The Nicolas Cage is back with something cool in black and white (and color) but I'd rather see it Noir as in the title. Premieres May 24th on Amazon Prime as in in collaboration with Sony, who's only Marvel character they got rights too...
From the looks it's more of a Sin City / Frank Miller, The Spirit / Will Eisner.
Breendan Gleeson is the villain.
Hopefully this will rock, as gamebased Fallout TV series did, or DC / HBO recently two interesting spinoffs, The Penguin and The Peacemaker and Marvel/ Disney did mega meta Wonder Man.
watching them live on Voyo for the 1st time, interesting to see the breaks without commercials, really, some candid scenes. Even saw Sean Penn smoking at the table !!! And monsieur Cannes, Thierry Fremaux, talking cordially to Guillermo Del Toro ! And later on to Sean Penn.
Venue: the Beverly Hilton Hotel
presenter: Nikki Glaser -her second year-decent jokes &, including Epstein list and a Spinal tap nod at the end of show.
Saw a horrible amonut of series/tv series, some new, some renewed, some cancelled, some I quit...
Mayor of Kingstown s04 -4 -toughest yet, Lennie James, Richard Brake, Eddie Falco, Laura Benanti.
The Iris Affair -miniseries- 8 eps big fsss. Tom Hollander good.
The Last Frontier -should've quit
got back to Slow Horses s2 1/2 -5 -Gary Oldman getting more and more Legend !
Down Cemetery Gates -loses steam after ep. 4
The White Lotus s03 - -best yet-Walton Goggins, Scott Glenn, Parker Posey.
It: Welcome to Derry -quit
Task sez. 1 not much
Duster 1 sez. cancelled , was kinda fun
Subteran 1 sez. oy vey
Landman s. 1 ep.7-10 / sez 2 ep. 1-5 (in Top Series 2024, contd. in 2026)
The Lowdown 8 eps - Tulsa noir on the songs of J.J.Cale, Ethan Hawke as jouranlist Lee Raybon gets beaten up all the time. Created by Sterlin Harjo (Reservation Dogs).
Pluribus s01 -Vince Gilligan is moving way to slow...
Peacemaker s02 -even better than season One.
The Studio 1 season-10 eps., Seth Rodgen's satire is hit and miss but the episodes are short and Bryan Carnston as Griffin Mill is a blast !
Dept. Q sez 1, 9 eps. (renewed) -the Sweedish series of thriller books by Jussi Adler-Olsen get new (Scott Frank for Netflix) and way too slow treatment with Matthew Goode as Carl Morck.
The Last of Us -season 3. All gets weak after Pedro Pascal is no more.
Monster The Ed Gein Story (sez 3 -8 eps) -see below
Walking Dead-New York -quit
Alien: Earth s 1 -they did some good, and then they did some real bad. Continuing to mix the Weyland Yutanis with the Blad Runners, Prometheus, Timothy Olyphant's android Kirsch is a hoot !
Paradise season 1 (renewed) -cool idea of post apocalyptic city under a dome.
Dope Thief sez. 1 -Ridley Scott produced and directed the first episode. Based on a true story.
Movies mix with the legacy of serial killers -from Psycho to Texas Chainsaw Massacre to Silence of the Lambs. Clever post-modern choices. Plus Ilsa Koch and the Nazis ! But a truly great performance form Charlie Hunnam. And Tom Hollander is Alfred Hitchcock. Even Mindhunter returns in ep. 8. Too much grand guignol as always but way way upper than the other 2 seasons (the 2nd I quit watching...)
Why is though Ed Gein made so sympathetic and a victim, "mother's boy" ?
Drew Struzan, the man who designed some of the most iconic posters in the history of Movieland, for over 150 films. From the Star Wars and Indiana Jones series to Blade Runner, The Thing, Big Trouble in Little China and Back to the Future in the 80's, then over a new generation of filmmakers-Tim Burton-Planet of the Apes, Mars Attacks, Frank Darabont-The Shawnshank Redemption, The Mist (David's paintings), The Green Mile, Guillermo Del Toro-Hellboy, Pan's Labyrinth- has passed away on Oct. 13th. He was 78...
Note (grazie, LD): Legendary Italian poster art maestro Renato Casaro died on Sept. 30 at 89...He did the posters for the Leone spaghetti westerns, up to Flash Gordon and Conan the Barbarian (as they were Dino de Laurentiis productions). He retired in 1998 but came back in 2019, called by Quentin Tarantino to realize some "old school illustrated Western posters" ("Uccidimi Subito Ringo, disse il Gringo" aka "Kill Me Now Ringo, Said The Gringo", and "Nebraska Jim") for Italian films starring Rick Dalton, the character Leonardo DiCaprio plays in Once Upon a Time in Hollywood.
Struzan and Casaro have even a poster in common, for The Name of the Rose in 1986, for whom they did both posters.
Struzan Casaro
Struzan also designed LP covers before film posters, including the legendary Alice Cooper's 1975 `Welcome to My Nightmare`.
In 2013, he was the subject of Erik Sharkey’s feature documentary “Drew: The Man Behind The Poster,” with interviews with collaborators like George Lucas, Steven Spielberg, Harrison Ford, Frank Darabont, Tim Burton and Guillermo del Toro.
“Drew made event art. His posters made many of our movies into destinations…and the memory of those movies and the age we were when we saw them always comes flashing back just by glancing at his iconic photorealistic imagery. In his own invented style, nobody drew like Drew.”
`There are two kinds of people in this world, those who know who Shane Black is, and those who don't!. Those can dig ;)
NALD
Well Shane Black is back as a writer/director, this time on Amazon Prime & theirs MGM 100 mill. $ streaming extravaganza.
It's a Parker film named Play Dirty (not to be confused with the 1969 André De TothWW2 actioner, the title comes from Black's unfilmed script for Lethal Weapon 2, unseen til today -Black's most proud and gritty work, or so they say ;).
It's based on the Richard Stark (aka Donald E. Westlake) iconic novels started in the 60's. Not one novel but `novels`. I guess they're trying to build a franchise but this won't happen I guess cos' the film is the weakest of Black's career as a director (and that includes the reshot troubled 2018's The Predator).
Mark Wahlberg is Parker, an obnoxious choice. He can't handle the character dark charisma and dry wit, a dangerous man with a code of its own. Stark's Parker is an Anti Hero, Steve Mc Queen would have done him justice. Or Kris Kristofferson. Even today's Brad Pitt cos' Russell Crowe's too overweight...
Robert Downey Jr. was supposed to play him but he backed off, remaining on board as a producer. Not sure even about Downey but definetly a better choice, Parker's before were Lee Marvin (Point Blank-1967- the most menacing), Jim Brown (The Split-1978, the black one), Robert Duvall (The Outfit-1973, the most aloof), Peter Coyote (Slayground-1983, the most unlikely), Mel Gibson (Payback-1999, the coolest, but meanest to his director-check out only the Director's Cut), Jason Statham (Parker-2013, bleh..). I'm not adding two these the two Frenchie freejazzin', Made in USA (Jean Luc Godard, 1966) and Mise à Sac (Alan Cavalier, 1967).
Back to Play Dirty. Would've been better to play it cool tho. The film itself is a self indulgent mess, combo of action scenes, comedy and VFX gone awry.
Too many characters, too much useless plot, not a lot of chemistry between the actors. Rapper LaKeith Stanfield shines as Grofield, Stark's character that has his own novels. Would've liked more of the Thomas Jane character, and someone else for Tony Shaloub, the guy plays a caricature of the mob boss of a ridiculous corny and cartoonish Outfit. Think a James Coburn, even in Hudson Hawk or Kris Kristofferson (he was the boss of The Outfit in Payback, but not in the Director's Cut !!!). Also for the Latin country (unanamed but it's Peru), some finer actors, plus Rosa Salazar as Zen is kinda unmemobrable and not at all a Femme Fatale type.
The running time (2h03) is overlong and the film loses steam in midstream.
+++The Plus:
Great score by Alan Silvestri, reminionscent of those he did for Predator and The Long Kiss Goodnight (based on Shane's script), jazzy and funk, dramatic and menacing where it needs to be. For me Silvestri's score is a great comeback to form. A bit of 007 Bond-sist swagger, Lalo Schifrin and The Taking of Pelham 123 by David Shire, the percussion points.
Also the opening credits are very cool, 60's like. They were made by Daniel Kleinman who did all the title sequences for James Bond starting with GoldenEye back in 1995. Amazingly he is not credited with imdb and Anca found this for me, thanx ! Her piece on the art of the opening credits is here.
And here's the whole title sequence.
Production values-high -especially the first action scene at the racing track.
The cinematography (superb 2.39:) by legendary Phillipe Rousselot (he's 80 now!), a lot of shades, shadows, reflections, in a NYC shot this time in Sydney, Australia !!!! Rousselot and Black worked together before in 2026's The Nice Guys.
Some of the wisecracks work better than the plotholes and the action. Also there are many references to Black's scripts and films, from the Christmas setting (Duh !) Lethal Weapon (the fall from the rooftop), The Long Kiss Goodnight (the House of Gretchen Mol, the chase in the snow, the scene by the water), Kiss Kiss Bang Bang, The Nice Guys, etc. Liked the Mark Cuban pun ;)
Shane Black's influences on this one are great films, from Bullit to Dirty Harry, Marathon Man to the obscure Hickey & Boggs (1972), you can check the interview here on Letterboxed.
C'hiera una volta in Italy...just visited Atrani where Equalizer 3 (and Ripley) were shot and remembered that Tano Carridi was in it...aka il signore Remo Girone. Next morning I saw on the scroll on Italian Television that he died in Monte Carlo, where he lived. He was 76. The odds to be next to one of his and most iconic last filming places ? Locals we met remembered him with respect, amazed we know Tano so well. La Piovra is still Legend in bella Italia. And in Romania too.
Girone was one of my favorite actors after seeing him in La Piovra series on Romanian Television back in 1992. We were students but we got together on Saturday nights to watch it and Girone as Tano Carridi was the most suave dark angel, a villain of cosmic (or should we say Hellish) proportions. With his perfect hairline, impeccable suits and a quiet voice, he was always filmed in dark shadows, like the Devil incarnate. Later on I saw him in some films but somehow his third career act came from Hollywood films: Live By Night, Ford vV. Ferrari where he played Enzo Ferrari, and Equalizer 3, as a good doctor helping Denzel.
Binged this over two nights Black Rabbit, 8 episodes, New York set and well presented into it. The name of the show -miniseries of a Season, no twofers, comes from a bar / restaurant / lounge next top Brooklyn Bridge, names Black Rabbit. Intrigued me that Jude Law sings, together with Albert Hammond Jr. from The Strokes, they are The Black Rabbits, the fictional band in the new netflix series.
There are two Black Rabbits songs, “Turned To Black” and “Outside People,” written and produced by Albert Hammond, Jr.
Best part of Jason Bateman's career IMO, great teaming with Jude Law as the Friedken brothers, Jake and Vince. Jake own the Black Rabbit and wants to move to The Room, Vince is an addict and a f**k up on the run, turning like a bad penny into Jack's life, worst moment, worst time...
Great supporting cast, including Troy Kutsur (Oscar winner from CODA), Abbey Lee (Oz ex model, Mad Max: Fury Road, The Neon Demon, Old), Joe Ales as Jules Zablonski, Don Harvey, Dagmara Dominczyk, many more.
Great tense score by Danny Bensi & Saunder Jurriaans (series Tokyo Vice, Ozark and Speak No Evil).
Links with Ozark and The Order, Justin Kurzel (directs last 2 eps), the writers, who wrote both, Zach Baylin and Kate Susman (also producer and showrunner).
First 2 eps directed by Bateman and 2 more by Laura Linney, his partner in the Ozark series. Two more by Ben Semanoff (also from Ozark). Lots of Ozarks and Jude Law's The Order that led to this greenlit by netflix. Location shooting and plenty of atmosphere, noirish nightmare descent, bravura performances, I guess it won't be much loved but I appreciated it. Will be on my list of 2025 Top series.
Mouring one of the greatest British Icons, made big by Italian cinema and American popcorn (und more). Terence Stamp was 87. He was Toby Dammitt in Fellini's sketch of Poe's omnibus Histoires Extrraordinaires/ Spirits of the Dead. He was in Pasolini's Teorema, as he was general Zod ;).
He won best actor in Cannes in 1965 for The Collector.
From his film debut in Billy Budd (1962, where he received his onbly Oscar nomination) to his last bit in Last Night in Soho (2021) he was a cool, silent, sometimes very menacing presence.
For me it was at most fun as the perverted host of the short-lived series The Hunger (1997-98).
Other highlights: Modesty Blaise, The Hit, The Limey (featuring Poor Cow).
1st ime I saw him as a kid as the badguy Wazir in the Clive Donner's Thief of Baghdad (1978, actually a made for TV film).
....somehow weird and macabre that my last post was Back to the Beginning about OZZY and his celebration...now Ozzy has left the building...I think happier than before this last fantastic gig...
RIP Ozzy Osbourne, Sweet Prince (of Darkness also;), the Man, The Legend, the History of Heavy Metal Incarnate...saw him with Black Sabbath in Sofia and Solo in Bucharest. He was a good (and more than virtual friend of mine since 8th grade, faithful during his eighties excess (with a soft spot for the Randy Rhoades tragedy, the Alamo showdown, the Sharon incidents and the Bat kill) , his 90's comeback (No More Tears and Ozzmosis), and the 2000's Sabbath Reunions and peace agreements. I even watched some of The Osbournes, who made him really a star in the US. In my first Doc and Roll festival in Brasov back in 2014 we showed a great doc about him, God Bless Ozzy Osbourne –2011, after which screening even my mom liked him ;) (they were born the same day... )
...oddly just two days ago I was listening to his penultimatealbum, Ordinary Man . One of my Top albums of 2020. It's an album marked by death and loss, ike Sabbath's The End (2016). His last was Patient No. 9 in 2022, featuring the late now Jeff Beck.
End of an Era. Full Point.
As he was a fan of John Lennon, the Working Class Hero song would've suited him (Ozzy had a cover of Lennon's signature song on his cover album Under Cover from 2005)...
"Mama, I'm coming Home".....................as he played it in Birmingham too...
waiting for this to happen for a while :(, I mean Lalo Schifrin was 93, he was retired for a while, after the The Hidden Dove (2018) his last score, not a notable one. He was one of the last great ones, only John Williams survives that Golden generation (Morricone, Jerry Goldsmith, etc).
The Argentinian Piano man is foremost responsible of the Mission; Impossible theme. Six times Oscar nominated, no win :(: Cool Hand Luke (1967), The Fox (1968), Voyage of the Damned (1976), The Amityville Horror (1979) and The Sting II (1983) and for the song “People Alone” from The Competition (1980). Honorary Oscar in 2018.
His signature is on Bullitt, Mannix, Enter the Dragon, The Eagle has Landed, Dirty Harry, and its sequels, from Magnum Force to The Enforcer, the three Rush Hour films. Close collaborator of Don Siegel and Clint Eastwood. Also did the music for Carlos Saura's Tango and many jazz collaboations, with Ray Charles in 1965's Norman Jewison's The Cincinnati Kid.
When you have a 400 mill. $ budget you can make the best and bigger film ever made.
But instead you make a bloated overbearing part 2 to an enuff bloated Mission: Impossible 7: Dead Reckoning (my review here), film that came out in 2023 and disappointed bigtime performing. Keep in mind that movie cost 300 Mill. $ to make. That film was 2h43, this one is 2h49. Add the running times, 'cos basically it's the same film, and it's an almost 6 hours film which could've easily be told in 2hrs.
so, part 8 it is. No more Dead Reckoning part 2 but A grand finale, as they promised to spare us to do more. The Final Reckoning. hopefully last.
It's all Tom Cruise. Tom cruise on a plane, TC running (doing what he does best!), TC underwater, TC fighting, TC, TC, TC. 1st Mission was a masterpiece, done by Brian De Palma with the help of 4 screenwriters working their heads off. Then John Woo made TC the coolest there is. Then the next two films, meh. When Chirstopher McQuarrie, screenwriter of The Usual Suspects and attached director to Tom Cruise, took the Mission on its fifth installament it was a cool update. Hitchcock, opera set-up, more paranoia and a lot more running. Rogue Nation was good, Fallout (the 6th) was even better. Plus they were linked. But M:I 8 wants to link all Missions, especially to the original. So, Kitteridge is now the chief of CIA and you get to see that Shea Wigham is the son of Jon Voight (c'mon) and Rolf Saxon shows up 29 years later as William Donloe, from M:I 1996. Actually that was cool, cos it takes a funny line which is a Brian De Plama trademark wink and puts it into the film's reality. In act 3 the film looks like a poor pastiche of Indiana Jones, all geared up in a cave looking to kill The Entity (worst villain of 'em all if you ask me). The plot is ludicrous and it's repeated every ten minutes, every person speaking one at the time, no ever overlapping, like you're in grade A in school. Also an over-the-top pounding soundtrack which replaces Lorne Balfe with his disciples, two eager newcomers (Max Aruj and Alfie Godfrey), and they fill the space completely, no scene should not have music and booming sound effects. Plus ADHD editing and curved camera shots. And TC running , oh yeah, did I mention that again?
Well the world's fate depends on him more than it ever did of James Bond, Indy or Jack Ryan. He's the JC figure, the only one that can saves it. "It is written" (in the script I guess in Italics...)
Also a film made with the support of Department of Defense that gave these people airplane carriers so they can quote from Tom Gun, doesn't impresses me. The dooming feel these days it's not from AI but from the top of the White House and his omonim in Moscow.
3 out of 5, 6 out of 10 !
*the rating would be even lower if it wouldn't be for the impressive underwater sequence and the plane stunt. Remember, a movie star acts and entertains, we don't go to the movies to see them doing superhuman stunts we don't care about. It's called Moviemagic and movie tricks are doing that, you don't have to sell every film you're in piloting your own, driving fast motorcycles. You're no Steve Mc Queen...
He was sheriff Bufford Pusser, Walking Tall. He was Bond's enemy (in The Living Daylights), then he was Bond's friend (GoldenEye and Tomorrow Never Dies). He played mostly tough guys. Last time I re-saw him in Charlie Varrick (Don Siegel, 1974), where he played a ruthless psychotic killer.
Nicolas Cage Award of the Year: Longlegs (not seen The Surfer yet)
Bonus: a grand barf for the grand guignol of The Substance (will see it again in theaters soon and conclude)-Later Edit, yep, much better, I swallowed the last 1/2 hr. ok)
As people didn't recognize Colin Farrell as Oz Cobb (short for Oswald Cobblepot) in 2022's The Batman, now they only talk about the prostethics of the new HBO / Max series, The Penguin. I was waiting for this and sure hope they won't f**k it up.
Under the hunchback there is a huge actor I always loved and still he does not get the reputation it deserves, Irishman Colin Farrell (just in before and after doing Banshees of Inisherin and Sugar). You can hardly notice his voice and manierisms, he looks more like Robert De Niro as Al Capone in The Untouchables than the previous Penguin incarnations, Burgess Meredith in the '60's and Danny De Vito in 1992's Batman Returns. Plus a soft spot for Robin Lord Taylor in the Gotham series. Farrell was the best thing in the 2022 Se7ven ripp-off with emo batmen & riddlers. Also John Turturo was cool but he's off. Here Mark Strong replaces Turturro as Carmine Falcone and Clancy Brown is Sal Maroni.
Cristin Milioti (Fargo, season 2) is Sofia Falcone, the daughter of the dead Mafia Kingpin.
Oz has a tight relationship with his mother (Deirdre O'Connell), that bringing him closer to James Cagney in White Heat and Scarface, from Paul Muni to Pacino's Tony Montana.
1st episode was good but not fantastic, and it clearly goes into the gangster noir-ish tale, no supernatural involved. Surely this being HBO, they'll talk Sopranos in connection with this.
Ep. 1 "After Hours"- From 9 to 5 / Dolly Parton. Rita Hayworth when Oz dances with his mom. End credits song, When In Rome with "The Promise".
Ep. 2 "Inside Man" -so/so, gangsters by the numbers. Flashback of the kid. End credits song, a cover of "Happy Together", The Turtles' 1967 song, by Floor Cry.
Ep. 4. "Cent'anni", finally Carmine Falcone flashbacks. And Sofia's Arkham story, The Hangman, & a great finale (on Sarah Vaughan's So Long, My Love-1964). The Stranglers 1981 song "Strange Little Girl" on the end credits.
Ep. 5. "Homecoming". By the numbers mafia biz & betrayals but an interesting finale if it follows up. The Cure -"A Forest" and St. Vincent-"Reckless".
Ep. 6. "Gold Summit". Most boring episode, all set up and a good end shot. Credits roll on a Chris Isaak cool song, "Black Flowers" from 1998.
Ep. 7 "Top Hat". The groove is back as we flashback to Oswald's childhood and his two brothers. Cue to Top Hat, the 1935 Fred Astaire/Ginger Rogers musical which winks also in Joker: Folie a deux (Fred Astaire again, in 1953's Band Wagon Cut to: "Islands on a Stream" (Kenny Rogers & Dolly Parton) and Yazoo's Only You. It ends badly for The Penguin. "How did you called me?". End credits on Swans-"Lunacy". Great song.
Ep. 8: La Grand finale. Glimpses of Selina Kyle on an envelope and Oz puts on a tux to dance. One unexpected scene (not spoiling it here but it's about Victor Aguilar). Promises of season # 2 ensure. See if Colin Farrell wants to put athe makeup again. Golden Globe/Emmy should be guaranteed.
Already The Peng is #92 on IMDb TV top shows (NA: Now, 6 weeks later, it's # 70 !) . Penguin beats the Joker, mostly now with Folie a Deux being the "hate it movie of 2024"...
So, in the end The Peng is for me a 3 out of 5, 6 out of 10.
While he mentioned that he did watch DeVito as The Penguin and “was a fan of Burgess Meredith” in the Adam West-starring 1960s “Batman” TV show, Farrell said the inspiration for his take on the character ultimately drew from darker and less comic book-infused sources, including Dustin Hoffman’s Ratso Rizzo in “Midnight Cowboy,” Robert De Niro as Al Capone in “The Untouchables” and “The Sopranos’” James Gandolfini. “All of them are in there,” Farrell said. “Like, I’ve seen ‘Untouchables’ twice, I’ve seen ‘Midnight Cowboy’ four times. Anything, as an actor, anything you ever see, any piece of music you ever hear, it all kind of meets you inside in a place that gets used, gets filtered through every single character you do in lesser or greater ways.”
Chad McQueen was Steve McQueen's son, a motorcycle rider -motocross-and racer (Baja 1000), actor, known best from The Karate Kid film (1984) and its sequel and the B action movie Firepower (1993). He was a champion at the World Mini Grand Prix when he was 12.
Also Steve McQueen, who died in 1980 at 50 !!! would've been, if alive, 94 this year....Just recently I re-watched The Getaway and The Thomas Crown Affair (which streams now on Max). Soon need to see again Papillon...McQueen though lives Forever you see his films, and every moment someone does!
Steve and son during the shooting of Le Mans (1971).
When his father was filming the 1971 racing film "Le Mans," Chad would famously sit perched on his father's lap behind the wheel of a Porsche 917 reaching speeds of over 100 mph at just 10 years old.
Film debut in 1964's Dr. Strangelove. He was the evil bad guy Thulsa Doom in Conan the Barbarian (1982) and Admiral Greer, Jack Ryan's boss from The Hunt for the Red October to the two Harrison Ford movies as Ryan: Patriot Games and Clear and Present Danger. Last part in Coming 2 America (2021), where he reprised his part of King Jaffa of Zamunda from the 1988 John Landis' classic.
Nominated for an Oscar for leading role in 1971 for The Great White Hope and Honorary Award in 2012.
