Eagles of the Republic is a terrific political thriller by Tarik Saleh (third part of his Cairo trilogy), about Egypt's political and military machinations involving a film star (Fares Fares, the lead in all three Saleh films and a film star in his own right), caught in the middle of the manipulative crossfire.
Would've been worth more attention in the actual climate, premiered in Cannes last year in competition, and it was Sweden's entry for best foreign film -did not make the short list. Shades of early Costa-Gavras. Also of Das Leben der Anderen. Gave me goosebumps in parallel with what happened in communist Romania and all dictatorships alike.
Great score by Alexandre Desplat on his 1st collaboration with Saleh and great widescreen cinematography by Pierre Aïm (shot on 65 mm, 2.39.1). Pierre Aïm shot also the other two Saleh films in his Trilogy -The Nile Hilton Incident (2017, which I saw at TIFF) and Cairo Conspiracy, aka Boy From Heaven (2022, seen briefly on Romanian screens). Of course this film could not be shot in Egypt, so it is all dressed up in Turkey -great job by Saleh's production design Roger Rosenberg. The director is a very persona non grata in Egypt...
Fun fact: Saleh and Rosenberg shot the action thriller The Contractor (2022) in Bucharest for Berlin !!!
Now in Romanian cinemas -very limited-see it on the big screen !
...when in Rome...just landed and in the taxi I hear the news, celelbrissimo attore Robert Duvall, etc..surely I get it. Gone. I mean he was 95, lived a great and long life and his films are immortal.
But why everytime I go somewhere this kind of news get heavier and harder?
Duvall was one of the Greatest, like Hackman. As as kid I knew him first by name, my father showed me, he was in the Guinness Book of World Records as the most versatile actor of the '70's. Opposed to Hackman he was the quintesential Character Actor. Capital A.
He was in over 100 films and television series.
He got an Academy Award (for the forgotten Tender Mercies-1983), a BAFTA Award, four Golden Globe Awards, two Primetime Emmy Awards, and a Screen Actors Guild Award.
His film debut was as Boo Radley in the book adaptation of To Kill a Mockingbird (1962).
His shot at Movie Mythology came with Consigliere Tom Hagen in The Godfather and more for Coppola, a bit part in The Conversation-uncredited-where I saw him last-last year, as a Gene Hackman homage series of films), lt. Kilgore "love Napalm in the morning" in Apocalypse Now. He refused to reprise his part in The Hodfather III doe to a salary quarrel.
Loved his parts in Lucas' debut THX 1138, Jesse James in The Great Northfield Minnesota Raid, the gangster in The Outfit, based on the Donald E. Westlake book, the German colonel in The Eagle has Landed, the baddie in Sam Peckinpah's Killer Elite, a TV producer in Sidney Lumet's Network, Dr. Watson in The Seven-Per-Cent Solution, the cop in True Confessions, another cop in Dennis Hopper's Colors, then later on Tony Scott's Days of Thunder, written by Robert Towne, Joel Schumacher's Falling Down, Kevin Costner's Open Range. Also Sling Blade, Get Low, the part of the Old man in the adpatation of Cormac McCarthy's The Road, The Judge in 2014, last bit in 2022 Scott Cooper's Netflix flick The Pale Blue Eye.
He directed five films films, most notably The Apostle in 1997 and in 2002 in Argentina, Assassination Tango. I gotta catch-up with that last one, never saw it.
He lived in his ranch in Virginia, surrounded by his family. Never will be gone, just left this stage and sets...
"Somebody once said that the best life in the world is the life of a second leading man. You travel, you get a per diem, and you’ve probably got a better part anyway. And you don’t have the weight of the entire movie on your shoulders.”
watching them live on Voyo for the 1st time, interesting to see the breaks without commercials, really, some candid scenes. Even saw Sean Penn smoking at the table !!! And monsieur Cannes, Thierry Fremaux, talking cordially to Guillermo Del Toro ! And later on to Sean Penn.
Venue: the Beverly Hilton Hotel
presenter: Nikki Glaser -her second year-decent jokes &, including Epstein list and a Spinal tap nod at the end of show.
Tough cookie, lost count of how many films I've seen. Less than probably any year. Over 200, less than 300 ? More ? I started to put them on Letterboxed starting late October but still didn't catch up with the rest.
***
Top of the series is here and films from 2024 are again a problem, The Brutalist and The Substance should've make the 2025 list, as there still are some of 2025 which I haven't seen yet (Hamnet,-saw it,. did not like at all- Resurrection, Sound of Falling ?). Marty Supreme would make Top 5 but I've seen it in Januaray 2026.
Just caught up with Park Chan-Wook's No Other Choice that makes the list. It's limited in Romanian Cinemas now, so try to see it on the big screen, it's worthy.
Kinda disappointed with Romanian Cinema this year too. I liked Kontinental '25 and that's it. Could 've been also Jude's Dracula but he made it such an intentional mess and duration wise a whole calvary...
Finalmente l'alba - Saverio Costanzo -2023, on which I wrote:
Rome and Cinecitta 1953. More like a drreamlike story, a false thriller, homage to Fellini and La Dolce Vita, Notti di Cabiria, and linked to a real muder cold case known as the Italian Black Dahlia. Interesting slow film, in the Venice Competition in 2023. Modern beat score, strange and eerie. Song Last Nite by The Stokes (2011) on the end credits.
Billy Wilder and Charles Brackett wrote it at the time of their legendary partnership. Ketti Frings wrote the novel on which story, the dynamic duo have much improved it. Boyer tries to make it his own, especially as a Foreigner with a lovely accent (his own, which he kept all his life !). For Romanians it's a blast, cos' he is a crook / gigolo from Bucharest named George(s) Iscovescu !!!
Studio man Mitchell Leisen directed it professionally. The year was 1941 and immigration was at its WW2 boom. Iscovescu wants to get in the USA and he needs a passport and a citizenship and in order to get those he needs to marry an American. The film premiered on September 11th 1941, just three months before Pearl Harbor !
The two women in the film are opposites, each with its role, Paulette Goddard as the femme fatalish Anita and Olivia de Havilland the innocent Ingenue Mrs. Brown.
Supporting characters, from Curt Bois as Bonbois, to Walter Abel's Inspector Hammock, Victor Francen as Vander Lucken and Nestor Faiva as hotellier Flores, the story is told in a flashback from the stage / set of a film at Paramount, on which Iscovescu/ Boyer went to see to director Dwight Saxon, played by none other than director Mitchell Leisen in order to see this story (maybe the most modern aspect of the film, predicting Sunset Boulevard ?) !!!
Very long for those day's standards (116 mins.) and heavilly plotted, it has a bleaker tone for a romantic melodrama and a downbeat immigration angle. And a small dose of film noir (esp. for the self-person narration). The dialogue is sharp and some witty and cynical one-liners are already trademark Wilder. Brackett and Wilder were very dissapointed with the result and Boyer's refusal do do a dialogue with a cockroach, they cut off most of his lines, giving them to Paulette Goddard. Also I read this was the last film Wilder wrote without directing it (even though Ball of Fire for Hawks opened in December 1941...).
Hold Back the Dawn was nominated for 6 Oscars back in 1941, including best film, best screenplay and best cinematography (in Black&White, Leo Tovar).
3 1/2 out of 5 ! 7 out of 10 !!! (loses steam due to the duration, otherwise would've been an Eight!)
1st film I saw on 2026 it's one of the best of 2025 and one of Park Chan-wook's best. No Other Choice aka Eojjeolsuga eobsda. It's also the offical Korean Submission for Best International film at the Oscars and it's nominated for 3 Golden Globes Awards. No Other Choice premiered in the 2025 Venice Film Fest Competition. It won Best Director in Sitges FF.
It's limited in Romanian Cinemas now, so try to see it on the big screen, it's worthy. Just peropeare for slower development, the film has 2h19 mins.
I follow the Korean director for 25 years, ever since he came to Bucharest with his 1st feature, JSA (Joint Security Area) at the 1st Festasia fest edition. That was before Oldboy, Mr. and Mrs. Vengeance, Thirst, Handmaiden and Stoker. Saw most of his oeuvre, also the HBO series The Sympathiser, so I can say that this one it's one of his best.
Lee Byung-hun who is South Korean leading man is here a Paper Man, formerly "Pulp Man of the Year 2019." He was also in PCWook's JSA, in A Bittersweet Life, Squid Game series, even in G.I. Joe. He gets back at working with PCW after 25 years. Here he is a plain family man, with a desperate will to get back to his job that was downsized. Son Ye-jin is great too as his wife Miri, and so is the son Si-one and the daughter Ri-One- playing cello. And the two dogs (Si-Two and Ri-Two). And all the supporting characters. Great supporting characters !
It's a Korean Le Coupert / The Axe, based on Donald E.Westlake 1997 novel. It was made before by Costa-Gavras in 2005 as The Ax, a great black comedy, merciless, starring José Garcia. But Wook-Chan goes even further in absurdity and satire. He co-wrote this with Don McKellar, they worked together before on The Sympathiser. The film is produced by Costa-Gavras family and it's dedicated to the Greek director, who kept the rights of the novel and gave them to Park Chan. The film was supposed to be in English first (starting 2009) but kept developing.
Via IMDB: During a live discussion with Costa-Gavras at the 2019 Busan International Film Festival, Park told audiences that he was still working on his adaptation of Westlake's novel. The film was described by Park as a "lifetime project" and that while he hadn't begun filming it yet, he wished "to make this film as my masterpiece." Gavras, who still held the rights to the book, had helped Park to develop the project. The film was set to be an English-language picture, with Don McKellar co-writing the script alongside Park.
The design is fabulous too, from the bonsai and the greenhouse to the seasons change, going from summer to winter (it was shot in a period of five months, from August 2024 to January 2025). The colors are very important for the transitions and the story. Impeccable widescreen (2.35 : 1) cinematography (by Kim Woo-hyung who worked before with the director on The Little Drummer Girl series) and editing (Kim Sang-bum, Park's editor since JSA), adding to the plot points and directing.
Great score too, and great idea of a cello subplot, by Chan-wook Park's collaborator, Cho Young-Wuk. The score includes incidental classical music, Mozart piano concerto (no. 23!), Marin Marais and pop hits, Korean and American (Hold On I'm Coming by Sam and Dave -1966), edited and directed on camera (one set-piece might as well be the best Cinema scene of 2025!-and the funniest -with subtitles too ;).
4 out of 5 / 8 out of 10 !!!
“I've always been trying to follow the footsteps of the great masters of cinema, most of whom have passed away today. I've tried very hard to reach their level. And I think in certain scenes or certain films, I might have reached a similar level, but there's still a very long way to go. So, when I think about how many more films I can make for the rest of my life, I feel very rushed.”
My favorite actor for the next Oscars would be Russell Crowe in an all-time high career role as Hermann Göring in this WW2 courtroom drama based on the real events pd the Trial at Nuremberg. His opponent in the film is Rami Malek as the shrink Hermann Göring in a weird casting choice. Screenwriter James Vanderbilt's 2nd feature has great production values (shot in Hungary for 7.5 mill. $ !!!), sets, costumes, supporting cast (John Slattery, Michael Shannon, Richard E. Grant, Colin Hanks, Andreas Pietschmann as Rudolf Hess), dramatic music by Brian Tyler and great widescreen cinematography by Dariusz Wolski. Bsed on Jack El-Hai's book, "The Nazi and the Psychiatrist".
For many too academic, long (2h30 -I'd say Epic), ut a worthwhile dramatic story with a new take, worthy to be told TODAY.
The Sirat Bridge, in Islamic belief, is a narrow and perilous bridge that every person must cross on the Day of Judgment to enter Paradise (Jannah). It is described as being thinner than a hair and sharper than a sword, with the faithful crossing it swiftly, while sinners may fall into Hell below.
(from imdb trivia)
SIRAT is one of the best films of 2025, and definitely the most interesting, visually and thematically. Jury Prize in Cannes and Golden Globe nominated for best foreign film (Spain's entry) and surely Oscar nod in the same category. Sergi Lopez leads a cast of unknown and unprofessional actors into the Morrocan -here unanmed-desert in a Jodorowskian take on Sorcerer (Friedkin's best !!!) in Burning Man territory. Existentialism follows upwards and downwards spiral ;)
Director and co-writer Oliver Laxe says Sirat it's a mix of Mad Max, Easy Rider and Stalker.
Also there are one armless man, one legless man (Freak show, /Freaks t shirt), another hint at some Jodorowski. And a pun on a Boris Vian poem and song, more existentialism and surrealism mix.
Stellar Techno electronic soundtrack by French artist Kangding Ray. Would deserve the Oscar and the Globe for best score.It won Cannes Soundtrack Award.
Kudos also for Laia Casanova’s sound design, that turns the "rumors of the wind" and the noises of the desert into their own Rave.
Also as I was sure, it's the Winner of 2025 Palm Dog - Jury Prize For Pipa the Jack Russell, and Lupita the Podenco mix.
9 out of Ten / 4 1/2 out of 5 !!!
*To be seen in a cinema with powerful speakers and good sound design. And about that, it's a real shame the film runs in Romania only a few shows, in some cities (see here on the distributor's site Transilvania Film), and not at all in Brasov :((( shameful...
Kleber Mendonça Filho's follow-up to Bacurau is O Agente secreto. 2025's Cannes award winner for best actor -Walter Moura !and best director, Golden Globe nominated and soon Oscar nominated-Brazil's entry for best foreign film.
Also Udo Kier's last part as Hans, a great on screen goodbye.
2h38 of complicated narrative, non-liniar, Brazilian politics and 1970's history, plus a lot of love for the cinema, ecclectic soundtrack, one of the most interesting and best films of the year.
Diane Keaton was 79. Except Woody Allen's muse, friend (and girlfriend) and confidante (eight films together, from 1972's Play It Again Sam, ending with Manhattan Murder Mystery in 1993), she was Al Pacino's Michael Corleone's wife Kay in the three Godfathers, from fiancee to divorcee (also his girlfriend in real life), and exceptionally radicalist Louise Bryant in Warren Beatty's 1981's Reds. A very smart, intellectual. witty woman, personified best in Annie Hall (1977), character that used Keaton's manierisms, also her true family name is Hall, film that brought her an Oscar for best actress. She was also a feminist and an avant garde personality. And a great protograper (book Reservations). She never married and had two adopted kids.
I think the last time I saw her was in Something's Gotta Give, the 2003 Nicholson weaker comedy... She was in a lot of romantic comedies (Father of the Bride), heartfelt films (The First Wives Club), dramas (Marvin's Room). But for me she will always be The Little Drummer Girl, in the excellent George Roy Hill film from 1984, based on the John le Carré book (not the 2018 series), where she plays a wannabe groupie terrorist, ideologically brainwashed and used, in a film that is more actualt today than Woody Allen's NY fantasies or the politics of Reds.
She as also great in Richard Brooks’ audacious drama with a sex twist, Looking for Mr. Goodbar (1977).
Diane Hall / Keaton was also a director, most famously for Be Unstrung Heroes (1995), she also directed Belinda Carlisle's hit video Heaven is a Place on Earth. She also produced Gus Van Sant's Elephant. She wrote memoirs thrice: “Then Again” (2011), “Let’s Just Say It Wasn’t Pretty” (2015) and “Brother and Sister” (2020).
2017 Lifetime Achievement Award from the AFI/ American Film Institute.
French 75 resurges for one last call...Do you remeber the code ? "What time is it?" / It's Time for REVOlution (again ?)
One Battle After Another is Paul Thomas Anderson's biggest film to date (you dpon't wanna know the budget, out of which a quarter is Leo's salary..). Most expected and already lauded as film of the year. Sean Penn is in for an Oscar nod surely-best supposting. Di Caprio does a OUIH bit imo. He's like Rick Dalton playing the fried brains revolutionary recluse Bob Ferguson aka Ghetto" Pat. Benicio Del Toro is also superfunny as the Sensei, shades of him in Fear and Loathing in Las Vegas...but Sean Penn's performance as Col. Steven J. Lockjaw is surreal. One for the books !
Chase Infiniti's big screen debut as Bob and Perfidia's daughter Willa is intense. Special mention to Eric Schweig as Avanti.
Plus the Christmas Adventurers Club, man, kudos for this one off ;)
I'd call this No Country For Any One...
It's a relentless ride, shot beautifully on 35 mm film in VistaVision (second film in this format in this century, after The Brutlalist), by Michael Bauman (his second film with PTA after Licorice Pizza), his first feature credit !
The film should be read through his soundtrack -I mean the overall score, again by Jonny Greenwood, his faithfull composer, this time a psychotronic overpulsating paroxistic one. I expect his Oscar next March.
The soundtrack includes great songs, from Steely Dan (Dirty Work), to Jackson Five (Ready Or Not Here I Come), Tom Petty's American Girl on the end credits (you will know why, "she was raised with Promises"), Ella Fitzgerald and The Revolution Will Not Be Televised, thge classic and still subversive Gil Scott-Heron proto-rap from 1970, which plays a role also in the plot.
Thomas Pynchon's book Vineland (1990) was the inspiration of PTA, who did a crazy looney tones political bonanza. Reminde me a lot of Eddington. It's somehow PTA's funniest film to date. Some bits reminiscent of the weed haze of Inherent Vice, his adaptation of Pynchon's other counterculture book.
There is also a big connection (and inspiration) with Gillo Pontecorvo's revolutionary classic Batle of Algiers (1966).
Epic duration, 2h41, but it goes fast, on this one I would've liked to be even longer, more Christmas Adventureres, Billy Goat, Beegee, Comrade Josh and Talleyrand.
The film is dedicated to Adam Somner, the legendary second unit director (Gladiator, Phantom Thread) and producer of 5 of PTA's films from There Will Be Blood, The Master, Inherent Vice, Licorice Piza to this last, OBATA. Somner died last year in November after completing this film...
4 out of 5, 8 out of 10 !!!
*Defintely it's a film that you can revisit, plus very TODAY in the actual political climate.
Robert Redford gone where a River / rivers run through...
The Man was 89. Once ”The Golden Boy” of Hollywood...No liftings, just traces of life...
One of my top childhood heroes, he was an absolute star in that times "commie" Romania, together with Paul Newman, John Wayne and Burt Reynolds, the stars of those early 70's. RR, as a Rolls Royce of acting and old Hollywood grace and elegance.
From early prats in Barefoot in the Park and The Chase, to stardom: Butch Cassidy and the Sundance Kid and The Sting, All the President's Men, Three Days of the Condor, to his activist years and Sundance, to the last parts in All is Lost (one of my favourite RR performances), The Old Man and the Gun and last in that Marvel film (2019)...
Never won an Oscar as an actor, but as a director, in 1980 for Ordinary People. That film is now quite forgotten, but at the time it helped build an Indie genre later on. A raw model for Brad Pitt and tons of others he helped more in the capacity of director, producer and festival founder (Sundance). Even though he directed 9 feature films he will be remembered more as a Classic Movie Star.
Downhill Racer, The Candidate, The Hot Rock, The Great Waldo Pepper, The Great Gatsby, The Electric Horseman, Jeremiah Johnson, Brubaker, The Natural.
Liked him in lesser films like Sneakers, Legal Eagles, Havana, The Last Castle, The Clearing.
One of my favorite later parts parts of RR is Nathan Muir in Tony Scott's Spy Game (2001). His pairing with Brad Pitt as his mentor in CIA was a very touching one.
He made serious topics like grief and political corruption resonate with the masses, in no small part because of his own star power. (The NY Times)
Mouring one of the greatest British Icons, made big by Italian cinema and American popcorn (und more). Terence Stamp was 87. He was Toby Dammitt in Fellini's sketch of Poe's omnibus Histoires Extrraordinaires/ Spirits of the Dead. He was in Pasolini's Teorema, as he was general Zod ;).
He won best actor in Cannes in 1965 for The Collector.
From his film debut in Billy Budd (1962, where he received his onbly Oscar nomination) to his last bit in Last Night in Soho (2021) he was a cool, silent, sometimes very menacing presence.
For me it was at most fun as the perverted host of the short-lived series The Hunger (1997-98).
Other highlights: Modesty Blaise, The Hit, The Limey (featuring Poor Cow).
1st ime I saw him as a kid as the badguy Wazir in the Clive Donner's Thief of Baghdad (1978, actually a made for TV film).
waiting for this to happen for a while :(, I mean Lalo Schifrin was 93, he was retired for a while, after the The Hidden Dove (2018) his last score, not a notable one. He was one of the last great ones, only John Williams survives that Golden generation (Morricone, Jerry Goldsmith, etc).
The Argentinian Piano man is foremost responsible of the Mission; Impossible theme. Six times Oscar nominated, no win :(: Cool Hand Luke (1967), The Fox (1968), Voyage of the Damned (1976), The Amityville Horror (1979) and The Sting II (1983) and for the song “People Alone” from The Competition (1980). Honorary Oscar in 2018.
His signature is on Bullitt, Mannix, Enter the Dragon, The Eagle has Landed, Dirty Harry, and its sequels, from Magnum Force to The Enforcer, the three Rush Hour films. Close collaborator of Don Siegel and Clint Eastwood. Also did the music for Carlos Saura's Tango and many jazz collaboations, with Ray Charles in 1965's Norman Jewison's The Cincinnati Kid.
I've seen I'm Still Here/ Ainda Estou Aqui in the cinema, now after the Oscar win. A well deserved award ! Have forgoten all about Walter Salles (his last film was in 2012, On the Road, saw that in Cannes then), and I got that this was a very personal project for him.
Ainda Estou Aqui was nominated for best picture and Fernanda Torres for best actress (she got the Golden Globe tho). "I'm Still Here" (not to be confused with the Joaquin Phoenix/Cassey Affleck mockumentary with the same name ;) won also best screenplay in last year's Venice Film Festival. It's a powerful film, about family and predestination, and surviving against all odds in adverse situation. It's also a true story that in Brazil it's well known and publicized, now up to be seen and heard by the whole world. These events that happened in all the other dictatorrships, being right or left wing, it's told through the eyes of Eunice Paiva (Torres), the wife of Rubens Paiva, arrested and vanished during the Brazilian dictatorship of 1970's. Mother of 4, later on a strong advocate for Human rights.
A bit overlong (2h17!-could've been at least 15 mins. shorter), but act 3 redeems the film and uppers its value. On imdb it went straight to "Top rated movie #133"! Ola for Brasil !
Stay for the end credits !
music by Warren Ellis (!), great soundtrack with Brazilian artists, Tom Ze, Caetano Veloso, etc.
It starts with Somewhere over the Rainbow, it goes into the Wicked
songs with the freakish Cynthia and Grande.
Conan O'Brian (hosting for the 1st time), is actually very good, natural with a good sense of
pacing. With a little help of Adam Sandler and John Lithgow. Then
surprise, he sings s a song, “I won't waste time”, featuring
dancers,
the sandworm from "Dune" on piano doing “chopsticks” and
Deadpool.
Robert Downey jr. presents supporting actor and the least
deserving guy gets it, Kieran, who is the same in life as in A Real
Pain, as in Succession, kinda same part. Nice speech tho, talking to
his wife.
He also looks like a young Kirk Douglas. Glowing eyes.
(commercial break #1)
Wow ! For Animation FLOW wins. Wonderful, Touching ! Lithuania
enters the Oscars. Great film, now in Romanian cinemas, go and see it
!!! Absolutely sensational, it beats Disney, Pixar and The Giant
Robot.
The short animated category I didn't follow. “In the Shadow of the Cypress” won. The two Iranian
directors are great ! They just landed in L.A. Three hours ago, they said.
(commercial break #2)
Costume design, no surprises there, Wicked, the first black person to win for costume design.
Another commercial break, # 3
Original script. Sean Baker wins his 1st Oscar for writing Anora. Adapted, Conclave. No surprises here.
Surely The Brutalist and The Substance and September 5 were better choices but I'm happy for Baker.
Commercial
break, # 4, man, there's more breaks than show...
June
Squibb and Scarlett Johansson present the makeup and hairstyling
award to The obvious The Substance.
Then
we get Halle Berry to let us know the Governer Ball's Awards (November 2024), from
Quincy Jones (posthumous) to the Bond producers of EON, Barbara Broccoli and
Michael G. Wilson (who gave a way bond to the sharks from Amazon :() -Irving G. Thalberg Memorial Award.
and
then we get a 007 tribute clip followed by a dance extravaganza with
a superb Margaret Qualley (as I said before, on her way in becoming
a A-lister, after OUATiH, Poor Things, Kinds of Kindness, The Substance, Drive-Away Dolls), in a red dress, then we get renditions of Live
and Let Die with Lisa , Diamonds are Forever with Doja Cat, Skyfall
with Raye, all in good taste, channeling the originals.
Commercial break, # 5
Nice
joke of Cinemastreams, Conan featuring Marty Scorsese.
And a
anniversary of Kill Bill puts Daryl Hannah on stage. She looks great,
presents the award for best Editing. Again, Sean Baker rocks (2nd
award !), Anora for editing ! Deservingly.
Divine takes the stage for the supporting actress award presentation. Zoe Saldana wins. Emilia Perez was here, will she win for International film too ?
Commercial break, # 6
Ben Stiller on stage with a joke stolen from SNL Vincent Price skit (& Peter Sellers & more), present the Production Design Award. Wicked". May the Biggest budget film win. And a film about architecture, nem...
Then on the sound of Sympathy for the...who ?, Sir Mick Jagger shows up. Best Song award. Making Bob jokes. El Mal from Emilia Perez win. Sorry, I couldn't care less. The nominations this year for song were awful.
Commercial break, # 7
Conan does the second Dune Sandworm joke, playing harp ! Sam Jackson (L.) and Selena Gomez (M.) present short documentary film. The Only Girl in the Orchestra wins. Feature: No Other Land. Political moment speech.
Commercial break, # 8
Conan
& the L.A. Firemen Dpt. Firemen jokes.
Miles
Teller & Miley Cyrus (in Europe Kilometer & Kilometry).
Sound. Dune 2.
Gal
Gadot, herself a special FX, in a red dress present the Visual
Effects Award. Dune part 2 it is.
VO/announcer (in my heydays it was Peter Coyote ;) -Nick Offerman, who's voice is kinda off (booze?).
Commercial break, # 9
Ana de Armas and Sterling K. Brown present the last short award.
Morgan Freeman presents an homage to Gene Hackman. He played together in Unforgiven and Under Suspicion. That introduces the In Memoriam montage I had no clue Fred Roos and Adam Somner. died ..).
Commercial break, # 10
An actor presenter from each film nominated for Cinematography: Joe Alwyn for the Brutalist. Alba Rohrwacher salutes a Ed Lachman in a wheelchair for Maria. Willem Dafoe for Nosferatu, Zoe Saldana for Emilia Perez, Dave Bautista for Dune part 2. Lol Crawley wins for The Brutalist. Fair enuff.
Penelope Cruz presents for Best International Film. I'm Still Here/ Ainda Estou Aqui wins (Walter Salles, Brazil). Another big loss for EP, due to bad PR mostly.
Commercial break, # 10
Conan makes another Russian Joke via Anora. Mark Hamill (!!!) presents the award for best Original SCORE. Daniel Blumberg for The Brutalist. Well deserved for a Grand, epic score !
Whoopy and Oprah introduce a Quincy Jones musical tribute. Queen Latifah sings a song from The Wiz.
Commercial break, # 11
Conan: "If you still enjoying this show you have what it's called Stockholm Syndrome".
Cillian Murphy takes the stage for best actor award. He won last year for Oppenheimer. And...Adrian Brody wins his 2nd Oscar (22 years after 2003's The Pianist) for the part of architect László Tóth in The Brutalist !!! The most touching moment of the evening. Brody is entering a cool restricted club. Egészségedre !
Enter QT, Quentin iz in ze house ! Best director -ta-dam, Sean Baker for Anora ! His 3d Oscar, suddenly a small struggling indie director becomes a Monster Superstar in the biz. Phones will be ringing, snakes will be crawling, emails will be flowing, agents will be waltzing around & mirages will be presented to him but I have the feeling he won't sell out. Kudos !
Commercial break, # 12
Emma Stone (who won last year for Poor Things) presents Best Actress award. Aaaand surprise, Mikey Madison (Sadie in OUaTiH) wins !!! Anora's fourth Oscar ! Mikey is 25 !
Meg Ryan & Billy Crystal present Best Film. And Anora wins !!! Five Oscars out of Six ! Sean Baker is also co-producer so he gets his fifth award. Bravo !
And they even finished earlier this year ! Sorry for Demi, that was this edition surprise for me. 62 vs. 25. Baby Jane or All About Eve ? Again the SAG proof that no one guesses is perfect. The acting awards were again different from those of the guild. All in all it was a calm and cool edition with the most indie films in an Oscar race, two foreign directors, and wins for Anora 5, Brutalist 3.
Gene Hackman, one of the greatest Actors there ever was, (it's said he could play Anyone and Antything), died on Tuesday Feb. 26th. He was 95. He died suddenly along his wife and their dog ! His wife (the 2nd, married in 1991), the pianist Betsy Arakawa, was 64 ! The Police of Santa Fe discovered all three of them....
During the last 3-4 years I re-saw /saw again some of his films with the fear he'll die any moment. So, there was him at his most funniest in Get Shorty, the neo-noir Heist, action mentoring channeling The Conversation part -Tony Scott's Enemy of the State (2 bad it had Will Smith as a lead, if could've been Denzel or Jamie Foxx it'll rock more today), more good action thriller-The Package and the comedy I caught up Heartbreakers. Forgot he had a cameo in The Mexican when I gave that film another shot (totally hated it when it came out), tried to see again The Royal Tenenbaums but remembered how he quarreled with Wes Anderson (which I find completely overrated) and paused it. It's a great part but not a lengthy on. Also discovered some gems like The Hunting Party (1971), The Split (bit cop part) when Jim Brown died and recently, when Kris Kristofferson passed I saw Cisco Pike (1971). Brilliant wicked part for Gene Hackman, probably last seen by me.
He was retired since 2004 after the lesser comedy Welcome to Moosesport. He was painting and writing thriller noir/ history fiction novels.
Hackman received two Academy Awards (for William Friedkin's The French Connection & Clint Eastwood's Unforgiven), two British Academy Films Awards (BAFTA), and four Golden Globes.
My faves after the obvious characters of Popeye Doyle, Harry Caul, Little Bill Daggett and Lex Luthor are Crimson Tide, Prime Cut, The Scarecrow, French Connection II (he's better in Frankenheimer's sequel than in Friedkin's hit, it's harder bit too imo) , Bite the Bullet, Night Moves, Eureka, Under Fire, so on...
Most amusingly he played the blindman in Mel Brooks' parody Young Frankenstein, in 1974, uncredited. It's kind of a cameo but now every obit mentions it as an important part. Come on, you AI generation morons...
As a kid I saw him first in cinemas in Superman, The Poseidon Adventure, The Domino Principle, Marooned, Zandy's Bride, The Gypsy Moths (that on TV). Then later his breakthrough part in Bonnie & Clyde.
He was a superb villain always, suave and smiling. Also he could play men in uniform, military authority at best. And grand in westerns. But his secret gift was comedy. He Is, was and will be one of my favorite Actors. And as far as I checked everyone says he was the Best Actor that ever IS !
"If you look at yourself as a star, you've already lost something in the portrayal of any human being."
