In Bruges (2008)

 Romanian version here. I was aked to to piece for the TIFF 25 retrospective in AperiTIFF and here it is. 

"They're Filming Midgets..."

Heaven, hell or purgatory? It's Bruges!

An extraordinary debut by Irish filmmaker Martin McDonagh (Seven Psychopats, Three Billboards outside Ebbing, Missouri), In Bruges is one of the very best films of 2008—and much more than that. A cult film par excellence, it becomes more valuable every time I revisit it. I am still astonished that, after premiering at Sundance, it failed to win any major awards there. It did go on to win Colin Farrell a Golden Globe and earn an Academy Award nomination for Best Original Screenplay, a category it won at the BAFTAs.

I like to think, however, that it did for tourism in Bruges what Roman Holiday did for Rome!

I, for one, spent a day there in 2014, and my impressions matched Ray's point of view exactly, as opposed to Ken's.

The Colin Farrell/Ray – Brendan Gleeson/Ken pairing is fabulous, and McDonagh reunited them fourteen years later in another extraordinary film, The Banshees of Inisherin (2022).

And Ralph Fiennes as Harry is impeccable, ferocious—an irresistible character.

You can tell that McDonagh is also a playwright, and that his literary influences stem from the Theatre of the Absurd, yet the film remains intensely cinematic.

First and foremost, it owes a great deal to Harold Pinter's 1959 play The Dumb Waiter. In turn, Pinter's play was inspired by Samuel Beckett's Waiting for Godot (1953). Add a touch of British gangster cinema—Irish, in this case—a hint of Bruegel landscapes in Bruges, nihilism, a fatal trauma, an improbable love story, and black, absurd humour turned up to eleven.

Other clues: Touch of Evil, Don't Look Now, Carlito's Way, the paintings of Hieronymus Bosch.

Carter Burwell's score most likely came into McDonagh's world via the Coen Brothers (see Fargo in the same TIFF retrospective of black comedies), with whom McDonagh began a wonderful collaboration that continued throughout all of his subsequent films.

Like Fargo, In Bruges was never released theatrically in Romania at the time.

Alin Ludu Dumbravă

Cape Fear (2026)

Beware !!! (literally stay away from this Fake Fear)

Max Cady is Back ! And this time he is Javier Bardem with a goat-e and Udo Kier type of Blue Eyes -actually Green lenses!)

The new Cape Fear is here...on Apple Tv + (premiered June 5th) 

Episodes 1 and 2 were cool and atmospheric, but  will it have enough breath to do Ten ?

we'll see...

well, now it's over and what was originally published on June 8th overstayed its welcome -as expected !!! here are the August 1st conclusions of this bloated overbearing season !

Bardem, best thing about him, his Panama hat (which he took from Mitchum's Cady, but Mitchum had a cooler one-and in black and white)- does not get even close to his Anton Chigurh from No Country for Old Men or even the blonde eyed psycho Silva from Skyfall. No my faved, his best psycho and most fun is the one from Perdita Durango, Romeo !. Basically Bardem is ripping off De Niro's Max Cady at a nec plus ultra grand guignol style. Efficient but pastiche...

Very little from the original book John D. MacDonald's The Executioners (1957) stays on.

Also not much of the 1962 J. Lee Thompson original adaptation as Cape Fear in glorious Black and White.

cool tittle lettering, cool ideas from the Scorsese 1991 remake and homage (the shots on the negative, camera moves), and most of all the music stays the same. Bernard Herrmann's score, now redone by Jeff Russo. This is the only asset imo, I think I watched it for the score alone, this being one of the best I ever heard, and tops some of Herrmann's work with Hitchcock. 

Exec prod by Steven Spielberg, Martin Scorsese and showrunner Nick Antosca.

Wasted Ted Levine and Ron Perlman in the obvious baddie daddy roles. 

***

1st episode, 'Fingers and Toes' directed by Norwegian Morten Tyldum (Headhunters, Passengers). 

Ep. 2 'Why Would I Want to Hurt You?' directed by  S.J. Clarkson (Jessica Jones, Madame Web), features a cameo by screenwiter Wesley Strick (who wrote the 1991 remake of CF).

Ep. no. 3 on June 12th:  Phantom Sensations

already feeling the nausea

Ep. 4 Pierced. June 19th.

some lgbtq happens before the two daughters. 

ep.5 Faith -June 26.

loss of breath, mambojambo and a sinister Juliette Lewis. 

Ep. 6 Possum -July 3rd.

that's when I feel like quiting, don't really wanna see how they're gonna mangle this beyond belief. 

Ep. 7: Mongrel -July 10th

by episode seven it's becoming such a grand guignol caricature with storytelling of a bad telenovela,  I switched it of. They take a road trip and ouch, and the soundtracks goes from BOC's Don't Fear the Reaper to Alice Cooper's Eighteen. 

Ep. 8 ∙ Los tiempos de Dios son Perfectos -July 17. Telenovellas quickens. 

Ep. 9- The Scar -July 24. More mambojambo, rednecks and swamps. We don't need a bigger boat ;)

Ep. 10: The Executioners. July 31th. Hurricane arrives. Leaving open season two ? C'mon !!!

2 out of 5, 4 out of 10 !

Her Private Hell (2026)

NWR originals -Refn 's comeback ? more like Refn's goodbye...or His Private Hell instead of Her Private Hell !

10 years ago he divided the cinema world last time with The Neon Demon, then he antagonised execs with his streaming fares, Copenhagen Cowboy for Netflix, which of course never got renewed..

Now he was in Cannes (out of competition with the worst reviews of his career) and is in Romanian theaters (very Limited, brave Bad Unicorn release), even with his new UFO, Her Private Hell.

Now, I wished I liked this, but no... fell asleep almost. 

Well the film is a dream, a dream within a dream, with dream logic and nightmares. It's supposedly concieved after Refn had a clinical death of 25 minutes in 2023...

Mist, The Letherman, Metropolis and crystals, models who can't act, yakuza and choreographed empty fights, disco inferno, lesbianism, incest. A Refn original ;) 

mixing giallo, B Sf & japanese action/yakuza films (Seijun Suzuki?).

Again the Hans Christian Andersen trauma, the girl with the matches...

visuals of Barbarella, Diabolik and Flash Gordon ?  Terrore nello spazio / aka Planet of the Vampires ?Tron meets Suspiria and other Argento fares (defenestration) ? Technicolor by Bava ?

He's trying Lynch's tricks, from Lost Highway and Mullholand Drive, but he's getting zilch. 

acting level is subzero...Sophie Thatcher, Charles Melton, gorgeously photographed but used as cardboard models. 

the letragic pacing goes lethal, the film comes alive on the neon visuals only when there's music.

So, the only redeeeming quality of the film is the score by Pino Donnagio, an eerie, elegiac beautiful (Herrmannesque, there is some Vertigo in it) score that stands out and it's one of his best, together with the ones for De Palma. It would be ironic if Donaggio reworked some of his rejected score for De Palma's Snake Eyes (1999).

The disco synth pop is not by Donnagio but by Refn's collaborator Julian Winding (Dolce mio).

https://fictionhorizon.com/her-private-hell-budget-breakdown-how-nicolas-winding-refns-costly-gamble-struggled-at-the-box-office/

2 out of 5 / 4 out of 10 !

Casualties of War (1989)

Casualties of War (1989) is one of the best war (anti-war) films and still does not have the recognition it deserves.  I wrote the dvd review in 2006, twenty years ago, updated it now and in English...

the Romanian version is here !

1966. An incident in Vietnam... the story of a repeated rape and a murder that could have been prevented, but which no one even wishes to punish—only to ignore. Casualties of War, a war regarded in America as synonymous with the loss of innocence, in which the heroes of the two World Wars became the villains and the executioners.

1987. After his first incredible mainstream success with The Untouchables, Brian De Palma, propelled onto the list of directors most coveted by the studios, could make whatever film he wanted. And he chose a controversial, repugnant, revolting subject, one that was later vehemently denied by almost everyone, especially Vietnam veterans. A real, infamous case that he had dreamed of bringing to the screen since 1969, when he saw at the Berlin Film Festival a film on the same subject, inspired by Daniel Lang's New York Times article. At the same time, one of his favourite films is The Bridge on the River Kwai, and De Palma decides to become David Lean for a little while (hence the key sequence on the bridge).

Filmed in Thailand under extremely harsh conditions, with an A-list cast of young actors on the rise (Michael J. Fox, Sean Penn, John Leguizamo, John C. Reilly), Casualties of War was released in 1989, only to be torn apart by critics, who found it exploitative and visceral, and almost completely ignored by audiences who had grown weary of Vietnam. Constructed as one vast flashback (and nightmare at the same time), it contains De Palma's overwhelming visual style and his recurring obsessions: guilt, the betrayal of comradeship, impossible love, impotence, passive voyeurism. But this time, instead of Brian De Palma's much-discussed Hitchcockian thriller fantasies, the events unfolding on screen are based on a true story. The viewer becomes complicit in the carnage, and the unsettling feeling of guilt gradually, methodically, almost paroxysmally takes hold. Ennio Morricone's score (following his previous collaboration on The Untouchables), punctuated by Gheorghe Zamfir's pan flute, is the film's principal source of emotion—elegiac, mournful, evocative of ghosts from the past and shattered dreams.

2006. The film America could not bear to watch, one of the most anti-war films ever made, is today being reassessed and regarded as equal to, or even greater than, its predecessors: The Deer Hunter, Apocalypse Now, Platoon, Full Metal Jacket. And the victim of the war behind the screen continued to develop his recurring themes, concealed within his much-discussed Hitchcockian thriller fantasies, without ever again disturbing his fellow citizens' civic conscience with stories based on real events.

---

Extra: the extended edition (also the first one to reach Romania) includes six additional minutes of footage (material previously available only as deleted scenes—Eriksson's interrogation, an additional scene with Dale Dye, and an unexpected Greg Henry cameo), an emotional interview with Michael J. Fox, and a half-hour Making Of in which De Palma is far warmer and more talkative than usual—and if you're wondering why, it simply means you haven't seen the film.

4 Stars out of 5 - 8 out of 10 !

Alin Ludu Dumbravă

The Boys from Brazil (1978)

The Boys from Brazil was first a book by Ira Levin (The Stepford Wives, Rosemary's Baby), published in 1976. Great page-turner thriller, very risque, mixing real characters with preposterous fiction !

1978, ITC-producer Sir Lew Grade makes the movie adaptation.

The great Franklin J. Schaffner directs. And he gets an 11 Mill. $ budget and a Grade (sic) A cast.

Gregory Peck is Joseph Mengele, playing totally against type, his only Villain in his filmography. His take on Mengele is fierce, mean spirited and dead serious. He man is evil, the Doctor is mad. But Peck plays it straight and dresses sharply, in white suits, with a stilleto moustache. It's definitely one of the top performances of his amazing career.

Peck said afterwards, "I felt, Laurence Olivier felt, friends of mine like Walter Matthau and Jack Lemmon felt, that I was good in this part. Some critics seem unwilling to accept actors when they break what they think is the mold or the image.”

A frail Laurence Olivier (who just had his kidney stones removed!) is Ezra Liberman, the nazi hunter modelled after Simon Wiesenthal.  Olivier's physicality helps him tremendously fot the part, you can feel his pain and suffering. Both Peck and Olivier deliver really copious accents. Olivier was nominated for an Oscar for best actor, one of the film's three Oscar nods (editing and music too).

James Mason supports as colonel Seibert, as do a bunch of great actors known from war and spy films, 

Walter Gottel (general Gogol in the Moore Bond films), Wolfgang Preiss, Michael Gough, Bruno Ganz, Denholm Elliott, most interesting is young Steve Guttenberg playing a Jewish young journalist who discovers the Praguayan Nazi plot. Lily Palmer, Uta Hagen and Anne Meara have small but important parts and the young boy, Jeremy Black as the uncanny blue-eyed adolescent with multiple incarnations. 

The plot itself it's so far out, it's great. And it's played so serious and grave, also it's very avant garde re Cloning, the Macguffin of the film.

Jerry Goldsmith  delivers another great score for Schaffner, they colllaborated on seven films. This one is based half on an Austrian waltz, half on Martial menacing music.

Cinematography in 1.85.1 by Henri Decae, legendary & over versatile French DOP (Bob le flammbeur, Les 400 coups, Le Clan des siciliens, Le Cercle Rouge, Day for Night, Le Professionel), in one of the few English language films he ever did (together with The Light at the Edge of the World, Bobby Deerfield, Two People, Operation Daybreak,  The Island and Exposed).  

Locations are Brazil, Paraguay, London, Austria (Vienna), Germany, Sweden and the US. The production went to Portugal instead and the principal unit never set foot in the USA. 

The opening is great, mysterious, after the majestic music turns into menacing sounds, and the opening credits are on black, there is no dialogue for the first 16 minutes.

I must've seen this film every decade of my life, 1st time in 1981-82 on Communist Romanian television when I was in the 6th or &th grade, impromptu and incognito, on a Sunday night, presented as "film artistic", on the the QT. We were so impressed the next day in school, the ones who saw it, by a sheer mistake, as the film was totally smuggled that night, one of those -push it in films-mainly when comrade Ceausescu was visiting abroad. Thanks again whoever put that on that night. A few years later, in high school I got upon the book, in French ! Started to clumsily translate it, I think I got done the 1st chapter, then of course gave up. The book might've been transalted in Romanian after 1990, I don't know.

One big find was the ITC DVD I got in the early 2000's, wasn't a great copy but still...And last time I watched it in 2020, in the pandemic, catching up with Schaffner's Lionheart and Sphynx. 

There were many different versions, the film was cut over 20 minutes for TV from the original 2h05 running time and many cuts didn't have the original ending with Jeremy Black in the photo dark room, which adds value to the concept. It also empathies the role of the braclet of animal claws that Mengele brought with him from Brazil, a small detail and metaphor addes to the subtext.

Now they are reamaking the book (and film) into a 5 episodes miniseries for Netflix that will probably stream next year. Peter Morgan is the showrunenr and Jeremy Strong is the nazi hunter. August Diehl plays Mengele but it shall be no longer Mengele, they renamed him, after his exceptional turn of the charcter in thw recent The Dissapaerence of Joseph Mengele, in which the Ira Levin novel and the film are mentioned !

  

4 out of 5 / 8 out of 10 !

Maligned on his opening time, criticised and satirised as the "nazi revival" genre was tiring (The Odessa Filre, Marathon Man, later on The Formula) the film stands tall the test of time, anchored in the two key performances, the clash between two old men, obsessed, a lot of psychology that was brought by Peck and Olivier, happy to work together for one time only, the markings of the a great director, the music and atmosphere. 

****

Best review I found about the making of and the motivations of Scahaffner, Peck taking part in it, the choice of the filming format and locations here.

Spider-Noir (2026)

"With No Power Comes No Resposibility"

The Nicolas Cage is back with something cool in black and white (and color) but I'd rather see it Noir as in the title, Spider-Noir. Premieres May 27th on Amazon Prime as in in collaboration with Sony, who's only Marvel character they got rights too...

I published this in February 2026 but since I can't go back to the post to-date I republished it today !

From the looks it's more of a Sin City / Frank Miller, The Spirit / Will Eisner. And The Shadow. 

Breendan Gleeson is the villain.

Hopefully this will rock, as game based Fallout TV series did, or DC / HBO recently two interesting spinoffs, The Penguin and The Peacemaker and Marvel/ Disney did mega meta Wonder Man.

July 15th Updates:

Well, I saw it all 8 episodes and gotta say I switched from B & W to color, gorgeous colors that is. Advertised as "Authentic Black and White,” or “True Hue Full Color.”  ! It's a pity to see this as simplistic as Black and White when the costumes, sets and cinematography are doing their best in Color. Cues to Edward Hopper and Lily Furedi, as well to Roy Lichenstein.

The whole thing happens in 1933's New York city and it develops slowly. I mean I was about to give up as a pastische of private dicks and some fanatstic elements underveloped until episode Four !

Alos took me a while to settle with Nic Cage's style here. He is channelling all sorts of Noir heroes, from Humphrey Bogart to Edward J. Robinson and James Cagney, in his voice and manierisms. His Ben Reilly alchy PI is funny, dark, and bitter sweet all at once, swinging from cynical and satirical tones to looney tunes overtones.

Interview with Cage in Esquire.  

It is his 1st foray into TV, or TV series, which he said he'll never do. Glad he did. After voicing the character Noir (Spider, not the Noir from The Boys ;), in the Spider-verse animated film in 2018 he was asked to do this and the whole project changed completely with Cage on board (also budgetwise!). 

Great title sequence and opening song, Saving Grace sung by Kirby, Bond like tune. Plus swingin' songs of the period (Dream a Little Dream of Me), Lil Jun Li as Cat Hardy, the singer femme fatale from the Alcove Club. 

The series ends with Amy Winhouse's You're No Good, which, these days is covered by The Rolling Stones on their new Foreign Tongues album. 

Spider-Nor is nominated for 11 Emmy Awards but none for Cage's acting chops. Liked best his de-aging acting in the WW1 flashbacks and Spider transformations.

Jack Huston is as always good as Flint Marko (aka The Sandman) and Andy Robinson (Scorpiooo?!!!) shows up, I kept asking myself why does that guy look so familliar. Gleeson's Mr. Silvermane is used more as a McGuffin, and there is a smart black journalist named Robbie Robertson (a cool Lamorne Morrison) who works at that age's Daily Buggle. There's also references of the films and the shows of that day and age. 

Maiorul si moartea / The Major and Death (1967)

Maiorul si moartea (The Major and Death, 1967) is a forgotten gem, and a one of a kind / one-off UFO Romanian thiller written by the great Ion Baiesu (Balanta/The Oak), based on his eponymous 1965 short story. It was made later on into a radio play with Enil Hossu as the major.

                                       

Directed by the Documentarian Alexandru Boiangiu in his feature film debut, it's a Black and white black and bleak comedy, film noir -policier, shot by maestro DOP Nicu Stan (Rascoala, Diminetile unui baiat cuminte -see references below, Toate Pinzele sus !). The film made a BO of  1.352.078 in Romanian cinemas in 1967.

 It is also Gheorghe Dinica's 1st major leading part. (as the major, sic!) Great part too. 

The other jewel of the cast is veteran theatre actor Ion Stanescu as retired safe cracker Solomonica, his only part on the big screen except a bit in O noapte furtunoasa (1943). 

Supporting: Vasilica Tastaman, Marin Moraru, Mircea Crisan, Jean Constantin, Stefan Mihailescu-Braila (artist emerit;), Peter Paulhoffer, Constantin Rautchi, Ion Anghel, Florin Scarlatescu, Draga Olteanu (before she was Matei ;) and a very young Carmen Galin in her second film part after Diminetile unui baiat cuminte (see last paragraph).

Atmospheric music by Mircea Istrate (Strainul, Haiducii series), played by the Symphonic Cinema Orchestra (Orchestra simfonica a cinematografie- oh, what dayz, when musicians were employed just to score Romanian films...) and conducted by Silviu Panțiru and a cool and absolutely weird song, sung onscreen by Marina Voica, Criminal Tango, by P. Trombetta (actually Kriminal Tango by Piero Trombetta,  originally released in 1959 and the title song of a German film of 1960). Another song sang by Voica, is an uncanyAve Maria Lola in bossanova rhythm (min. 66 in the film, just before Crimanl Tango -a request ;). Maria Voica, a superstar of Romanian Pop music of the Communist age, might be the only one left alive from this film. She is 89 now.

Another gem are the opening credits, Saul Bass  60's  funky style. Very cool, have no idea who did them, it's not credited (sic).

They include a caption of the Militia consultant (MAI/Ministerul Afecerilor Interne) of the film, as all films of the time needed one. This one is a Lt. Col. (Lieutenat Colonel) called Alexandru Manuși, meaning Gloves !

The film starts surreally with a pre-credits scene in which an Insurance salesman trying to sell a Life policy to the Major. I won't spoil more about the plot, suffice to say it deals with a hidden treasure, a murder and surreal threats signed Death !

There's a scene where Major Tache plays Checkers with ¬Death¬, it can be interpreted as a Pun to Bergman's chess with death in The Seventh Seal. Or not, one can only fabulise ;)

I's say it's sort of Romanian Ladykillers maybe ? Style-wise and humour. It's a bit of a satire of the system too. Scenes in achurch, at a Religious procession, not likely to be seen in the  Regime directory. 

Great poster above ! Love also this Czech poster with a nod to Vertigo, saying Major & DEATH / Major A Smrt !

Napinave meaning suspensful !!

It seems M & M travelled a bit in the Socialist haven cinema distribution .)

Deutsche version:

The film can be seen in its entirety in multiple youtube versions, mostly taken from a TVR2HD broadcast.

 

As a fun note, a 'sopirla' / polticial subversive innunedo, one of the characters (Peter Paulhoffer, a German Romanian actor, nicknamed 'the Romanian Paul Newman', that left for BDR- West Germany-later in the '70's), is reading a newspaper in Gara de Nord/ Bucharest railway station. The paper says: The modern profile of a Director's calification !!! On the left is seen a review of another Romanian film from that year: Diminetile unui baiat cuminte/The mornings of  a nice boy, by Andrei Blaier, a sort of New Wave manifesto, not a very socialist film as intended to be. The film can be found on youtube from Cinepub.ro here. I am not sure the newspaper existed or if it waas made up for the film as an inside joke.

A very unusual film that is worth rediscovering.

all in all for quirkuiness and singularity:

3 1/2 / 7 out of 10 !

Captain Volkonogov Escaped (2021)

Captain Volkonogov Escaped, and so did this film. 

Premiered at Venice film Festival, in Competition and was awared in many International Film fests, including Socchi, but neve released in its own country, Russia. 

see it and you'll get why !!!

The film is written and directed by Natalya Merkulova and Alexey Chupov. 

Volkonovov is played brilliantly by Yura Borisov who was nominated for a supporting actor Oscar in Sean Baker's  Anora  and was the lead in Kirill Serebrennikov’s Cannes entry “Petrov’s Flu.” He is an NKVD captain in Stalin's USSR of 1938, when the Great Purge emerged. Timofey Tribuntsev is also great as his pursuer and former boss, major Golovnya. 

The title is soehow ironic, don't expect a traditional escape. The film has surreal qualities, non-linear narrative, great colors, widescreeen cinematography (2.35.1),  great production design (shot in St. Petersburg), and black humor galore. It's a sort of thriller, dark comedy, historical drama, fable, and it shows a side of Russia's history at its most darkest (that is, until Today :( Ok, not only that but all Totalitarian Poli cde Ste.

The musical theme, recurrent and also sometimes ironical, is the legendary Soviet song  Polyushko-pole (Song of the Pains), see the interpretation by the avant-garde St. Petersburg band  Shortparis below: 

4 out of 5 / 8 out of 10 !!! 

-a bit too long and confusing, or switches hard to follow...

Tuner (2026)

 Watch this in a cinema with great sound ! 

Tuner is one of the year's most interesting Indie films who made it to Romanian cinemas !

TBC...

might write a piece on Top Ten films to listen to. 

Tuner is

better than Sound of Metal with a twist of Copland

and shades of Drive, Thief, Baby Driver.

Masters of the Universe (2026)

 'Here we are ...with the Princes, ups, with the Masters of the Universe...'

Unexpected or more so after abysymal BO performace and Reviews. Definetly not a film for 2026. A combo of Flash Gordon and Guardians of the Galaxy (vol. 1), overlong (2h20 !!!; really?), some good humor and  sexual innueundos in a PG fare, a dumbo Skeletor (unrecognizable Jared Lato with weird accent and Dr. Evil laughter does his bet job in many years here). 

Camila Mendes as Teela is hot, Idris Elba supports bravely, Roboto is voiced by Kristen Wiig, James Purefoy is the King Randor, Morena Maccarin (the) sorceress in white and the lead Adam/He-Man- Nicholas Galitzine is funny and charismatic, also Alison Brie is fun as witchy Evil-Lyn.

Coming from a line of legendary toys (that I was never fammilar with), cartoons and comics which I never saw my only reference was the 1987 very B and B budget cult film of the same name and franchise (it was a Golan-Globus Cannon production).  More so than then, this film doesn't take itself seriosusly for an even odd moment, it knows it's silly and plays it straight on. 

Added value: the score is Fabulous, Power Rock pounding heroic symphonica metallic, another great one from Daniel Pemberton, one chord to rule'm all, Queen style, even features a Highlander song and puns, plus a clone Queen song by The Darkness and surely the sound was familliar because yes, the guitarist it's Brian May !!! That in itself raises the bar (and the volume) one notch (and a star of my review here). A Dolph Lundgren cameo (hero of the 1987 version) makes it even more tongue in cheeck. For the grown-up children ;)

3 stars out of 5, 6 out of 10 !!!

Disclosure Day (2026)

Disclosure Day on the film's premiere's day.

What can I say? I expected more. But it's ok. Just that it's old news, the disclosure has been made my Spielberg in 1977 and in 1982 (E.T. phoning home ;). 

This is really a Close Encounters of the Third Kind 'cos it's beeen done now the third time.

I woun't count the War of the Worlds which I hateted masivelly when it came out, called it War of the Tripods.

My most problematic aspect is the casting. Absolute no charisma between the leads, boyfriend-girlfriend, could be way better with another actors, Josh O'Connor and Emily Blunt didn't convince me one bit. What about the old Richard Dryfuss type, even the claasical Tom Hanks Spielbergian James Stewart type? The supporting bit was clockwork, Colin Firth and Colman Domingo all serious handling the disbelief. 

Then, the duration. 2h25 could've been way shorter. Scenes repeat, chases repeat, peril repeat, mind scanning repeat, rinse, spit, repeat. like it's a TV series. 

Also the deja-vu from the telekinesis/paranormal age of late 70's, 80's, from Fury, to Scanners, via Firestarter. Just add aliens, but it's the same chase, same plot gimmicks.

But John Williams did a serios job scoring it, coming out of retirement again for his buddy Spielberg, At 94 he still rocks !!! 

 The camera work, I have a problem with the design, moving in every shot, some cool tracking shots, 180 degrees to 360. Colors too,bleak, winterish. 

3 out of 5, 6 out 10 !!!

A Little Romance (1979)

I saw this when it came out in Romania, in 1980, obviously opened here in cinemas with a certain delay. It was called Mica romanta, a fair translation of the original A Little Romance. Why they bought it beacuse it criticises the Capitalistic American family )sort of),same as Kramer Vs. Kramer or Champ, hits in the cinema of that era. Or  and the American tourists in Europe? who knows. It was a treat, and one of the best films to run in cinemas then.

I was Ten so a lot of the film meaninngs eluded me. I loved and identified with the kid, Daniel, doing l'École buissonnière like me, watching films al the time, instead of going to school. Didn't fell in love yet but I loved the character of the old man, played with French aplombe a la Charles Boyer or Maurice Cheavlier by the great Laurence Olivier, whose reputation I knew already, so I respected him tremendously. 

None would have a clue then who Diane Lane would become, though Sir Larry told people she will be the next Grace Kelly !!! It was her 1st film and George Roy Hill discovered her and the other kids, Thelonious Bertrand. Him unfortunately acted in only another film, today he is a hapilly married dentist living in a small French town. 

cut to: 

Saw it again in the 90's and absolutely loved it. Was in my late twenties, enjoyed the meta references of George Roy Hill showing his own films, mangled in dubbing in French (Butch Cassidy and the Sundance Kid) and Italian (La Stangata aka The Sting). It has plenty of film refernces for a film buff, which was not a la mode back then. 

Bonus films: The Three Days of the Condor (Redford pun again), The Big Sleep, True Grit, Hustle (why?) and the invented copiously titled Spasmes Frenetiques !!! 

Arthur Hill is excellent as the foster dad, and Sally Kellerman tries to be as annoying as it gets as the distracted mom. Plus, a cool cameo by Broderick Crawford and a schlock director named George de Marco (De Palma, De Toth ?), played with sleeze approach by David Dukes- that looks a bit like Bogdanovich meets Friedkin , and the author of the crap movie, Lips / Levres !

Now, as a banale recommendation for a child's friend, a girl of eleven, felt the terrible urge of rewatching this. And of course it was an absolute pleasure, a marvelous gateau, from a moment lost in time, elegant, romantic, funny, smart and cinephilic. 

Composer Georges Delerue received his only Oscar for this film. Great music, a tipically Delerue sound. 

A Little Romance was also nominated for Best Adapted Screenplay by Allan Burns. His script was based on the novel E=MC2, mon amour by Patrick Cauvin.

A timelss gem. and a predecesor of  Richard Linklater's "Sunrise/Sunset" films.  Brilliance by a very underrated master-director, George Roy Hill. Another time, another space, lost innocence and beauty...

4 1/2 out of 5, 9 out of 10 !!!

Backrooms (2026)

 Backrooms. 

Impressive.

Most impressive if you count the director, Kane Parsons is 20 years old ! It's based on his youtube found footage series & Kane Pixels. 

To be seen and appreciated in a cinema !!! Really !

Plot description: After a therapist's patient disappears into a dimension beyond reality, she must venture into the unknown to save him.

I saw it tonite., and the theater was packed with teenagers. They knew the backstories, the innerworld of the film, the odds and inns. I guess it's one of the reasons Backdoors has a great thetrical run, the best of A24 til now (overpassing Civil War ). 

Totally psychedelic & psychotronic, some M.C. Escher angles and tricks, reminding recent Exit 8, and some other cool mindf*cks, Cosmatos' Beyond the Black Rainbow, Tarsem's The Cell, Cube, Us, Severance office sets  (actually inspired by the Backwoods originals) and Twin Peas Black Lodge landscape and soundscape, even shades of Eraserhead. 

Imdb suggests you see thse movies before seeing this. I guess you can also do that afterwards. 

The production /set design is all practical, was built as a maze. And the colors (yellowish) and the lightning. Widescreen cinematpgraphy mixed with video formats.

Could've been more claustrophobic, and it has some weaknesses, clumsiness, confusing ideas, also starts too slow and it's too long, but still, as I wrote above, Impressive.

Chiwetel Ejiofor is Clark, the Alone Man, the furniture shop `Architect` and Renate Reinsve (fresh from Oscar's Sentimental Value and Cannes fare, Fjord) is Mary, a shrink whose book Window of self is a also a clue. Mrk Duplass is the Third Man, as a scientist with a more complicated backstory...

A sort of Malice in Wonderland occurs. Some RMI too, or not ? 

And there is also a clue from a classic film and tale/book, The Neverending Story...

Anyhu, I hope a new serious genre Director was born...

Horror had a great (Theatrical too) run recently, with (i'm mentioning my chouces here): Ari Aster (Hereditary, Midsummer, Beau is Afraid, Eddigton), Ti West (In the Valley of Violence, The Sacrament, X, Pearl, Maxxine), Osgood Perkins (exec. producer here- Longlegs, The Monkey), Damian McCarthy (Caveat, Oddity, Hokum),  Zach Cregger (Barbarian, Weapons), Tilman Singer (Luz, Cuckoo), Charlie Polinger (The Plague), and feminin fare too, Coralie Fargeat (The Substance), Julia Ducournau (Raw, Titane, Alpha)...

I just hope this will not start another weak franchise as I just saw a whole video about the backstory of the Backrooms here...

3 1/2 out of 5, 7 out of 10 !

Sound design and soundtrack wise, kudos, this song from Boards of Canada on the closing credits was the highlight. 

https://pitchfork.com/news/boards-of-canada-soundtrack-backrooms-end-credits/

also a Klaus Doldinger song in it too (Moonchild). 

The Plague (2025)

Remarkable debut by Charlie Polinger (w/d). It premiered in Cannes in the Un Certain Regard section. Worthy of the DGA Award. Amazingly it was shot in Romania (by Abis studios, art director Vlad Vieru just won a Gopo for the Yellow Tie) !!! Great widescreen compositions. in 2.39 : 1. Also shot on film,35mm by Steven Breckon, another name to follow. 

Joel Edgerton  (also a producer) is the only adult name in the film, the rest is a bunch of kids, real talent.  Everett Blunck as Ben is a stand-out. They won best actors in Sitges, also together with Kayo Martin.

Lord of the Flies in a summer waterpolo camp with shades of masculin Carrie. It's set in 2003, no clue why. It's gross sometimes like teenagers are, it's unpleasant and it feels real. Tough to direct all these kids, and as a first picture, kudos !

 Also great, I mean GREAT sound design and a great score by Johan Lenox, reminiscent also of Pino Donnagio's cues.

Corsa Notturna (see, it's in Italian;) will give you goosebumps. It looks like it's Lenox' first real score too. Bravo !

Also Moby's song Feeling So Real will never feel the same again ! 4 real ;)

7 out of 10 / 3 1/2 out of 5 ! Deserves even more but my empathy was with the filmmaking, not the characters. 

Caveat (2020)

I caught up with Damian McCarthy 1st feature film Caveat after seeeing Hokum in a cinema last week and Oddity in 2024. 

Caveat in Latin means Warning/ Beware. 

Creepy, claustrophobic, atmospheric very low key and extremly well done low budget debut feature shot in Cork, Ireland.

Loses some steam in the third act but it's paced at 1h30 so it's all good. It's basically  for the viewer a one person drama and experiences and emotions -through Issac (Jonathan French's amnesic character).

The harness is a gimmick worthy of Edgar Allan Poe's stories. 

The film's dialogue is minimal, and the sound design/ soundtrack is keeping the ternsion up, as with the camera movements and the set design of the creepy house with falling walls, the basement, floors creaking and those distant cries of the foxes...

The most interesting thing in the film is the drumming toy rabbit that beats Stephen King/ Osgood Perkins' Moneky for creepiness and weirdness.

***The toy rabbit featured in the film was acquired via eBay by McCarthy, who "always had an interest in wind-up toys". It was stripped of its fur and sent to costume and prop builder Lisa Zagone, who finalised its design.

3 1/2 out of 5 / 7 out of 10

Sight and Sound: The uncannily claustrophobic design of the setting matches the tightness of the irrationally unfolding narrative in this slice of ghostly surrealism, so beautifully styled that you can practically smell the mildew-stained walls.

Iron Maiden -Burning Ambition (2026)

 hell yeah, and yes a film about the Maidens

8.05.2026. watch your cinema screens !!!

now the London premiere was on 

See ya Friday at Coresi -Cinema One in Brasov, it runs there Friday, Saturday and Sunday at 19.00

(also it runs next weekend)

https://www.cinemaone.ro/movie/3292/1/253179#/

Up the Irons !!!! 

Update after the screening (as noted on Letterbox):

Gotta say I expected this for a while so my expctations were Aces High. Seeing all the docs about the Irons, it makes for a nice completion, and great to see it in a cinema theater (*although mostly empty :( but it is more or less a promotional tool for the ongoing tour, more than the coda on the story of the Iron Maiden legend. 

3 1/2 -half star beacuse it ws on the big screen tho-

International BO here.

Romanian box office:

Iron Maiden: Burning Ambition

distributor: Ro Image 2000 1 86 2.285 73.232,46 2.285 73.232,46 2.285 73.232,46 lei

16.459,32 USD

2.285 tickets / 86 screens....

Project Hail Mary (2026)

`Fist my bump.`

Project Hail Mary is the Feel Good science fiction film of the year, decade, and more, a hopeful unlikely buddy film well done, with winks to 2001, Intersellar, ET, Close Encounters of 3d kind and of course Rocky ;).
Ryan Gosling is at his most charismatic and Rocky is a hoot ! 
Import Deutch Sandra Hüller (Anatomy of a Fall, Zone of Interest), does a good job, and also karaoke ;)
Nice songs on the soundtrack (Kris Kristofferson, The Beatles, Dennis Wilson, Ike and Tina Turner) and effective score by Daniel Pemberton. It does what Mission 2 Mars and The Martian (also based on an Andy Weir book) did not manage to do, meanwhile touching the Grace ;)

See it on IMAX if you can, all the space sequences are shot in the format.


7 out of 10 / 3 1/2 out of 5

How to Make a Killing (2026)

How to Make a Killing is in cinemas now. This is John Patton Ford's second film. Loved his first effort, Emily the Criminal back in 2022, it made my Top Films list. 

This is Film Noir, dark comedy, thriller, and most of all an homage of Kind Hearts and Coronets (1959), the classic Ealing comedy with Alce Guiness es ;), based on the novel , it says on the credits. "Insiperd by" those two. 

Also has an 80's air, it's cynical and politically incorrect, stylish and crisp. 

Finally a good part for Glen Powell as Becket Redfellow (cool names in this family !), after the huge misfire of  new Running Man-Liked the guy in his SNL episode, I think he has more comedic potential than action chops, definetly romantic too.

Margaret Qualley is the bad femme fatale in the story, another good part in her resume after Honey Don't, Drive-Away Dolls, Kinds of Kindness, Poor Things, The Substance. I first liked her in Once Upon A Time in...Hollywood. 

Jessica Henwick is the romantic interest, Ruth. Bill Camp has a nice part as Warren Redfellow, also Topher Grace as one of the Redfellows (Steven) and Zach Woods (from Sillicon Valley) another one (Noah). Also Ed Harris' part as the patriarch Whitelaw Redfellow is more like a cameo, but he's effective as ever. 

Amazingly enough this was shot in South Africa instead of New York and New Jersey !!!

Great score by Emile Mosserri and effective soundtrack-The Clapping Song (Shirley Ellis) , the Brazilian classic Take Me Back to Piaui by Juca Chaves, No Fear by Inflo, etc. 

7 out of 10 / 3 1/2 out of 5 ! 

Top 2025 albums, concerts and soundtracks

Albums:

 1. The Waterboys -The Life and Death of Dennis Hopper

nothing gets closer to this.  5 stars out of Five !

If there ever was a musical biopic this is it...

Gigs

Abroad

1. Iron Maiden -Budapest

2.The Tiger Lilies' Macbeth- Barcelona

3. PIL- Olympia, Dublin

4 Iron Maiden  -Belfort, France

5. NIN -Dublin

should've been The Waterboys in Porto but it was cancelled,. Went to IMAX and saw The Shining insteed..

Inland ;)

Laibach-Quantic

Curtis Salgado -Brasov Jazz and Blues

Zac Harmon -Brasov Jazz and Blues

David Ronaldo and the Dice-Brasov Jazz and Blues

John Nemeth-Brezoi

Fantastic Negrito -Brezoi

Bluesferatu redux -Bran Castle 

Vulture industries-Rockstadt

All TBF ;) esp. TBF VII- John Primer & Giles Robson, Sean Chambers,  Riccardo Grosso, Jorg Danelsien, Todd Sharpville, Eamonn Mc Cormack, Luke Winslow-King,  TRES, ', Jose Ramirez.

and how about that S.H.I.T. ? ;) 

also Bluesferatu in Bran- for the Second Year. 

Top Ten 2025 Soundtracks 

Sinners -Ludwig Goranson & VA

One Battle After Another -Jonny Greenwood

Sirat - Kangding Ray

No Other Choice- Cho Young-Wuk

Ballad of a Simple Man-Wolker Bertelmann

Highest 2 Lowest-Terence Blanchard

28 years Later -Young Fathers

Eddington -Daniel Pemberton

Play Dirty-Alan Silvestri -* way better than the film

special mention (Hans Zimmer Award of the Year ;)

F1

No Other Choice (2025)

1st film I saw on 2026 it's one of the best of 2025 and one of Park Chan-wook's best. No Other Choice aka Eojjeolsuga eobsda.  It's also the offical Korean Submission for Best International film at the Oscars and it's nominated for 3 Golden Globes Awards. No Other Choice premiered in the 2025 Venice Film Fest Competition. It won Best Director in Sitges FF. 

It's limited in Romanian Cinemas now, so try to see it on the big screen, it's worthy. Just peropeare for slower development, the film has 2h19 mins.

I follow the Korean director for 25 years, ever since he came to Bucharest with his 1st feature, JSA (Joint Security Area) at the 1st Festasia fest edition.  That was before Oldboy, Mr. and Mrs. Vengeance, Thirst, Handmaiden and Stoker. Saw most of his oeuvre, also the HBO series The Sympathiser, so I can say that this one it's one of his best. 

Lee Byung-hun who is South Korean leading man is here a Paper Man, formerly "Pulp Man of the Year 2019." He was also in PCWook's JSA, in A Bittersweet Life, Squid Game series, even in G.I. Joe. He gets back at working with PCW after 25 years. Here he is a plain family man, with a desperate will to get back to his job that was downsized.  Son Ye-jin is great too as his wife Miri, and so is the son Si-one and the daughter Ri-One- playing cello. And the two dogs (Si-Two and Ri-Two). And all the supporting characters. Great supporting characters !

It's a Korean Le Coupert / The Axe, based on Donald  E.Westlake 1997 novel. It was made before by Costa-Gavras in 2005 as The Ax, a great black comedy, merciless, starring José Garcia. But Wook-Chan goes even further in absurdity and satire. He co-wrote this with Don McKellar, they worked together before on The Sympathiser. The film is produced by Costa-Gavras family and it's dedicated to the Greek director, who kept the rights of the novel and gave them to Park Chan. The film was supposed to be in English first (starting 2009) but kept developing.

Via IMDB: During a live discussion with Costa-Gavras at the 2019 Busan International Film Festival, Park told audiences that he was still working on his adaptation of Westlake's novel. The film was described by Park as a "lifetime project" and that while he hadn't begun filming it yet, he wished "to make this film as my masterpiece." Gavras, who still held the rights to the book, had helped Park to develop the project. The film was set to be an English-language picture, with Don McKellar co-writing the script alongside Park.

The design is fabulous too, from the bonsai and the greenhouse to the seasons change, going from summer to winter (it was shot in a period of five months, from August 2024 to January 2025). The colors are very important for the transitions and the story. Impeccable widescreen (2.35 : 1) cinematography  (by Kim Woo-hyung who worked before with the director on The Little Drummer Girl series) and editing (Kim Sang-bum, Park's editor since JSA), adding to the plot points and directing. 

Great score too, and great idea of a cello subplot, by Chan-wook Park's collaborator, Cho Young-Wuk.  The score includes incidental classical music, Mozart piano concerto (no. 23!), Marin Marais and pop hits, Korean and American (Hold On I'm Coming by Sam and Dave -1966), edited and directed on camera (one set-piece might as well be the best Cinema scene of 2025!-and the funniest -with subtitles too ;).

4 out of 5 / 8 out of 10 !!!

“I've always been trying to follow the footsteps of the great masters of cinema, most of whom have passed away today. I've tried very hard to reach their level. And I think in certain scenes or certain films, I might have reached a similar level, but there's still a very long way to go. So, when I think about how many more films I can make for the rest of my life, I feel very rushed.”

Park Chan-wook 

*the screenplay of the film in English can be found here !!!