen til today -Black's most proud and gritty work, or so they say ;).
It's based on the Richard Stark (aka Donald E. Westlake) iconic novels started in the 60's. Not one novel but `novels`. I guess they're trying to build a franchise but this won't happen I guess cos' the film is the weakest of Black's career as a director (and that includes the reshot troubled 2018's The Predator).
Mark Wahlberg is Parker, an obnoxious choice. He can't handle the character dark charisma and dry wit, a dangerous man with a code of its own. Stark's Parker is an Anti Hero, Steve Mc Queen would have done him justice. Or Kris Kristofferson. Even today's Brad Pitt cos' Russell Crowe's too overweight...
Robert Downey Jr. was supposed to play him but he backed off, remaining on board as a producer. Not sure even about Downey but definetly a better choice, Parker's before were Lee Marvin (Point Blank-1967- the most menacing), Jim Brown (The Split-1978, the black one), Robert Duvall (The Outfit-1973, the most aloof), Peter Coyote (Slayground-1983, the most unlikely), Mel Gibson (Payback-1999, the coolest, but meanest to his director-check out only the Director's Cut), Jason Statham (Parker-2013, bleh..). I'm not adding two these the two Frenchie freejazzin', Made in USA (Jean Luc Godard, 1966) and Mise à Sac (Alan Cavalier, 1967).
Back to Play Dirty. Would've been better to play it cool tho. The film itself is a self indulgent mess, combo of action scenes, comedy and VFX gone awry.
Too many characters, too much useless plot, not a lot of chemistry between the actors. Rapper LaKeith Stanfield shines as Grofield, Stark's character that has his own novels. Would've liked more of the Thomas Jane character, and someone else for Tony Shaloub, the guy plays a caricature of the mob boss of a ridiculous corny and cartoonish Outfit. Think a James Coburn, even in Hudson Hawk or Kris Kristofferson (he was the boss of The Outfit in Payback, but not in the Director's Cut !!!). Also for the Latin country (unanamed but it's Peru), some finer actors, plus Rosa Salazar as Zen is kinda unmemobrable and not at all a Femme Fatale type.
The running time (2h03) is overlong and the film loses steam in midstream.
+++The Plus:
Great score by Alan Silvestri, reminionscent of those he did for Predator and The Long Kiss Goodnight (based on Shane's script), jazzy and funk, dramatic and menacing where it needs to be. For me Silvestri's score is a great comeback to form. A bit of 007 Bond-sist swagger, Lalo Schifrin and The Taking of Pelham 123 by David Shire, the percussion points.
Also the opening credits are very cool, 60's like. They were made by Daniel Kleinman who did all the title sequences for James Bond starting with GoldenEye back in 1995. Amazingly he is not credited with imdb and Anca found this for me, thanx ! Her piece on the art of the opening credits is here.
And here's the whole title sequence.
Production values-high -especially the first action scene at the racing track.
The cinematography (superb 2.39:) by legendary Phillipe Rousselot (he's 80 now!), a lot of shades, shadows, reflections, in a NYC shot this time in Sydney, Australia !!!! Rousselot and Black worked together before in 2026's The Nice Guys.
Some of the wisecracks work better than the plotholes and the action. Also there are many references to Black's scripts and films, from the Christmas setting (Duh !) Lethal Weapon (the fall from the rooftop), The Long Kiss Goodnight (the House of Gretchen Mol, the chase in the snow, the scene by the water), Kiss Kiss Bang Bang, The Nice Guys, etc. Liked the Mark Cuban pun ;)
Shane Black's influences on this one are great films, from Bullit to Dirty Harry, Marathon Man to the obscure Hickey & Boggs (1972), you can check the interview here on Letterboxed.
French 75 resurges for one last call...Do you remeber the code ? "What time is it?" / It's Time for REVOlution (again ?)
One Battle After Another is Paul Thomas Anderson's biggest film to date (you dpon't wanna know the budget, out of which a quarter is Leo's salary..). Most expected and already lauded as film of the year. Sean Penn is in for an Oscar nod surely-best supposting. Di Caprio does a OUIH bit imo. He's like Rick Dalton playing the fried brains revolutionary recluse Bob Ferguson aka Ghetto" Pat. Benicio Del Toro is also superfunny as the Sensei, shades of him in Fear and Loathing in Las Vegas...but Sean Penn's performance as Col. Steven J. Lockjaw is surreal. One for the books !
Chase Infiniti's big screen debut as Bob and Perfidia's daughter Willa is intense. Special mention to Eric Schweig as Avanti.
Plus the Christmas Adventurers Club, man, kudos for this one off ;)
I'd call this No Country For Any One...
It's a relentless ride, shot beautifully on 35 mm film in VistaVision (second film in this format in this century, after The Brutlalist), by Michael Bauman (his second film with PTA after Licorice Pizza), his first feature credit !
The film should be read through his soundtrack -I mean the overall score, again by Jonny Greenwood, his faithfull composer, this time a psychotronic overpulsating paroxistic one. I expect his Oscar next March.
The soundtrack includes great songs, from Steely Dan (Dirty Work), to Jackson Five (Ready Or Not Here I Come), Tom Petty's American Girl on the end credits (you will know why, "she was raised with Promises"), Ella Fitzgerald and The Revolution Will Not Be Televised, thge classic and still subversive Gil Scott-Heron proto-rap from 1970, which plays a role also in the plot.
Thomas Pynchon's book Vineland (1990) was the inspiration of PTA, who did a crazy looney tones political bonanza. Reminde me a lot of Eddington. It's somehow PTA's funniest film to date. Some bits reminiscent of the weed haze of Inherent Vice, his adaptation of Pynchon's other counterculture book.
There is also a big connection (and inspiration) with Gillo Pontecorvo's revolutionary classic Batle of Algiers (1966).
Epic duration, 2h41, but it goes fast, on this one I would've liked to be even longer, more Christmas Adventureres, Billy Goat, Beegee, Comrade Josh and Talleyrand.
The film is dedicated to Adam Somner, the legendary second unit director (Gladiator, Phantom Thread) and producer of 5 of PTA's films from There Will Be Blood, The Master, Inherent Vice, Licorice Piza to this last, OBATA. Somner died last year in November after completing this film...
4 out of 5, 8 out of 10 !!!
*Defintely it's a film that you can revisit, plus very TODAY in the actual political climate.
Darren Aronofsky is an arthouse favorite from Pi to The Whale, passing through The Fountain, Black Swan and The Wrestler), and this Caught Stealing might be his most commercial film yet. But that's not a bad thing. At all.
Taking cues from the Coens and Guy Ritchie, he revisits New York of 1998 in a dark irreverent comedy thriller complete with an English Punk mohawk, a cat, Russian mobsters and two Rabbi killers.
Written by Charlie Huston, based on his book from 2004. It's actually the 1st book in a series of three, about the character Hank Thompson. If Caught... (great Romanian Title, Prins cu mata-n sac....NOT) is a hit. Hopefully it will and Butler will carry on.
A major influence, as also checked is After Hours (Scorsese, 1985), see the video in the comments.
Very cool cast, including Griffin Dunne from After Hours, who could be actually the same character, Paul, Village bar owner, mentioning Lou and Andy ;), Austin Butler (his third important lead, after Elvis and The Bikeriders), Zoë Kravitz (Blink Twice), Regina King, rappers Bad Bunny & Action Bronson and brit Matt Smith. Plus the fantastic duo of Liev Schrieber and Vincent D'Onofrio. Another fantastic duo, the Russians -Nikita Kukushkin (Microbe) and Yuri Kolokolnikov (Alexei). Also featuring Carol Kane. But the absolute highlight is Bud the Cat, played by Tonic.
Shot by Aronofsky's regular, Matthew Libatique in 1.85: 1. Some impressive camera moves and angles, great location value, NY truly lives in every shot. Lots of graffiti dressing. Libatique shot this back to back in NY locations with Spike Lee's Highest 2 Lowest.
Songs by post-punk band Idles, score by Rob Simonsen. Including a cover of Police and Thieves, made famous by The Clash in 1976. Some Bowie references, a lot of pop culture around, all soundtrack songs here.
Eddington is one of the must-see of this year, Ari Aster's new film, his forth (after Hereditary, Midsmmmer, Beau in Afraid). via Cannes )in competition), it's imo his best. Dark, brutal, black comedy, western and thriller and political satire. It's craziness galore and one of the best performances of Joaquin Phoenix. Aster's second film with Phoenix after the werird, wild but pretentious (and over-long) Beau is Afraid in 2023.
best film about Pandemic and about America in a long time. Also starring Pedro Pascal & Emma Stone.
1st Aster film shot by legendary Darius Khondji (from Se7en to The Ninth Gate to recent Mickey 17). Great score by Daniel Pemberton.
Unfortunately this A24 release is not in Romanian theaters. A pitty.
8 out of 10 (a bit off steam at 2 h 28)! 4 out of 5 !
The Phoenician Scheme (2025) is Wes Anderson's 12th feature (out of 12, 2 films are animations), presented at the 78th Cannes film festival in the Official Competition.
It's supposed to be a film dedicated by the writer-director to his daughter, a more emotional relationship of characters and less parodic as in his other films.
A lot of in-house references and cyphres, even more and obscure than before. From the name of the character, Zsa Zsa (Gabor), Korda (the famous filmmaking brothers), to Casablanca, Orson Welles' Mr. Arkadin, Max Ophuls shots, Igor Stravinski & Mussorsky-Ravel, Pierre-August Renoir's painting (that was owned by Greta Garbo). Black Narcissus nurse included ;) The score is again by the great Alexandre Desplat, on his seventh collaboration with WA, in a synchopatic sound and beat very similar to the music from The Grand Hotel Budapest (the best Wes Anderson film for my money). What is new is the cinematographer, Bruno Dellbonnel's first film with WA. Top set & production design (done again at Babelsberg studios, where the Grand Budapest Hotel was shot) by Adam Stockhausen and cool costumes by the legendary Milena Canonero.
Za-Zsa Korda (genius name !) Benicio Del Toro chews scenery, actually he machetes it, in a part half inspired by Howard Hughes, part Groucho Marx. Matthieu Amalric (Marseille Bob !!! -Bob le flambeur ?) plays Peter Lorre and Jeffrey Wright (Marty- "man") is the epitomy f cool !
IMO Benedict Cumberbatch (uncle Nubar) looks like from Feulliade's Fantomas or any silnet films villains, with a fake beard and diabolic eyes (Jack Lemmon in Blake Edwards' The Great Race too?). Also Michael Cera's Bjorn accent is far far out. The Monty Python affiliation is automatic.
If you know Wes Anderson's favorite films and directors, you know there is not much Americanism in him. He might be the most European Art-house American director. Also he is starting to live completely in his own MU (movie universe), like latter Fellini, Roy Andersson, etc. Is that a good thing, or a Phoenician scheme ;) ?
All in all, 7 out of 10 /3 1/2 out of 5 (could've been 10 mins. shorter) and the Black and white Bunuelian mocking Bergman (or Pasollini ?) sequences (except the Bill Murray cameo as God). Too much of mannerism, tends to deja-vu/veja-du ?.
Mimì - Il principe delle tenebre / Mimi-Prince of Darkness is the debut feature film of Brando De Sica (Italian film Royalty, son of Christian-De Sica and nephew of il grande Vittorio), which was shown in the competition of Dracula film Fest last October in Brasov, Romania. It also won in Sitges. The premiere was in the Locarno film fest in the summer of 2023. Other awards followed.
It's a very spcial film, in the vein of George A. Romeo's Martin, Nick Cage's Vampire Kiss, a bit of Les Morsures de l'aube, a bit of Låt den rätte komma in, etc. The genre he proposes is self-titled Napoletano Gomhorror neomelodico. A very specific Napoletan (including lots of pizza) film, very stylish with nods to the vampire genre, Nosferatu F. W. Murnau film, Hammer pics, giallos.
It's a combo of comedy, drama, doomed teenage love story and coming-of-age horror. The protagonist Mimi is a misfit with a handicaped foot, a (Tim) Burtonesque character, coming straight from Tod Browning's Freaks box (here a Pizza box ;) mixed with Italian realism and mostly surrealism. And pizza ;)
Great sound design by the director himself. And score (by Pasquale Catalano) and soundtrack (songs from Fabrizio de Andre to Four Tops, Halloween House, etc) . Reminded me a bit of the feel of the new horror wave by Tilman Singer, Cuckoo, from last year fodder.
A cute little film, which I found by total accident. Never heard of, more (Woody) Allenesque than Jarmuschian (as read in the reviews). An a bit of Mamet plays.
The writer-director Tolga Karaçelik is Turkish, arthouse fares and this is fis first English language film. Shot in New York, cool locations. There's plenty of Turkish backers & producers on the credits.
A pleasure to see Steve Buscemi tho, in such a nice quirky part. Great name to, Kollmick. He's a retired serial killer that liked the writer's first book, about Mongolians ;)
The Protagonist is the lamest, Keane as John Magaro, a whinny loser writer, we know it's intended but it's hard to see why such a woman as Suzie (Britt Lower, from the Severance series) will still put up with him after so much time.
There's also a cool Tom Waits song and moment.
Slovenia 40.000 BC is a cool pun. In black and white. "they move together".
and the Llama, any film with llamas since the credits on Holy Grail...
First time I saw him in Top Secret back in the early 80's video days (& nights).
My favorite Val Kilmer part is in Mann's masterpeice of American Noir- Heat
with a soft spot for Mamet's Spartan.
He was blamed for the catastrophe that was Island of Dr. Moreau, with a mad Marlon Brando and a Mini me. Richard Stanley is over that one, John Frankenheimer is gone, like Marlon and Val now.
Val was cool in Ron Howard's Willow (sword & sorcery way before LOTR & epigons la GOT).
He was Iceman, "the wingman" in Tony Scott's seminal Top Gun. Also his last part on screen was in Top Gun 2, a cameo where he became Admiral Tom 'Iceman' Kazansky.
He was a beautiful crazed Jim Morrison in Oliver Stone's The Doors
Val did a Batman (Forever)
A Simon Templar-The Saint (in Moscow)
Doc Holiday (in Tombstone).
-also Kill Me Again & Thunderheart (thx, Andrei ;)
A great comeback film, with Robert Downey jr. was Kiss Kiss, Bang Bang, that me and Andrei saw in the world premiere in Cannes in 2005. And we loved it !!!
and a great parodic part in McGruber (2010) as the evil baddie ;) Cunth.
Long suffering from throat cancer he made a comeback in the headlights with the intense documentary VAL (2021) , in the official Selection in Cannes Film Festival. He died, age 65, on April 1st 2025.
I said/wrote before that Osgood Perkins' films are creepy, the atmosphere there is hard to breathe, tense, uncanny. There is something unpleasant about them. Longlegs tho was overrated, it came to me sold as the horror of the decade, century, millennium, etc. While it's not the case the film is ok, a superior thriller, veeery creepy and Nicolas Cage performance of the year 2024. Also being highly successful Perkins was asked to do The Monkey, a long belated project, adaptation of an old short story by Stephen King, published in the anthology Skeleton Crew (1985) . The Monkey was first in print in the November 1980 issue of Gallery magazine. Then, revised and updated, in 1985's Skeleton Crew (story # 3). Inspired by the old classic The Moneky Paw by W. W. Jacobs., but with more twists and shouts.
King's original Monkey played the cymbals as the toy monkeys do. However due to Disney's copyright of the Monkey cymbal playing (from Toy Story 3), the Monkey plays now the drums !!! It's called the -Organ Grinder Monkey, "lifelike", there is no grinder and no organ, actually organs get grinded :)
King's original story was a simple one, and not a real funny one. Osgood (who also has a cameo in the film as Uncle Chip :), changed most of it, the scope, the deaths, the atmosphere, the characters and the vibe, giving it a most dark humor side, the forte of the film starring Theo James (The Gentlemen series) in a dual role, the twin brothers. The duration is pretty cool too (a tight 98 minutes), and so are the references, from King's novels (The Shining, Misery), to the Maine location (also Kings') and the Psycho (motel, stuffed birds, creepiness) and even Vertigo. The ending rises the value of the film at least a Notch. Osgood kinda exorcises himself on this one, big time ("and there was a pale horse whose named..."). Read his bio and see what I mean here.
Results, a great little film that I hope will not be transformed into a lame franchise-James Wan produced the film through his Atomic Monster banner, surely there will be more drums to bang.
The highly expected (and most postponed release) new film of Bong Joon Ho, Mickey 17, with Robert Pattison in Multiple roles, is so-so. Frankly I don't get the enthusiastic positive reviews. The humor is lame at best with Pattison taking his ques from Jim Carrey's performance in Dumb and Dumber ! It's the Multiplicity Effect all over, clones (or how they're called here, "expendables" ), are getting dumb and dumber...duh. The film finally premiered at the Berlinale Film Fest in February with a worldwide release of March 7th.
Budgeted at 118 mill. $ (!!!), this is surely a flop for Warner Bros. whom imo did not put a lot of faith in the finished project. The whole thing feels uninspired, the jokes are and you don't care much for Mickey or the Mickeys. Bong's humour is very personal and it worked in all his films prior to this, from The Host to Mother, also the social commentary, class commentary, leftism, was much better in Snowpiercer, which was his 1st external project out of Korea, then a flop, now a cult film and a s***ty cash-in neverending TV (streaming) series. That is why I am gonna go gloves off on Bong here. Wasting four years on this film when you were on top of the world, able to do any film you'd like, totally free of charge (he had final cut on this!).
The source book is entitled Mickey 7 !!!, not to be confused with the 60's Mickey One ;), the material was customized by Bong for a more personal film for him, his 1st in the USA (shot in the UK Warner Leavesden studios), a follow-up to his all winning Parasite (2019).
Shot impeccably by Darius Khondji. Dark as his TM and white -ice (the planet Nifleheim) and claustrophobic industrial corridors and chambers. Music, some of it uninspired, some good, by Bong's collaborator Jung Jae-il (Okja, Parasite/ and the Squid Game series).
Mark Ruffalo plays over-the-top, same Grand Guignol style as in Poor Things but here he is more like an impression of an Vincent D'Onofrio but she surely channels Trump. Toni Colette too, operatic hysteric evil lady. The aliens/monsters "creepers" are cool, but I pretty doubt they'll make a merch out of them. Starship Troopers "bugs" came to mind, but with the cuteness required. The Korean designer did work before for Bong on The Host.
Gene Hackman, one of the greatest Actors there ever was, (it's said he could play Anyone and Antything), died on Tuesday Feb. 26th. He was 95. He died suddenly along his wife and their dog ! His wife (the 2nd, married in 1991), the pianist Betsy Arakawa, was 64 ! The Police of Santa Fe discovered all three of them....
During the last 3-4 years I re-saw /saw again some of his films with the fear he'll die any moment. So, there was him at his most funniest in Get Shorty, the neo-noir Heist, action mentoring channeling The Conversation part -Tony Scott's Enemy of the State (2 bad it had Will Smith as a lead, if could've been Denzel or Jamie Foxx it'll rock more today), more good action thriller-The Package and the comedy I caught up Heartbreakers. Forgot he had a cameo in The Mexican when I gave that film another shot (totally hated it when it came out), tried to see again The Royal Tenenbaums but remembered how he quarreled with Wes Anderson (which I find completely overrated) and paused it. It's a great part but not a lengthy on. Also discovered some gems like The Hunting Party (1971), The Split (bit cop part) when Jim Brown died and recently, when Kris Kristofferson passed I saw Cisco Pike (1971). Brilliant wicked part for Gene Hackman, probably last seen by me.
He was retired since 2004 after the lesser comedy Welcome to Moosesport. He was painting and writing thriller noir/ history fiction novels.
Hackman received two Academy Awards (for William Friedkin's The French Connection & Clint Eastwood's Unforgiven), two British Academy Films Awards (BAFTA), and four Golden Globes.
My faves after the obvious characters of Popeye Doyle, Harry Caul, Little Bill Daggett and Lex Luthor are Crimson Tide, Prime Cut, The Scarecrow, French Connection II (he's better in Frankenheimer's sequel than in Friedkin's hit, it's harder bit too imo) , Bite the Bullet, Night Moves, Eureka, Under Fire, so on...
Most amusingly he played the blindman in Mel Brooks' parody Young Frankenstein, in 1974, uncredited. It's kind of a cameo but now every obit mentions it as an important part. Come on, you AI generation morons...
As a kid I saw him first in cinemas in Superman, The Poseidon Adventure, The Domino Principle, Marooned, Zandy's Bride, The Gypsy Moths (that on TV). Then later his breakthrough part in Bonnie & Clyde.
He was a superb villain always, suave and smiling. Also he could play men in uniform, military authority at best. And grand in westerns. But his secret gift was comedy. He Is, was and will be one of my favorite Actors. And as far as I checked everyone says he was the Best Actor that ever IS !
"If you look at yourself as a star, you've already lost something in the portrayal of any human being."
The Producers Guild of America named Anora the best picture of the year at the 2025 PGA Awards. The surprise win came just an hour after director Sean Baker took home the DGA’s top prize — establishing the Neon film as the official Oscars frontrunner for Best Picture. Anora also won Best Picture at last night’s Critics Choice Awards.
