luni, 5 octombrie 2026

Digger (2026)

 Is Digger the most divisive film of the year ?

A stunt ?

A vanity project ?

A cinematic hoax ?

A future cult masterpiece and a visionary film ?

Give it a try in the cinemas and don't let the trailer fool you, there's a gimmick yes but the filmmakers asked us not to spolier the film -those who reead my blog know that I hardly mention plots and the story of the film I am 'reviewing' here. 

I am happy that I liked it, went with a lot of sketicism and came out Happy ! or maybe, Happy is not the right word, it's an intense, deep, layered piece of masterful cinema !

...and I must say I am neither a Tom Cruise or Alejandro Iñárritu fan (except Birdman) !

Described as a 'comedy of catastrophic promoportions' the film is more than that, from farce to satire to Meta and Meta Meta cinema. It's been  Iñárritu's project for 10 years and Cruise came onboard in 2019. 

To enhance and perfect the story Iñárritu worked with at least 5 screenwriters (that's what's credited onscreen). 

It's also gonna be the last film released by the Warner Bros. studios in thier 103 years long run, before the infamous merger upcoming. It was not planned this way but it works as a super-expensive subversive goodbye F88k You !

I mostly agree with Mark Kermode video review. I disagree on the point that you'd definetly read more and different into the film into a second viewing but who would ever wanna do that ? And with his conclusion. (also I disagree on his opinion of Eyes Wide Shut. My main problem with that film was Tom Cruise but he is making that film go). 

I will see it a second time. I'm sure it will be even better.

*went and did that. And it was even better, another layer of filmmaking, other small discoveries. It's a see more, more to discover reward, I guess I'll go again in a while ;)

You can read the whole thing through the perception of the cat story (Empathise 'Perception'). I think it's the most important clue in the world of Digger Rockwell, as a crazy Rosebud of this film subtext. 

The acting ensemble is sensational, Riz Ahmed should won supporting actor Oscar (he looked to me like Groucho Marx,, (Tom Cruise surely will be shunned!), John Goodman as hammy as Slim Pickens was in Strangelove (he definetly deserves an Oscar too, imo he fid a Trump), Michael Stuhlbarg, Robert John Burke, Sandra Hüller, Burn Gorman, Emma D'Arcy, Pip Torrens and a very interesting part for Jesse Plimons. 

I'd give a clue on some influences: obviously Iñárritu's own Birdman, Kubrick's Dr. Strangleove, Charlie Kaufman's “Synecdoche, New York.” and as observed as planted clues onscreen (as posters), Lubitsch with To Be or Not To Be and John Cassavetes' Opening Night. Parts look like a Wes Anderson film, parts like Coen bros, that's because of emulating Classic screwball comedies from the 30's  Roy Andersson (the UN council scene), even a wink to Cuaron's Children of Men. And shades of Citizen Kane. And Monty Python !

Guillermo De Toro says it best: " Love it or not. And, yes, I do. The film delivers in scale, ambition and reach at a theatrical screen level. Daring, bold and cinematically complex. Decidedly a theatrical experience." 

Shot exceptionally on 35 mm in VistaVision by DoP Emmanuel Lubezki, in two different formats (!), all filmed at Pinewood studios, with a genius set design (Dennis Gassner who did the last Bonds and Blade Runner 2049 &  Richard L. Johnson, promoted from art director to full PD), details, colors and shapes. Uberstylised. Very expensive film but state-of-perfection of production values, all the money is there, brilliant VFX from top companies, the sets, the lightning, the backgrounds. Editing too, perfection. Sound design, as another character of this film.

Great experimental score by a newcomer in films, English pop indie artist (alternative folk)  Cosmo Sheldrake (which I am happy to discover now-his regular stuff I'm listening right now).
More about his score here: 

Two songs by The Ink Spots, some Debussy, Melanie Safka's  Look What They've Done to My Song, Ma that closes the film, followed by a crazy ambiental soundscape (not on the released soundtrack), part of Avian Elegy by Sheldrake, which reminded me of the experimental Pink Floyd  (actually Roger Waters crazy song) from 1969's Ummagumma, Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict. , which mesmerised us when we were like 13 olds ;) Actually there's a song (and a line in the film) entitled 'Amused to Death'.
You can listen the whole score here.

4 1/2 stars out of 5 / 9 out of 10 !!!

*The most cinematic experience you can have now in cinemas, also watch for HOPE and RESIDENT EVIL and if you are a dog lover go and weep at Heart of the Beast !

**

Loved the Yosihiro Nakayama pun ! The guy with the tuna story who is actually a climate scientist.

***

The UN scene -esp. the one-shot-bravura on steadycam is one of the best shots in recent cinema history, film school 101. 

****I rarely say (write) this, but I wished the film was even longer. I saw some shots from the trailer/teaser that did not make it into the final theatrical cut. 

*****

Might be the most quatable flick since The Big Lebowski. The compasisons with Dont Look Up are out of order. That was a pedestrian film, no filmic qualities whatsoever, this is out in the fields of mad, nad novieland. And more 

duminică, 4 octombrie 2026

 

Concert Rob Tognoni – The Tasmanian Devil @ Transilvania Blues Nights | Premieră în București!

Transilvania Blues Nights îl aduce pentru prima dată la București pe Rob Tognoni – „The Tasmanian Devil!

Originar din Tasmania, Australia, Rob Tognoni este unul dintre cei mai explozivi chitariști ai scenei blues-rock internaționale. Cunoscut drept „The Tasmanian Devil”, Rob combină blues-ul, blues-rock-ul și classic rock-ul într-un stil propriu, energic și imprevizibil.

Cu o carieră de peste patru decenii și peste 25 de albume powerhouse în discografie, Rob Tognoni și-a construit reputația unui performer care trebuie văzut live. A cântat pe scene din întreaga lume și a împărțit scena cu artiști precum Peter Green, Sting, ZZ Top și Bo Diddley.

Influențele sale merg de la Cream și Jimi Hendrix până la B.B. King și AC/DC, iar chitara sa este întotdeauna în centrul spectacolului.

“Australian Rob Tognoni is one of the finest guitar players around today. His work is a combination of classic rock, blues & blues rock and is done with utmost passion and precision...”

— Bandit Blues Radio, USA



Black On Black — Material nou

După Rebel (2024), albumul descris de Eclipse Magazine drept un „Asskicker”, Rob Tognoni a revenit pe 9 iulie 2026 cu un nou album, Black On Black. Get Ready to ROCK! îl descrie drept un material de hard rock plin de energie neobosită, intensitate concentrată și versuri fără compromisuri, în perfectă întâlnire cu riff-urile sale puternice.

După trei întâlniri cu publicul brașovean la Transilvania Blues Nights — în 2022, 2024 și 2025, în trei formule diferite — Rob Tognoni revine în România în 2026, de această dată pentru prima sa apariție la București.

 

ROB TOGNONI – THE TASMANIAN DEVIL


17 octombrie 2026 | ora 20:00 (open doors 18:00)

THE PUB – Universității, București (Bulevardul Regina Elisabeta 9)

Bilete – Presale: 150 lei până la 12.10.26 inclusiv | apoi 180 lei până în ziua concertului online & at the door în limita disponibilității

Bilete online: eventim.ro

Un eveniment marca Transilvania Blues Nights recomandat de Radio Seven, Zile și Nopți, Arta Sunetelor.

Sponsori: BCR, ButanGas, Dräxlmaier, Tehnic Mihor, Aplind

Parteneri: Gramofon Wine

B. There & Let There B. Blues!

Eveniment Facebook: Rob Tognoni – The Tasmanian Devil @ Transilvania Blues Nights | Premieră în București!


 

 

 

miercuri, 30 septembrie 2026

Hope (2026)

Hope/Hopeu is a crazy madcap rollercoaster made in Korea by master filmmaker Na Hong-jin (author of The Chaser,-2008 The Yellow Sea-2010 and The Wailing-2016). Saw all of them in Cannes at the fest. Hope premiered this year in the Cannes Film Festival, in the official competition. The vfx were not completed so the film scored a mixed reception. It's also the most expensive Korean film to-date.

But Hopeu (the name of the finctional South Korean fishing village) is: 

not a monster film 

not a sci-fi film

not a thriller

not a comedy

not a horror

but all in ONE.

Oh, what a ride !!!! Predator and Korean misfits, a mixed of genres and an cinematic energy only seen in the Mad Max films. Plus some Prometheus trops (don't listen to the Avatar people;)

Well, the duration is self-indulgent, 160 mins.

But the film is NON-STOP KINETIC, with spellbinding images and exceptional cinematography.

Incredibly the Mountain /wood scenes were shot in Retezat mountains in Romania !!! 

The VFX are not 100 % there, due to budget limitations, but the vision is hugely ambitious. 


The action happens around 1980 in the demilitarised zone of South Korea, close to the border with the North. Hwang Jung-min is the chief of police and he's one of the 3-4-5 ? leads. He is a major action hero star in Korea and he is seconded by Hoyeon, the girl from Squid Game seriers and by an even cooler hunter with a cap, Zo In-sung. They are all cool and hyperkinetic and fast and scared or scared and fast, and they all banter. Fast and scared. Or the reverse. Korean. sense of humour might not make a lot of sense sometimes for the rest of the world. 
Michael Fassbender and Alicia Vikander are in the film too but I won't say more. 
I'd say only the film is superhuman in emotions, and very absurd, bleak and cruel in parts. Also visceral to the extremes. 

Great score by American composer Michael Abels (Us, Nope). 

See it in a cinema, bigger the screen the better and the speakers UP full blast !!!

(it runs very limited in Romanian cinemas now, brought by Vertical Entertainment !!!)


4 out of 5 / 8 out of 10 !!!

cool interview with Na Hong-Jin in THR here. 
There's spoliers tho. I haven't specifically mentioned th ending but Good luck Na Hong-Jin !!!

miercuri, 23 septembrie 2026

Resident Evil (2026)

The new Resident is Evil ;)

Zach Cregger's new film after the success of last year's Weapons and before, his feature debut with Barbarian (2022) is a Resident Evil reboot. Obviously he is a huge fan of the game which I've never played and I've been bored to death with the series, started in 2002 with Paul W. Anderson/ Milla Jovovich's Resident Evil(s). I know that George A. Romero was the 1st one supposed to do the film and his script and project was rejected back then. It looks like Cragger had full imunity -Carte Blanche-and a huge budget. It's also considerd to be perfect Game play movie, I'd skip that atribute as I don't play video games, but here comes asa quality and I could see how it moves like that, but transcends on the screen beautifully...

Austin Abrams (Weapons) as the clueless Protagonist is closer to Griffin Dunne in After Hours (and An American Werewolf in London) than to Bruce Campbell in Evil Dead. He's is a climsy blue collar slacker way out of his league ! Cragger makes it funny and ridicoulous too in his approach of the game as filmic survival body horror mixed with lots of comedic approach (it says it's been tamed down heavily on the humor!). Main References are John Carpenter's The Thing (those mentioning The Substance should know that's a Carpenter nod too ;), from the soundscape to the monsters F/X (even the dog thing !), Sam Raimi (humor from Evil Dead 2 and 3), even a Fargo nod...

It's very dense and tense and relentless and it's exactly 90 mins. long, a rare case in which it could've been longer !

I love the ending and I heard mixed opinions about that, judge for yourself !


 Further assets: 

Great widescreen cinmatography by Dariusz Wolski, after his films with Ridley and Tony Scott. He shot it all in Czech Republic in the snow. 
For those who can see it in IMAX, the 2nd half is in  1.90 : 1(second half, IMAX version), 
for the rest 2.39 : 1
Great F/X work by Weta Digital. 

Effective and uber cool synth score by Hays and Ryan Holladay, who did also Cragger's Weapons and songs for Barbarian. It features a horn section that is both creepy and jazzy. You can listen to all of it here. the film concudes with The Kinks' Animal farm on the end credits. 



One of this year's best if not the best Horror flick in cinema, tie with 28 Years Later: The Bone Temple. 

To be seen on the Big Screen, with the best Sound !

4 out of 5, 8 out of 10 !!!