This is Film Noir, dark comedy, thriller, and most of all an homage of Kind Hearts and Coronets (1959), the classic Ealing comedy with Alce Guiness es ;), based on the novel , it says on the credits. "Insiperd by" those two.
Also has an 80's air, it's cynical and politically incorrect, stylish and crisp.
Finally a good part for Glen Powell as Becket Redfellow (cool names in this family !), after the huge misfire of new Running Man-Liked the guy in his SNL episode, I think he has more comedic potential than action chops, definetly romantic too.
Jessica Henwick is the romantic interest, Ruth. Bill Camp has a nice part as Warren Redfellow, also Topher Grace as one of the Redfellows (Steven) and Zach Woods (from Sillicon Valley) another one (Noah). Also Ed Harris' part as the patriarch Whitelaw Redfellow is more like a cameo, but he's effective as ever.
Amazingly enough this was shot in South Africa instead of New York and New Jersey !!!
Great score by Emile Mosserri and effective soundtrack-The Clapping Song (Shirley Ellis) , the Brazilian classic Take Me Back to Piaui by Juca Chaves, No Fear by Inflo, etc.
Crime 101 is a little LA neo-noir gem directed by the Brit Bart Layton (American Animals). Heist, angst, existentialism, it's based on a novella by Don Winslow (Savages). The title refers to the 101 Freeway in Southern California, entering Los Angeles, and the faved heist location of the blue-eyed Thief Davis (Chris Hemsworth, reminiscent of another Michael Mann pic, Blackhat).
The ensemble casting is cool: Chris Hemsworth, Mark Ruffalo, and Halle Berry, Barry Keoghan, Monica Barbaro, Jennifer Jason Leigh (more like a cameo cos she has only one scene, surely cut for time), and Nick Nolte in a part sim lliar with Jon Voight's in Heat.
Produced by Working Title Films, Crime 101 was bought by Amazon MGM, outbidding Netflix,. which is great cos they also distributed in Theaters (through Sony).
Mostly a Heat homage, plus elements from Mann's Thief, Walter Hill's The Driver, even a scene fromTrue Romance ;)
A nice conversation on Steve McQueen and the iconic Mustang from Bullit add on.
See in in the cinema, it's great widescreen and sound and score- Blanck Mass.
Islands is an odd piece, film noir under the sun, actually much at dusk. Shot all in location in Corralejo, Fuerteventura, Canary Islands, Spain, it premiered at Berlinale 2025 as a Special Presentation.
The director is German, Jan-Ole Gerster (also co-writer), the actors are Brits, Sam Riley, Stacy Martin and Jack Farthing. Shades of Ripley (Highsmith's) and Hitchcock. Well acted, existential slowburn anti noir ;). Atmospheric score and sound design.
The Nicolas Cage is back with something cool in black and white (and color) but I'd rather see it Noir as in the title. Premieres May 24th on Amazon Prime as in in collaboration with Sony, who's only Marvel character they got rights too...
From the looks it's more of a Sin City / Frank Miller, The Spirit / Will Eisner.
Breendan Gleeson is the villain.
Hopefully this will rock, as gamebased Fallout TV series did, or DC / HBO recently two interesting spinoffs, The Penguin and The Peacemaker and Marvel/ Disney did mega meta Wonder Man.
Tough cookie, lost count of how many films I've seen. Less than probably any year. Over 200, less than 300 ? More ? I started to put them on Letterboxed starting late October but still didn't catch up with the rest.
***
Top of the series is here and films from 2024 are again a problem, The Brutalist and The Substance should've make the 2025 list, as there still are some of 2025 which I haven't seen yet (Hamnet,-saw it,. did not like at all- Resurrection, Sound of Falling ?). Marty Supreme would make Top 5 but I've seen it in Januaray 2026.
Just caught up with Park Chan-Wook's No Other Choice that makes the list. It's limited in Romanian Cinemas now, so try to see it on the big screen, it's worthy.
Kinda disappointed with Romanian Cinema this year too. I liked Kontinental '25 and that's it. Could 've been also Jude's Dracula but he made it such an intentional mess and duration wise a whole calvary...
Finalmente l'alba - Saverio Costanzo -2023, on which I wrote:
Rome and Cinecitta 1953. More like a drreamlike story, a false thriller, homage to Fellini and La Dolce Vita, Notti di Cabiria, and linked to a real muder cold case known as the Italian Black Dahlia. Interesting slow film, in the Venice Competition in 2023. Modern beat score, strange and eerie. Song Last Nite by The Stokes (2011) on the end credits.
Billy Wilder and Charles Brackett wrote it at the time of their legendary partnership. Ketti Frings wrote the novel on which story, the dynamic duo have much improved it. Boyer tries to make it his own, especially as a Foreigner with a lovely accent (his own, which he kept all his life !). For Romanians it's a blast, cos' he is a crook / gigolo from Bucharest named George(s) Iscovescu !!!
Studio man Mitchell Leisen directed it professionally. The year was 1941 and immigration was at its WW2 boom. Iscovescu wants to get in the USA and he needs a passport and a citizenship and in order to get those he needs to marry an American. The film premiered on September 11th 1941, just three months before Pearl Harbor !
The two women in the film are opposites, each with its role, Paulette Goddard as the femme fatalish Anita and Olivia de Havilland the innocent Ingenue Mrs. Brown.
Supporting characters, from Curt Bois as Bonbois, to Walter Abel's Inspector Hammock, Victor Francen as Vander Lucken and Nestor Faiva as hotellier Flores, the story is told in a flashback from the stage / set of a film at Paramount, on which Iscovescu/ Boyer went to see to director Dwight Saxon, played by none other than director Mitchell Leisen in order to see this story (maybe the most modern aspect of the film, predicting Sunset Boulevard ?) !!!
Very long for those day's standards (116 mins.) and heavilly plotted, it has a bleaker tone for a romantic melodrama and a downbeat immigration angle. And a small dose of film noir (esp. for the self-person narration). The dialogue is sharp and some witty and cynical one-liners are already trademark Wilder. Brackett and Wilder were very dissapointed with the result and Boyer's refusal do do a dialogue with a cockroach, they cut off most of his lines, giving them to Paulette Goddard. Also I read this was the last film Wilder wrote without directing it (even though Ball of Fire for Hawks opened in December 1941...).
Hold Back the Dawn was nominated for 6 Oscars back in 1941, including best film, best screenplay and best cinematography (in Black&White, Leo Tovar).
3 1/2 out of 5 ! 7 out of 10 !!! (loses steam due to the duration, otherwise would've been an Eight!)
Saw a horrible amonut of series/tv series, some new, some renewed, some cancelled, some I quit...
Mayor of Kingstown s04 -4 -toughest yet, Lennie James, Richard Brake, Eddie Falco, Laura Benanti.
The Iris Affair -miniseries- 8 eps big fsss. Tom Hollander good.
The Last Frontier -should've quit
got back to Slow Horses s2 1/2 -5 -Gary Oldman getting more and more Legend !
Down Cemetery Gates -loses steam after ep. 4
The White Lotus s03 - -best yet-Walton Goggins, Scott Glenn, Parker Posey.
It: Welcome to Derry -quit
Task sez. 1 not much
Duster 1 sez. cancelled , was kinda fun
Subteran 1 sez. oy vey
Landman s. 1 ep.7-10 / sez 2 ep. 1-5 (in Top Series 2024, contd. in 2026)
The Lowdown 8 eps - Tulsa noir on the songs of J.J.Cale, Ethan Hawke as jouranlist Lee Raybon gets beaten up all the time. Created by Sterlin Harjo (Reservation Dogs).
Pluribus s01 -Vince Gilligan is moving way to slow...
Peacemaker s02 -even better than season One.
The Studio 1 season-10 eps., Seth Rodgen's satire is hit and miss but the episodes are short and Bryan Carnston as Griffin Mill is a blast !
Dept. Q sez 1, 9 eps. (renewed) -the Sweedish series of thriller books by Jussi Adler-Olsen get new (Scott Frank for Netflix) and way too slow treatment with Matthew Goode as Carl Morck.
The Last of Us -season 3. All gets weak after Pedro Pascal is no more.
Monster The Ed Gein Story (sez 3 -8 eps) -see below
Walking Dead-New York -quit
Alien: Earth s 1 -they did some good, and then they did some real bad. Continuing to mix the Weyland Yutanis with the Blad Runners, Prometheus, Timothy Olyphant's android Kirsch is a hoot !
Paradise season 1 (renewed) -cool idea of post apocalyptic city under a dome.
Dope Thief sez. 1 -Ridley Scott produced and directed the first episode. Based on a true story.
Movies mix with the legacy of serial killers -from Psycho to Texas Chainsaw Massacre to Silence of the Lambs. Clever post-modern choices. Plus Ilsa Koch and the Nazis ! But a truly great performance form Charlie Hunnam. And Tom Hollander is Alfred Hitchcock. Even Mindhunter returns in ep. 8. Too much grand guignol as always but way way upper than the other 2 seasons (the 2nd I quit watching...)
Why is though Ed Gein made so sympathetic and a victim, "mother's boy" ?
Pale Flower /Kawaita hana is a one-of-a-kind Noir pschedelic by Masahiro Shinoda, New Wave of Japonese cinema director. Closer to Le Samourai by Melville, or something by Antonioni, than the Japonese cinema of the era. Also keener to Kitano's earlier films. Spellbinding black and white tale of obsession, gambling and yakuza, nihillistic, downbeat existentialism. Ryô Ikebe is great as gangster Muraki, a quintesential film noir icon and Mariko Kaga as unaproachable Saeki a real pale flower indeed. The car race at night seems more appropiate in a French or Italian new vague film. Here is just hypnotic.
Atmospeheric score by Toru Takemitsu.
Also, this is one of Top Ten films of Michael Mann, "for the opening scenes alone".
Lee Tamahori , rose to the film industry in New Zeeland, from photohrapher, to boom and sound, to tv director, gritty cult fame with Once Were Warriors in 1994...
They called him to Hollywood where he became the director of the worst James Bond in history, Die Another Day (2002).
Mullholand Falls, his neo-noir was a flop but it's worth rewatching.
`There are two kinds of people in this world, those who know who Shane Black is, and those who don't!. Those can dig ;)
NALD
Well Shane Black is back as a writer/director, this time on Amazon Prime & theirs MGM 100 mill. $ streaming extravaganza.
It's a Parker film named Play Dirty (not to be confused with the 1969 André De TothWW2 actioner, the title comes from Black's unfilmed script for Lethal Weapon 2, unseen til today -Black's most proud and gritty work, or so they say ;).
It's based on the Richard Stark (aka Donald E. Westlake) iconic novels started in the 60's. Not one novel but `novels`. I guess they're trying to build a franchise but this won't happen I guess cos' the film is the weakest of Black's career as a director (and that includes the reshot troubled 2018's The Predator).
Mark Wahlberg is Parker, an obnoxious choice. He can't handle the character dark charisma and dry wit, a dangerous man with a code of its own. Stark's Parker is an Anti Hero, Steve Mc Queen would have done him justice. Or Kris Kristofferson. Even today's Brad Pitt cos' Russell Crowe's too overweight...
Robert Downey Jr. was supposed to play him but he backed off, remaining on board as a producer. Not sure even about Downey but definetly a better choice, Parker's before were Lee Marvin (Point Blank-1967- the most menacing), Jim Brown (The Split-1978, the black one), Robert Duvall (The Outfit-1973, the most aloof), Peter Coyote (Slayground-1983, the most unlikely), Mel Gibson (Payback-1999, the coolest, but meanest to his director-check out only the Director's Cut), Jason Statham (Parker-2013, bleh..). I'm not adding two these the two Frenchie freejazzin', Made in USA (Jean Luc Godard, 1966) and Mise à Sac (Alan Cavalier, 1967).
Back to Play Dirty. Would've been better to play it cool tho. The film itself is a self indulgent mess, combo of action scenes, comedy and VFX gone awry.
Too many characters, too much useless plot, not a lot of chemistry between the actors. Rapper LaKeith Stanfield shines as Grofield, Stark's character that has his own novels. Would've liked more of the Thomas Jane character, and someone else for Tony Shaloub, the guy plays a caricature of the mob boss of a ridiculous corny and cartoonish Outfit. Think a James Coburn, even in Hudson Hawk or Kris Kristofferson (he was the boss of The Outfit in Payback, but not in the Director's Cut !!!). Also for the Latin country (unanamed but it's Peru), some finer actors, plus Rosa Salazar as Zen is kinda unmemobrable and not at all a Femme Fatale type.
The running time (2h03) is overlong and the film loses steam in midstream.
+++The Plus:
Great score by Alan Silvestri, reminionscent of those he did for Predator and The Long Kiss Goodnight (based on Shane's script), jazzy and funk, dramatic and menacing where it needs to be. For me Silvestri's score is a great comeback to form. A bit of 007 Bond-sist swagger, Lalo Schifrin and The Taking of Pelham 123 by David Shire, the percussion points.
Also the opening credits are very cool, 60's like. They were made by Daniel Kleinman who did all the title sequences for James Bond starting with GoldenEye back in 1995. Amazingly he is not credited with imdb and Anca found this for me, thanx ! Her piece on the art of the opening credits is here.
And here's the whole title sequence.
Production values-high -especially the first action scene at the racing track.
The cinematography (superb 2.39:) by legendary Phillipe Rousselot (he's 80 now!), a lot of shades, shadows, reflections, in a NYC shot this time in Sydney, Australia !!!! Rousselot and Black worked together before in 2026's The Nice Guys.
Some of the wisecracks work better than the plotholes and the action. Also there are many references to Black's scripts and films, from the Christmas setting (Duh !) Lethal Weapon (the fall from the rooftop), The Long Kiss Goodnight (the House of Gretchen Mol, the chase in the snow, the scene by the water), Kiss Kiss Bang Bang, The Nice Guys, etc. Liked the Mark Cuban pun ;)
Shane Black's influences on this one are great films, from Bullit to Dirty Harry, Marathon Man to the obscure Hickey & Boggs (1972), you can check the interview here on Letterboxed.
Sad news just when I was to see Iron Maiden in Belfort, France. All the world was busted by the death of Diogo Jota , the footballer, at 28. And then I saw Michael Madsen died, at 67 (on July 3d 2025) !
Then next day I find out Julian McMahon died, he was56 and battling cancer...
I met Michel Madsen when he was shooting in Romania the infamous Uwe Boll bomb, BloodRayne in August 2004. He also shot here The Last Drop. I was at a day of shooting in Bragadiru palace, Madsen was bored to death and I should've taken him to Blues Cafe for a Jack but I got asked by my friend working on the picture Not to. Regretted still...
Of course I knew him from Reservoir Dogs and all the Tarantino fodder, he was the one who gave him most of his comebacks. He could've been a star leading man but his odd and wild habits pushed him to the B side of movies, he was in over 300 flicks. So much crappy stuff...With 5 children, it's hard to pay the bills, as he says. He was even in a James Bond movie, the crappiest Bond ever :(, Die Another Day, supporting CIA Falco !
(On the films he's proud of) Kill Bill, Species (1995), Free Willy (1993), Thelma & Louise (1991), Reservoir Dogs (1992) and Donnie Brasco (1997). Six, that's it. That's not a low number. I'm just hard to please. I've made some crap but you've got to pay the bills.
I guess that was before the Kill Bill's & The Hateful Eight. And he got a small cameo as the sherriff in TV's Bounty Law in Once Upon a Time in Hollywood.
The biggest mistake of his carrer was that he made Wyatt Earp. This made him lose the part of Vincent Vega in Pulp Fiction !!! Wyatt Earp was a flop and it's a bad film, Travolta played Vega and it's still his best around.
He was a poet and an outlaw (by Hollywood standards), a maverick. Rest in peace, Michael...
“We’re not mourning a public figure. We’re not mourning a myth — but flesh and blood and ferocious heart,” Madsen’s sister, Virginia Madsen, said. “Who stormed through life loud, brilliant, and half on fire. Who leaves us echoes—gruff, brilliant, unrepeatable—half legend, half lullaby.”
Sinners is an unexpected mix of black Americana, Southern Gothic horror, vampire fare, legends and racial tale told on Blues rhythms and chords. With a twist of folk-lore, religion and superstition. And Blues. Did I say Blues ?
It's also an epic western (epic on scope and duration, 2hr. 17 min.), the deal with the devil, Robert Johnson's style, KKK and moonshine in 1932's Louisiana.
Shades of Walter Hill (stylistically lots of his films, his style -think Last Man Standing, and major plot point: Crossroads), Tarantino & Rodriguez (From Dusk' Til Dawn and Coogler says The Faculty was an inspiration), John Carpenter (The Thing, Vampires), Kathryn Bigelow (Near Dark),
Beautfully shot in Super 70 Panavision by Autumn Durald Arkapaw (Wakanda Forever) and presented in IMAX (shot on a ratio of 2.76 : 1), Sinners is acted with intensity and seriousness (Michael B. Jordan in a dual role, Delroy Lindo as Delta Slim, Hailee Steinfeld as the white hottie, brit Jack O'Connell as Remmick) and scored magnificently by Ludwig Göransson in his 4th collaboration with Ryan Coogler (after Black Panther, BP: Wakanda Forever and Creed).
Miles Caton mesmerizes as Sammie Moore, the made-up kid musician played in his old age by none other than Mr. Legend, Buddy Guy. Reason enuff for any blues aficionado to see the film !!! On the BIG Screen, brother, and if you live close to an IMAX environment, pls. go there !
Add to this a grand soundtrack companion.
And a pulsating original score by Ludwig Göransson-who admires the blues since a kid in Sweden, did his homework seriously and this represents a tribute to his father. His credits are on banjo / music / musician: banjo / musician: resonator guitar / resonator guitar / score producer.
The Sinners Band:
Cedric Burnside -drums
Lester Snell-piano
Lars Ulrich-drums
Eric Gales-guitar
Alvin Youngblood Hart-guitar
Christophe "Kingfish" Ingram -guitar
Bobby Rush-harmonica
Buddy Guy-resonator guitar
Miles Caton-resonator guitar
Rave reviews, powerful BO, makes this a rare bird. Act one is slow, so give it time to warm up, it'll stay with ya afterwards.
New Yorker James Foley started in the Biz with Reckless, a rom com, in 1984. Sean Penn takes him to direct At Close Range in 1986. Great noir drama, featuring a magistral Chris Walken part. Penn, then Madonna's husband, tintroduces him to the music diva. He directs music videos for her, then he directs Madonna in Who's That Girl, a catastrophy.
Then Foley does another film noir, based on the book by Jim Thompson, After Dark, My Sweet in 1990, one of his best flicks.
Then in 1992 came the adaptation of David Mamet's play, Glengarry Glen Ross, with a superb cast of actors, from Al Pacino to Alec Baldwin, Jack Lemmon, Ed Harris, Alan Arkin, Kevin Spacey and Jonathan Pryce, as an all male ruthless salesmen in an existential piece. Unebeliavable, the film was nominated for only One (!) Academy Award.
Pacino gave him his next project, Two Bits, in 1995.
Next on, Fear and The Chamber, with Gene Hackman, after John Grisham's novel, both in 1996.
And Confidence, a flawed con men movie in 2003.
Then nothing much, routine thrillers, a lot of TV. Like he lost his enthusiasm for good projects.
James Foley died on May 8th, 2025. He was 71. RIP.
Muscle is a bleak Noir mindf**k twisted story from writer / director Gerard Johnson, his follow-up to the dark violent Hyena (2014), very close to the estethics of NWR (Nicholas Winding Refn)'s Pusher trilogy. A very risquee film, also because it's shot in gritty black and white, it's violent and with graphic sexual scenes and filled with toxic homoeroticity.
Set and filmed in Newcastle, it's the story of an alpha male and a wanna-be alpha, told through the means of bodybuilding in the local gym (Atlantis). And a gradual and slow descent into hell.
With a great soundtrack by Gerard's brother, Matt Johnson from the cult group The The, including the Manfred Mann's 1969 song, Mister You're A Better Man Than I, and on the end credits a great The The song, I Want 2 B U.
The performances are stellar, Craig Fairbrass, B muscle actor as Terry and Cavan Clerkin as Simon. Johnson's attired actor, Peter Ferdinando (Tony, Hyena) and the upcoming Odyssey, has a supporting small part.
Gene Hackman, one of the greatest Actors there ever was, (it's said he could play Anyone and Antything), died on Tuesday Feb. 26th. He was 95. He died suddenly along his wife and their dog ! His wife (the 2nd, married in 1991), the pianist Betsy Arakawa, was 64 ! The Police of Santa Fe discovered all three of them....
During the last 3-4 years I re-saw /saw again some of his films with the fear he'll die any moment. So, there was him at his most funniest in Get Shorty, the neo-noir Heist, action mentoring channeling The Conversation part -Tony Scott's Enemy of the State (2 bad it had Will Smith as a lead, if could've been Denzel or Jamie Foxx it'll rock more today), more good action thriller-The Package and the comedy I caught up Heartbreakers. Forgot he had a cameo in The Mexican when I gave that film another shot (totally hated it when it came out), tried to see again The Royal Tenenbaums but remembered how he quarreled with Wes Anderson (which I find completely overrated) and paused it. It's a great part but not a lengthy on. Also discovered some gems like The Hunting Party (1971), The Split (bit cop part) when Jim Brown died and recently, when Kris Kristofferson passed I saw Cisco Pike (1971). Brilliant wicked part for Gene Hackman, probably last seen by me.
He was retired since 2004 after the lesser comedy Welcome to Moosesport. He was painting and writing thriller noir/ history fiction novels.
Hackman received two Academy Awards (for William Friedkin's The French Connection & Clint Eastwood's Unforgiven), two British Academy Films Awards (BAFTA), and four Golden Globes.
My faves after the obvious characters of Popeye Doyle, Harry Caul, Little Bill Daggett and Lex Luthor are Crimson Tide, Prime Cut, The Scarecrow, French Connection II (he's better in Frankenheimer's sequel than in Friedkin's hit, it's harder bit too imo) , Bite the Bullet, Night Moves, Eureka, Under Fire, so on...
Most amusingly he played the blindman in Mel Brooks' parody Young Frankenstein, in 1974, uncredited. It's kind of a cameo but now every obit mentions it as an important part. Come on, you AI generation morons...
As a kid I saw him first in cinemas in Superman, The Poseidon Adventure, The Domino Principle, Marooned, Zandy's Bride, The Gypsy Moths (that on TV). Then later his breakthrough part in Bonnie & Clyde.
He was a superb villain always, suave and smiling. Also he could play men in uniform, military authority at best. And grand in westerns. But his secret gift was comedy. He Is, was and will be one of my favorite Actors. And as far as I checked everyone says he was the Best Actor that ever IS !
"If you look at yourself as a star, you've already lost something in the portrayal of any human being."
L'amour Ouf /Beating Hearts in English, Iubire fara limite in Romanian. In competition (!) at last years' Cannes film festival, French star Gilles Lellouche adaptation of a Neville Thompson novel is in Romanian Cinemas now.
Great on the big screen (widescreen!), operatic, with a superb score and soundtrack, great cinematography, this is the most American French film in a long time, and that's a good thing imo. In Cannes they kinda hated the film -of course, oh la la), way too commercial for them to enjoy it if it's not made by Tarantino or James Grey...
Epic running time: 2h46. 1st cut was 4 hours though.
It's based (loosely) on the 1997 best-selling Irish novel "Jackie Loves Johnser OK?" by Neville Thompson, whose French title is "L'Amour Ouf" ( a pun on the expression "L'Amour Fou", also a film by Jacques Rivette from 1968).
Uneven, pastiche, but highly energetic and frenetic this is not a prefect film, far from it, but I loved the energy, the musical rhythm (greta songs, from The Cure to Billy Idol, to Sirius by Alan Parsons project, cuts from John Carpenter's from Escape rom New York score, closing on Foreigner-Urgent!!!), from the opening lettering and the pulsing dramatic score by Jon Brion (with whom Lellouche worked on his second film as director, Le grand bain/Sink or swim).
Shades of Tarantino and Wild at Heart. And of course West Side Story. And Scorsese's touch. And maybe Lelouch too ;)
original poster with announcement of coming out in 2023.
*Alain Chabat won best suppoting actor at 2025's Cesar awards.
O
poveste adevărată despre America, American Gangster este biografia
lui Frank Lucas, regele heroinei din Harlem, temut şi apreciat de
mafia italiană din New York, subtextul fiind despre capitalismul
american la fel de mult cât era The Godfather despre familie.
Organizaţia lui Lucas era familia sa, în întregime neagră, iar
Lucas avea un creier admirabil, de mare afacerist, care s-a
manifestat în acest domeniu infam, al distribuţiei de droguri. Dar
este şi povestea poliţistului incoruptibil şi instopabil, Richie
Roberts, care l-a prins pe Lucas şi a creat istorie. Denzel
Washington este impecabil şi irezistibil în rolul lui Lucas, aşa
cum ştie să o facă chiar şi cînd joacă bad guys. Este primul
film pe care-l face Denzel cu Ridley Scott, după cele 4 care le-a
făcut cu fratele său Tony. De cealaltă parte a legii, Russell
Crowe este Richie Roberts, din nou un rol de tip Method, pentru care
s-a îngrăşat, şi a căpătat accent, à la Serpico. Crowe este al
treilea film cu sir Ridley (după Gladiator şi A Good Year, vor urma Body of Lies si Robn Hood ca sa faca un cvintet-NA 2024) şi
mai au două pe ţeavă. Amuzant, Denzel şi Russell Crowe au mai
jucat împreună în thrillerul s.f. debil Virtuosity (1995) şi tot
de părţi opuse. Partiturile secunde sunt asigurate de actori
excelenţi; Ted Levine, Armand Assante, John Hawkes, Ruby Dee, RZA,
Cuba Gooding jr., dar revelaţia filmului este Josh Brolin, sosia
brunetă a lui Nick Nolte (cu al doilea rol major de anul acesta,
după No Country for Old Men).
Este cel mai american film pe care l-a
făcut Ridley Scott până acum. Respiră aerul locaţiilor sale,
filmat în New York, New Jersey şi Tailanda, de Harris Savides
(colaboratorul lui Gus van Sant şi al lui David Fincher). Este o
reconstituire minuţioasă şi scrupuloasă a epocii (de către
scenograful ataşat al lui Scott, Arthur Max), din 1968 pînă în
1976, perioadă în care New York-ul era cel mai murdar şi corupt
oraş din lume. Ambiţiosul proiect, numit anterior True Blue, a
trecut pe la Brian De Palma, Terry George şi Antoine Fuqua, dar
Ridley Scott a reuşit să-l aducă pe ecran într-o formă perfectă.
La o durată epică de 2 ore şi jumătate, nu plictiseşte şi nu
are scene în plus de virtuozitate stilistică, nici urmăriri, nici
shoot-out-uri tipice genului. Plusuri sunt muzica excelentă a lui
Marc Streitenfeld, şi piesele din epocă, care adaugă atmosferă.
Ridley Scott se află aici pe teritoriul lui Michel Mann, regizat în
maniera lui Martin Scorsese şi Sidney Lumet. Nu se pot anula
comparaţiile cu Scarface al lui Brian de Palma, dar sunt mai aproape
Carlito's Way al aceluiaşi regizor, Prince of the City sau Serpico
ale lui Lumet,The French Connection al lui Friedkin, The Godfather
al lui Coppola, Goodfellas şi The Departed de Scorsese, Heat de Mann
şi Year of the Dragon al lui Michael Cimino. O companie selectă,
ceea ce încearcă filmul lui James Gray, We Own the Night, dar nu
reuşeşte. American Gangster e un clasic, unul din
cel mai bune filme ale anului şi intră direct în categoria celor
mai bune filme cu gangsteri făcute pînă acum. Sper să-i aducă
lui Ridley Scott mult aşteptatul şi binemeritatul Oscar de regie.
NA
2024:și
nu i-a adus nimica. A fost nominalizat la 2 Oscaruri, Ruby Dee pentru rol secundar si scenografie....la Globurile de aur au fost nominlizati Ridley, Denzel si best film.
****patru
stele din cinci / 8 din 10
# Revazut in varianta EXTENDED (de ziua lui Ridley, 30 noiembrie 2024!), si se tine exceptional filmul, acum dupa 3 sezoane de Godfather of Harlem (in care Forrest Whitaker e mentorul lui Frnak Lucas, Bumpy Johnson, acum se face sezonul patru in care va aparea Lucas ca personaj). Scenele extinse sunt bine montate in intreg, la 175 de minute e la fel de alert si poate chiar mai intens!)
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