Jacob Elrodi (frankenstein) replaced Paul Mescal as Hig, the pilot. Josh Brolin who worked previously with Scott on American Gangster is the cynical Bangley. They represent opposite views, opposite worlds, one missing his old world, the other one adapting, full survival mode.
Supporting are Margaret Qualley (OUTiH, Poor Things, The Substance, Kinds of Kindness, Drive-Away Dolls, How to Make a Killing), in her most normal and romantic role (up to now) as Cima and Guy Pearce as Pops (Pearce was the old Peter Weyland in Prometheus). Benedict Wong is also here (he was in Ridey's The Martian) and an Ewen Bremner cameo that works as a red hering. He also worked for Scott in Black Hawk Down.
Now if you already read the reviews which I can't understand...? Worst ever for a Scott film??
Worse than Gladiator II and Napoleon which were painful to sit through? Anyway, this is not that biggie of a film, compared to the scale of these two baaad juggernauts...
The film is very slow and it builds atmosphere gradually. The three acts are separated smoothly. The landscape, the nature is another silent character, the green, the mountains vs. The Wasteland.
Incredibly the whole film was shot in Italy, with the Grand Junction sets built at Cinecitta. DOP is Erik Mesermschmit, David Fincher's later collaborator, here in his 1st cinema fare with Scott (he worked before with RS on TV's Raised by Wolves and The Dope Thief).
Comparisons with The Last of Us or The Walking Dead are wrong, closer is The Road by Cormac McCarthy.
The Dog Stars is based on the 2012 book by Peter Heller and the script is by Mark L Smith who wrote The Revenant.
Harry Gregson-Williams composed the score, which is part elegiac, part menacing, it's his 7th for a Scott film.
The soundtrack has also dramatic value, it's folkish and rockish, from the opening credits with Hozier ( Like Real People Do), that gets replayed at the end of the film, to Van Morrison (Tupelo Honey), to Caamp’s “By and By” (on headphones), Dean Martin (Memories are made of This), to the end in The Chieftains and Mick Jagger. (The Long Black Veil). Featuring also Charmaine written by Lew Pollack, Erno Rapee performed by Jack Nitzsche, from One Flew Over the Cuckoo's Nest, and Fly Me to the Moon, sung by Allison Janney on screen.
There is a most poetic scene at the end with the "mormons"/ mennonites countryfair that transcends Ridley Scott's cinema, an optimist message in a post-apocalyptic world. I sensed in the interraction betwwen Hig and Bangley could be a sort of tribute to Ridley's late brother, Tony....
To be seen on the Big Screen.
The IMAX thing is a gimmick tho.
3 1/2 out of 5, 7 out of 10 !
