marți, 13 octombrie 2026

Litera 9 | M | Muzică, vampiri și blues psihedelic: din culisele Transilvania Blues și ale fenomenului Blüesferatü



Blüesferatü · În presă
Blüesferatü – Transilvania Blues
13 octombrie 2026 · Litera 9 · Mihai Tatu

Muzică, vampiri și blues psihedelic: din culisele Transilvania Blues și ale fenomenului Blüesferatü

Un articol despre culisele Transilvania Blues și evoluția proiectului Blüesferatü, de la cine-concertul inspirat de Nosferatu la animație, bandă desenată și experiențe XR.

CITEȘTE ARTICOLUL PE LITERA 9 ↗


Concert Eric Johanson — New Orleans Guitar Guru | Premieră în București!



𝗘𝗿𝗶𝗰 𝗝𝗼𝗵𝗮𝗻𝘀𝗼𝗻 (vocals/guitar)
𝗝𝗮𝗸𝗲 𝗚𝗮𝗿𝘁𝗲𝗻𝘀𝘁𝗲𝗶𝗻 (drums)
𝗪𝗶𝗹𝗹 𝗥𝗲𝗽𝗵𝗼𝗹𝘇 (bass)

28 noiembrie 2026 | 𝗼𝗿𝗮 𝟮𝟬:𝟬𝟬 (𝗼𝗽𝗲𝗻 𝗱𝗼𝗼𝗿𝘀 𝟭𝟴:𝟬𝟬)
𝗧𝗛𝗘 𝗣𝗨𝗕 – 𝗨𝗻𝗶𝘃𝗲𝗿𝘀𝗶𝘁𝗮̆𝘁̦𝗶𝗶, 𝗕𝘂𝗰𝘂𝗿𝗲𝘀̦𝘁𝗶 (Bulevardul Regina Elisabeta 9)


#𝟭 𝗕𝗜𝗟𝗟𝗕𝗢𝗔𝗥𝗗 𝗕𝗟𝗨𝗘𝗦 𝗔𝗥𝗧𝗜𝗦𝗧
𝟲 𝗗𝗜𝗦𝗖𝗨𝗥𝗜 𝗖𝗟𝗔𝗦𝗔𝗧𝗘 𝗜̂𝗡 𝗧𝗢𝗣 𝟭𝟬 𝗕𝗜𝗟𝗟𝗕𝗢𝗔𝗥𝗗

𝗘𝗿𝗶𝗰 𝗝𝗼𝗵𝗮𝗻𝘀𝗼𝗻, chitaristul și vocalistul american originar din New Orleans, ajunge la București pe 𝟮𝟴 𝗻𝗼𝗶𝗲𝗺𝗯𝗿𝗶𝗲 𝟮𝟬𝟮𝟲, în cadrul 𝗧𝗿𝗮𝗻𝘀𝗶𝗹𝘃𝗮𝗻𝗶𝗮 𝗕𝗹𝘂𝗲𝘀 𝗡𝗶𝗴𝗵𝘁𝘀, pentru un concert dedicat iubitorilor de blues-rock modern, cu riff-uri puternice, groove profund și o energie scenică aparte.
Artistul american îmbină rădăcinile blues-ului cu forța rock-ului și o abordare contemporană a chitarei electrice. Stilul său se remarcă prin intensitate, compoziții solide și un sound personal, în care blues-ul tradițional întâlnește sonoritățile rock și alternative.

Albumul său lansat la Ruf Records, 𝘛𝘩𝘦 𝘋𝘦𝘦𝘱 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘋𝘪𝘳𝘵𝘺, a ajuns pe 𝗹𝗼𝗰𝘂𝗹 𝟭 𝗶̂𝗻 𝗕𝗶𝗹𝗹𝗯𝗼𝗮𝗿𝗱 𝗕𝗹𝘂𝗲𝘀 𝗖𝗵𝗮𝗿𝘁𝘀, consolidându-i poziția printre artiștii importanți ai noii generații de blues. În 2025, Eric Johanson a revenit în Top 10 Billboard cu albumul 𝘓𝘪𝘷𝘦 𝘪𝘯 𝘔𝘪𝘴𝘴𝘪𝘴𝘴𝘪𝘱𝘱𝘪, continuând în paralel turneele internaționale și concertele sold-out din Europa.

Pe 𝟭𝟲 𝗼𝗰𝘁𝗼𝗺𝗯𝗿𝗶𝗲 𝟮𝟬𝟮𝟲, Eric Johanson lansează 𝘛𝘩𝘦 𝘖𝘱𝘦𝘯 𝘉𝘢𝘺𝘰𝘶, un nou album înregistrat live în studio, în doar trei zile libere dintr-un program intens de turnee. Cu Johanson la producție și Bill Skibbe — cunoscut pentru colaborările cu Jack White și The Raconteurs — la mixaj, albumul promite o incursiune directă, intensă și profund ancorată în blues în teritorii sonore neexplorate. Un nou capitol în evoluția unui artist care continuă să împingă granițele blues-rock-ului contemporan.

Cu o prezență scenică electrizantă, Johanson a cântat pe scenele unor festivaluri internaționale importante, precum 𝗡𝗲𝘄 𝗢𝗿𝗹𝗲𝗮𝗻𝘀 𝗝𝗮𝘇𝘇 & 𝗛𝗲𝗿𝗶𝘁𝗮𝗴𝗲 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹, 𝗛𝗼𝗹𝗹𝗮𝗻𝗱 𝗕𝗹𝘂𝗲𝘀 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 și 𝗧𝗲𝗹𝗹𝘂𝗿𝗶𝗱𝗲 𝗕𝗹𝘂𝗲𝘀 & 𝗕𝗿𝗲𝘄𝘀. A colaborat cu artiști precum 𝗕𝗶𝗴 𝗖𝗵𝗶𝗲𝗳 𝗠𝗼𝗻𝗸 𝗕𝗼𝘂𝗱𝗿𝗲𝗮𝘂𝘅, participând la albumul 𝘉𝘭𝘰𝘰𝘥𝘴𝘵𝘢𝘪𝘯𝘴 & 𝘛𝘦𝘢𝘳𝘥𝘳𝘰𝘱𝘴, nominalizat la Grammy în 2022, și a împărțit scena cu nume importante ale blues-ului și roots-rock-ului, printre care 𝗦𝗮𝗺𝗮𝗻𝘁𝗵𝗮 𝗙𝗶𝘀𝗵, 𝗧𝗮𝗯 𝗕𝗲𝗻𝗼𝗶𝘁, 𝗔𝗻𝗱𝗲𝗿𝘀 𝗢𝘀𝗯𝗼𝗿𝗻𝗲 și 𝗡𝗼𝗿𝘁𝗵 𝗠𝗶𝘀𝘀𝗶𝘀𝘀𝗶𝗽𝗽𝗶 𝗔𝗹𝗹𝘀𝘁𝗮𝗿𝘀.

Talentul său a fost remarcat de publicații muzicale de referință. 𝙂𝙪𝙞𝙩𝙖𝙧 𝙋𝙡𝙖𝙮𝙚𝙧 l-a inclus în clasamentul „𝗧𝗼𝗽 𝟮𝟱 𝗡𝗲𝘄 𝗕𝗹𝘂𝗲𝘀 𝗚𝘂𝗶𝘁𝗮𝗿𝗶𝘀𝘁𝘀”, iar 𝙏𝙤𝙩𝙖𝙡 𝙂𝙪𝙞𝙩𝙖𝙧 l-a menționat în „𝗧𝗼𝗽 𝟱𝟬 𝗕𝗹𝘂𝗲𝘀 𝗚𝘂𝗶𝘁𝗮𝗿𝗶𝘀𝘁𝘀 𝗼𝗳 𝗔𝗹𝗹 𝗧𝗶𝗺𝗲”.

𝗘𝗿𝗶𝗰 𝗝𝗼𝗵𝗮𝗻𝘀𝗼𝗻 continuă să împingă granițele blues-rock-ului fără să-i piardă rădăcinile, construind un univers muzical în care tehnica instrumentală, forța compozițiilor și energia concertelor live se întâlnesc într-o experiență intensă.

“𝘗𝘶𝘴𝘩𝘦𝘴 𝘵𝘩𝘦 𝘣𝘰𝘶𝘯𝘥𝘢𝘳𝘪𝘦𝘴 𝘰𝘧 𝘣𝘭𝘶𝘦𝘴/𝘳𝘰𝘤𝘬. 𝘚𝘦𝘢𝘳𝘪𝘯𝘨 𝘨𝘶𝘪𝘵𝘢𝘳 𝘸𝘰𝘳𝘬, 𝘢𝘯𝘥 𝘱𝘦𝘳𝘴𝘶𝘢𝘴𝘪𝘷𝘦 𝘴𝘰𝘯𝘨𝘸𝘳𝘪𝘵𝘪𝘯𝘨.”
— 𝗔𝗺𝗲𝗿𝗶𝗰𝗮𝗻 𝗦𝗼𝗻𝗴𝘄𝗿𝗶𝘁𝗲𝗿
“𝘐𝘵’𝘴 𝘭𝘪𝘬𝘦 𝘩𝘦 𝘥𝘪𝘨𝘦𝘴𝘵𝘦𝘥 𝘢𝘭𝘭 𝘵𝘩𝘦 𝘮𝘶𝘴𝘪𝘤 𝘰𝘧 𝘵𝘩𝘦 𝘴𝘪𝘹𝘵𝘪𝘦𝘴 𝘫𝘶𝘴𝘵 𝘭𝘪𝘬𝘦 𝘵𝘩𝘰𝘴𝘦 𝘮𝘶𝘴𝘪𝘤𝘪𝘢𝘯𝘴 𝘭𝘪𝘴𝘵𝘦𝘯𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘱𝘳𝘰𝘨𝘦𝘯𝘪𝘵𝘰𝘳𝘴 𝘢𝘯𝘥 𝘬𝘦𝘱𝘵 𝘵𝘩𝘦 𝘧𝘭𝘢𝘮𝘦 𝘢-𝘣𝘶𝘳𝘯𝘪𝘯’… 𝘛𝘩𝘪𝘴 𝘨𝘶𝘺 𝘩𝘢𝘴 𝘢 𝘱𝘭𝘢𝘤𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘧𝘪𝘳𝘮𝘢𝘮𝘦𝘯𝘵.”
— 𝗕𝗼𝗯 𝗟𝗲𝗳𝘀𝗲𝘁𝘇, 𝗟𝗲𝗳𝘀𝗲𝘁𝘇 𝗟𝗲𝘁𝘁𝗲𝗿

Un 𝗰𝗼𝗻𝗰𝗲𝗿𝘁-𝗲𝘃𝗲𝗻𝗶𝗺𝗲𝗻𝘁 𝗺𝗮𝗿𝗰𝗮 𝗧𝗿𝗮𝗻𝘀𝗶𝗹𝘃𝗮𝗻𝗶𝗮 𝗕𝗹𝘂𝗲𝘀 𝗡𝗶𝗴𝗵𝘁𝘀, 𝗶̂𝗻 𝗽𝗿𝗲𝗺𝗶𝗲𝗿𝗮̆ 𝗶̂𝗻 𝗕𝘂𝗰𝘂𝗿𝗲𝘀̦𝘁𝗶 — o întâlnire cu blues-ul american în forma sa contemporană, directă și fără compromisuri.
𝘽. 𝙏𝙝𝙚𝙧𝙚 & 𝙇𝙚𝙩 𝙏𝙝𝙚𝙧𝙚 𝘽. 𝘽𝙡𝙪𝙚𝙨!

28 noiembrie 2026 | 𝗼𝗿𝗮 𝟮𝟬:𝟬𝟬 (𝗼𝗽𝗲𝗻 𝗱𝗼𝗼𝗿𝘀 𝟭𝟴:𝟬𝟬)
𝗧𝗛𝗘 𝗣𝗨𝗕 – 𝗨𝗻𝗶𝘃𝗲𝗿𝘀𝗶𝘁𝗮̆𝘁̦𝗶𝗶, 𝗕𝘂𝗰𝘂𝗿𝗲𝘀̦𝘁𝗶 (Bulevardul Regina Elisabeta 9)
𝗕𝗶𝗹𝗲𝘁𝗲 – Earlybird: 120 lei până la 31.10.26 inclusiv | Presale: 160 lei până la 27.11.26 inclusiv | 200 lei în ziua concertului online & at the door în limita disponibilității
Un eveniment marca 𝗧𝗿𝗮𝗻𝘀𝗶𝗹𝘃𝗮𝗻𝗶𝗮 𝗕𝗹𝘂𝗲𝘀 𝗡𝗶𝗴𝗵𝘁𝘀 recomandat de 𝗥𝗮𝗱𝗶𝗼 𝗦𝗲𝘃𝗲𝗻, 𝗭𝗶𝗹𝗲 𝘀̦𝗶 𝗡𝗼𝗽𝘁̦𝗶 și 𝗔𝗿𝘁𝗮 𝗦𝘂𝗻𝗲𝘁𝗲𝗹𝗼𝗿.
𝗦𝗽𝗼𝗻𝘀𝗼𝗿𝗶: BCR, ButanGas, Dräxlmaier, Tehnic Mihor, Aplind

𝗕𝗶𝗹𝗲𝘁𝗲 / 𝘁𝗶𝗰𝗸𝗲𝘁𝘀 𝗼𝗻𝗹𝗶𝗻𝗲:
𝗲𝘃𝗲𝗻𝘁𝗶𝗺.𝗿𝗼  https://www.eventim.ro/en/eventseries/concert-eric-johanson-new-orleans-guitar-guru-premiera-in-bucuresti-4263194/
𝗮𝗺𝗯𝗶𝗹𝗲𝘁.𝗿𝗼  https://ambilet.ro/bilete/eric-johanson-bucuresti-5075
𝗶𝗮𝗯𝗶𝗹𝗲𝘁.𝗿𝗼  https://www.iabilet.ro/bilete-concert-eric-johanson-new.../

Eveniment Facebook: Concert Eric Johanson — New Orleans Guitar Guru | Premieră în București!

Roger Deakins' 'Greatest Films List'

Sir Roger Deakins' 'Greatest Films List' is a must-see for cinephiles ;)

Only two American directors (Peckinpah and Kubrick), 2 Melville greats, Leone, Fellini, Visconti, Antonioni, Wenders and KIimov's masterpiece.  Cinema Greatness !

Brit DoP Deakins (which I know ever since Bob Rafelson's Mountains of the Moon), won two Oscars, for Blade Runner 2049 and 1917, and none for his extraordinary work for the Coen brothers (from Barton Fink, Fargo to The Big Lebowski, No Country for Old Men, A Serious Man, Hail, Caesar). Also Skyfall, Sicario and The Assassination of Jesse James by the Coward Robert Ford (where he emulates both Wild Bunch and Once Upon a time in the West !).


luni, 5 octombrie 2026

Digger (2026)

 Is Digger the most divisive film of the year ?

A stunt ?

A vanity project ?

A cinematic hoax ?

A future cult masterpiece and a visionary film ?

Give it a try in the cinemas and don't let the trailer fool you, there's a gimmick yes but the filmmakers asked us not to spolier the film -those who reead my blog know that I hardly mention plots and the story of the film I am 'reviewing' here. 

I am happy that I liked it, went with a lot of sketicism and came out Happy ! or maybe, Happy is not the right word, it's an intense, deep, layered piece of masterful cinema !

...and I must say I am neither a Tom Cruise or Alejandro Iñárritu fan (except Birdman) !

Described as a 'comedy of catastrophic promoportions' the film is more than that, from farce to satire to Meta and Meta Meta cinema. It's been  Iñárritu's project for 10 years and Cruise came onboard in 2019. 

To enhance and perfect the story Iñárritu worked with at least 5 screenwriters (that's what's credited onscreen). 

It's also gonna be the last film released by the Warner Bros. studios in thier 103 years long run, before the infamous merger upcoming. It was not planned this way but it works as a super-expensive subversive goodbye F88k You !

I mostly agree with Mark Kermode video review. I disagree on the point that you'd definetly read more and different into the film into a second viewing but who would ever wanna do that ? And with his conclusion. (also I disagree on his opinion of Eyes Wide Shut. My main problem with that film was Tom Cruise but he is making that film go). 

I will see it a second time. I'm sure it will be even better.

*went and did that. And it was even better, another layer of filmmaking, other small discoveries. It's a see more, more to discover reward, I guess I'll go again in a while ;)

You can read the whole thing through the perception of the cat story (Empathise 'Perception'). I think it's the most important clue in the world of Digger Rockwell, as a crazy Rosebud of this film subtext. 

The acting ensemble is sensational, Riz Ahmed should won supporting actor Oscar (he looked to me like Groucho Marx,, (Tom Cruise surely will be shunned!), John Goodman as hammy as Slim Pickens was in Strangelove (he definetly deserves an Oscar too, imo he fid a Trump), Michael Stuhlbarg, Robert John Burke, Sandra Hüller, Burn Gorman, Emma D'Arcy, Pip Torrens and a very interesting part for Jesse Plimons. 

I'd give a clue on some influences: obviously Iñárritu's own Birdman, Kubrick's Dr. Strangleove, Charlie Kaufman's “Synecdoche, New York.” and as observed as planted clues onscreen (as posters), Lubitsch with To Be or Not To Be and John Cassavetes' Opening Night. Parts look like a Wes Anderson film, parts like Coen bros, that's because of emulating Classic screwball comedies from the 30's  Roy Andersson (the UN council scene), even a wink to Cuaron's Children of Men. And shades of Citizen Kane. And Monty Python !

Guillermo De Toro says it best: " Love it or not. And, yes, I do. The film delivers in scale, ambition and reach at a theatrical screen level. Daring, bold and cinematically complex. Decidedly a theatrical experience." 

Shot exceptionally on 35 mm in VistaVision by DoP Emmanuel Lubezki, in two different formats (!), all filmed at Pinewood studios, with a genius set design (Dennis Gassner who did the last Bonds and Blade Runner 2049 &  Richard L. Johnson, promoted from art director to full PD), details, colors and shapes. Uberstylised. Very expensive film but state-of-perfection of production values, all the money is there, brilliant VFX from top companies, the sets, the lightning, the backgrounds. Editing too, perfection. Sound design, as another character of this film.

Great experimental score by a newcomer in films, English pop indie artist (alternative folk)  Cosmo Sheldrake (which I am happy to discover now-his regular stuff I'm listening right now).
More about his score here: 

Two songs by The Ink Spots, some Debussy, Melanie Safka's  Look What They've Done to My Song, Ma that closes the film, followed by a crazy ambiental soundscape (not on the released soundtrack), part of Avian Elegy by Sheldrake, which reminded me of the experimental Pink Floyd  (actually Roger Waters crazy song) from 1969's Ummagumma, Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict. , which mesmerised us when we were like 13 olds ;) Actually there's a song (and a line in the film) entitled 'Amused to Death'.
You can listen the whole score here.

4 1/2 stars out of 5 / 9 out of 10 !!!

*The most cinematic experience you can have now in cinemas, also watch for HOPE and RESIDENT EVIL and if you are a dog lover go and weep at Heart of the Beast !

**

Loved the Yosihiro Nakayama pun ! The guy with the tuna story who is actually a climate scientist.

***

The UN scene -esp. the one-shot-bravura on steadycam is one of the best shots in recent cinema history, film school 101. 

****I rarely say (write) this, but I wished the film was even longer. I saw some shots from the trailer/teaser that did not make it into the final theatrical cut. 

*****

Might be the most quatable flick since The Big Lebowski. The compasisons with Dont Look Up are out of order. That was a pedestrian film, no filmic qualities whatsoever, this is out in the fields of mad, and Movieland. And more ;)


                                                                                'Level Four'