versiunea 1.3. redux (incl. ROCKLAND & alinland)
Watch this in a cinema with great sound !
Tuner is one of the year's most interesting Indie films who made it to Romanian cinemas !
'Here we are ...with the Princes, ups, with the Masters of the Universe...'
Added value: the score is Fabulous, Power Rock pounding heroic symphonica metallic, another great one from Daniel Pemberton, one chord to rule'm all, Queen style, even features a Highlander song and puns, plus a clone Queen song by The Darkness and surely the sound was familliar because yes, the guitarist it's Brian May !!! That in itself raises the bar (and the volume) one notch (and a star of my review here). A Dolph Lundgren cameo (hero of the 1987 version) makes it even more tongue in cheeck. For the grown-up children ;)
3 stars out of 5, 6 out of 10 !!!
Disclosure Day on the film's premiere's day.
What can I say? I expected more. But it's ok. Just that it's old news, the disclosure has been made my Spielberg in 1977 and in 1982 (E.T. phoning home ;).
This is really a Close Encounters of the Third Kind 'cos it's beeen done now the third time.
I woun't count the War of the Worlds which I hateted masivelly when it came out, called it War of the Tripods.
My most problematic aspect is the casting. Absolute no charisma between the leads, boyfriend-girlfriend, could be way better with another actors, Josh O'Connor and Emily Blunt didn't convince me one bit. What about the old Richard Dryfuss type, even the claasical Tom Hanks Spielbergian James Stewart type? The supporting bit was clockwork, Colin Firth and Colman Domingo all serious handling the disbelief.
Then, the duration. 2h25 could've been way shorter. Scenes repeat, chases repeat, peril repeat, mind scanning repeat, rinse, spit, repeat. like it's a TV series.
Also the deja-vu from the telekinesis/paranormal age of late 70's, 80's, from Fury, to Scanners, via Firestarter. Just add aliens, but it's the same chase, same plot gimmicks.
But John Williams did a serios job scoring it, coming out of retirement again for his buddy Spielberg, At 94 he still rocks !!!
The camera work, I have a problem with the design, moving in every shot, some cool tracking shots, 180 degrees to 360. Colors too,bleak, winterish.
Impressive.
Most impressive if you count the director, Kane Parsons is 20 years old ! It's based on his youtube found footage series & Kane Pixels.
To be seen and appreciated in a cinema !!! Really !
Plot description: After a therapist's patient disappears into a dimension beyond reality, she must venture into the unknown to save him.
I saw it tonite., and the theater was packed with teenagers. They knew the backstories, the innerworld of the film, the odds and inns. I guess it's one of the reasons Backdoors has a great thetrical run, the best of A24 til now (overpassing Civil War ).
Fjord, filmul lui Crsitian Mungiu, premiat cu Palme d'Or se vede in 90 de cinematografe din Romania !
Doar pe 13 iunie !
Premiera oficiala va fi in ianuarie 2027 !
la Brasov la Cinema One, bilete aici
si la AFI Cinema City
Deja e apropae soldout ! Ceea ce ma bucura. Va fi racoare in cinema pe 13 iunie !
Hokum is No Hokum.
maybe the best, most intense horror of the year yet.
To be seen on the big screen. It's widescreen - 2.39 : 1, -by Colm Hogan, kudos! - but it's claustrophobic and the sound design is Great !!! And the music too-atmospheric, as a tool of building more sound !
From the director od Oddity and Caveat, Irishman Damian McCarthy, a name to follow...
McCarthy provides some genuine good scares
and gets a restrained performance from Adam Scott (Severance series), at his most serious and downbeat. His character is the obnoxious and depressed writer Ohm Bauman (reminiscences to Richard Bachman, The Shining -Kubrick's- and other Stephen King characters, Jack Torrance, Mort Rainey, George Stark included).
Hokum is psychological horror mixed with folk supernatural lore, but also a bit more,
Opening and ending bookends raise the quality of the film a lot.
Liked it better than Weapons and felt the kind of vibe Hereditary gave me back when I saw it in a cinema.
7 1/2 out of 10 !
The Drama (loved the title) has Bergmanesque, Woody Allenesque-through his Bergman love), Nouvelle Vague vibes too- and i must confess I enjoyed it more than the whole Sentimental Value thing. Or overbloated Baumbach's Marriage Story, all due to Bergman's tropes (ther is even a poster for The Passion of Anna, which the writer/director showed his actors in preparation for the shoot). Don't foreget Borgli is a Swede too.
Liked the energy, the humor, the storytelling, the editing, Daniel Pemberton's score, the acting of the two leads-Robert Pattison and Zendaya in her best part yet- imo-they had chemistry.
Dram Scenario was ok, Sick of You was intense, looking forward for more Kristoffer Borgli.
Eagles of the Republic is a terrific political thriller by Tarik Saleh (third part of his Cairo trilogy), about Egypt's political and military machinations involving a film star (Fares Fares, the lead in all three Saleh films and a film star in his own right), caught in the middle of the manipulative crossfire.
Would've been worth more attention in the actual climate, premiered in Cannes last year in competition, and it was Sweden's entry for best foreign film -did not make the short list. Shades of early Costa-Gavras. Also of Das Leben der Anderen. Gave me goosebumps in parallel with what happened in communist Romania and all dictatorships alike.
Great score by Alexandre Desplat on his 1st collaboration with Saleh and great widescreen cinematography by Pierre Aïm (shot on 65 mm, 2.39.1). Pierre Aïm shot also the other two Saleh films in his Trilogy -The Nile Hilton Incident (2017, which I saw at TIFF) and Cairo Conspiracy, aka Boy From Heaven (2022, seen briefly on Romanian screens). Of course this film could not be shot in Egypt, so it is all dressed up in Turkey -great job by Saleh's production design Roger Rosenberg. The director is a very persona non grata in Egypt...
Fun fact: Saleh and Rosenberg shot the action thriller The Contractor (2022) in Bucharest for Berlin !!!
Now in Romanian cinemas -very limited-see it on the big screen !
4 out of 5 / 8 out of 10 !!!
****
the press confrence in Cannes here
and an interview in Variety with the director here
How to Make a Killing is in cinemas now. This is John Patton Ford's second film. Loved his first effort, Emily the Criminal back in 2022, it made my Top Films list.
This is Film Noir, dark comedy, thriller, and most of all an homage of Kind Hearts and Coronets (1959), the classic Ealing comedy with Alce Guiness es ;), based on the novel , it says on the credits. "Insiperd by" those two.
Also has an 80's air, it's cynical and politically incorrect, stylish and crisp.
Finally a good part for Glen Powell as Becket Redfellow (cool names in this family !), after the huge misfire of new Running Man-Liked the guy in his SNL episode, I think he has more comedic potential than action chops, definetly romantic too.
Margaret Qualley is the bad femme fatale in the story, another good part in her resume after Honey Don't, Drive-Away Dolls, Kinds of Kindness, Poor Things, The Substance. I first liked her in Once Upon A Time in...Hollywood.
Jessica Henwick is the romantic interest, Ruth. Bill Camp has a nice part as Warren Redfellow, also Topher Grace as one of the Redfellows (Steven) and Zach Woods (from Sillicon Valley) another one (Noah). Also Ed Harris' part as the patriarch Whitelaw Redfellow is more like a cameo, but he's effective as ever.
Amazingly enough this was shot in South Africa instead of New York and New Jersey !!!
Great score by Emile Mosserri and effective soundtrack-The Clapping Song (Shirley Ellis) , the Brazilian classic Take Me Back to Piaui by Juca Chaves, No Fear by Inflo, etc.
Crime 101 is a little LA neo-noir gem directed by the Brit Bart Layton (American Animals). Heist, angst, existentialism, it's based on a novella by Don Winslow (Savages). The title refers to the 101 Freeway in Southern California, entering Los Angeles, and the faved heist location of the blue-eyed Thief Davis (Chris Hemsworth, reminiscent of another Michael Mann pic, Blackhat).
The ensemble casting is cool: Chris Hemsworth, Mark Ruffalo, and Halle Berry, Barry Keoghan, Monica Barbaro, Jennifer Jason Leigh (more like a cameo cos she has only one scene, surely cut for time), and Nick Nolte in a part sim lliar with Jon Voight's in Heat.
Produced by Working Title Films, Crime 101 was bought by Amazon MGM, outbidding Netflix,. which is great cos they also distributed in Theaters (through Sony).
Mostly a Heat homage, plus elements from Mann's Thief, Walter Hill's The Driver, even a scene fromTrue Romance ;)
A nice conversation on Steve McQueen and the iconic Mustang from Bullit add on.
See in in the cinema, it's great widescreen and sound and score- Blanck Mass.
7 out of 10 / 3 1/2 out of 5 !
Islands is an odd piece, film noir under the sun, actually much at dusk. Shot all in location in Corralejo, Fuerteventura, Canary Islands, Spain, it premiered at Berlinale 2025 as a Special Presentation.
The director is German, Jan-Ole Gerster (also co-writer), the actors are Brits, Sam Riley, Stacy Martin and Jack Farthing. Shades of Ripley (Highsmith's) and Hitchcock. Well acted, existential slowburn anti noir ;). Atmospheric score and sound design.
3 1/2 out of 5, 7 out of 10 !
Tough cookie, lost count of how many films I've seen. Less than probably any year. Over 200, less than 300 ? More ? I started to put them on Letterboxed starting late October but still didn't catch up with the rest.
***
Top of the series is here and films from 2024 are again a problem, The Brutalist and The Substance should've make the 2025 list, as there still are some of 2025 which I haven't seen yet (Hamnet,-saw it,. did not like at all- Resurrection, Sound of Falling ?). Marty Supreme would make Top 5 but I've seen it in Januaray 2026.
Top Ten soundtracks here.
Just caught up with Park Chan-Wook's No Other Choice that makes the list. It's limited in Romanian Cinemas now, so try to see it on the big screen, it's worthy.
Kinda disappointed with Romanian Cinema this year too. I liked Kontinental '25 and that's it. Could 've been also Jude's Dracula but he made it such an intentional mess and duration wise a whole calvary...
But disappointments of the year: the new Running Man by Edgar Wright. And the last Mission: Impossible. Hopefully...Oy...
1st film I saw on 2026 it's one of the best of 2025 and one of Park Chan-wook's best. No Other Choice aka Eojjeolsuga eobsda. It's also the offical Korean Submission for Best International film at the Oscars and it's nominated for 3 Golden Globes Awards. No Other Choice premiered in the 2025 Venice Film Fest Competition. It won Best Director in Sitges FF.
It's limited in Romanian Cinemas now, so try to see it on the big screen, it's worthy. Just peropeare for slower development, the film has 2h19 mins.
I follow the Korean director for 25 years, ever since he came to Bucharest with his 1st feature, JSA (Joint Security Area) at the 1st Festasia fest edition. That was before Oldboy, Mr. and Mrs. Vengeance, Thirst, Handmaiden and Stoker. Saw most of his oeuvre, also the HBO series The Sympathiser, so I can say that this one it's one of his best.
Nuremberg, to be seen in theaters.
My favorite actor for the next Oscars would be Russell Crowe in an all-time high career role as Hermann Göring in this WW2 courtroom drama based on the real events pd the Trial at Nuremberg. His opponent in the film is Rami Malek as the shrink Hermann Göring in a weird casting choice. Screenwriter James Vanderbilt's 2nd feature has great production values (shot in Hungary for 7.5 mill. $ !!!), sets, costumes, supporting cast (John Slattery, Michael Shannon, Richard E. Grant, Colin Hanks, Andreas Pietschmann as Rudolf Hess), dramatic music by Brian Tyler and great widescreen cinematography by Dariusz Wolski. Bsed on Jack El-Hai's book, "The Nazi and the Psychiatrist".
For many too academic, long (2h30 -I'd say Epic), ut a worthwhile dramatic story with a new take, worthy to be told TODAY.
The new Running Man, is not a remake pre se of the Ahnuld 1987 vehicle, but a more faithful adaptation of Stephen King as Richard Bachman novel, written in 1973, published in 1982. That novel happened in the year 2025 and actually today it happens, with the Squid Game series and a Korean Reality show named exactly Running Man. So Ben Richards is in a banal world, becoming more real every day. I mean, it's like Y-day news after the Hunger Games series and all the Tv/straming fare of this kind.
Running man is of course influenced by Rollerball, which still stands up as one of the best film of its era (not the shitty unnecesaary reamke) it's even worse tha n its remake.
Everyone's commenting, oh, it's an Edgar Wright film. Ok, that is like a certified value for a big budget blockbuster Sf action (110 mill. $). surely not. I was also very dispointed by Lst Night in Soho, his take in gialllos, very pretentios and shallow. The most action Wright directed was in Baby Driver, which I enjoyed most of his all films, and he's better in making quirky, funny, heartfelt little films, not Hollywood fodder.
Also Glen Powell, which I've just seen in the lastest SNL edition, can't carry the film., at all. Not a problem with the guy and he tries hard but neh.
This would've worked as a Snake Plissken adventure, like Escape fromn the Dome. I guess Wright gave a few nods to John Carpenter.
There's also a problem with the duration which is overlong, 2h13 min, oi, the film doesn't start until we get to the show and no matter how good Josh Brolin and Colman Domingo are, they can't help much.
Also this world, used and dirty, used to cost less to produce on the screen. Here they went to Bulgaria for exteriors and day shots. Somehow doesn't look like America. The rest of it was hot at Warner Bros' studios in England.
Now for the music, unimpressive loud score by Steven Price. And as Edgar Wright ia great fan of songs to use on the soundtrack (yeah, great in Baby Driver), here most of them are wasted. Rolling Stones' Doo Doo Doo Doo Doo (Heartbreaker), Sly and the Family Stone (Underdog)-on the main credits, Iggy and the Stooges (Search and Destroy), The Allman Brothers (Revival) , Miles Davis (Red China Blues) and Tom Jones (Keep on Running) on the end credits. Including a riff of The Revolution Will Not Be Televised (last heard appropiately in One Battle After Another). And Jamie XX, far from my desk ;)
It's been Stephen King's year all over, from Life of Chuck to Welcome to Derry, the IT prequel that runs now on HBO MAX, MGM's The Institute series, passing through The Monkey and another Bachman opus, The Long Walk (which I liked best of these all, my review here).
Wright's film is full of King references /Easter eggs for the eyes of King's fans and King himself, credited as an executive producer. Of course King was happy with the film, as I know his tastes in film (ex: how much he hated Kubrick's The Shining and managed to to a sequel just to get rid of that Kubrick hangover, I don't care so much about what he likes or does not cinematically...hey, what about that Maximum Overdrive?
*I opened recently a Letterboxed account in order to write down the films I see which I hardly can here, and my "reARviews" will be isssued there. Same ratings apply.
"Snap Crackle Pop"
French 75 resurges for one last call...Do you remeber the code ? "What time is it?" / It's Time for REVOlution (again ?)
One Battle After Another is Paul Thomas Anderson's biggest film to date (you dpon't wanna know the budget, out of which a quarter is Leo's salary..). Most expected and already lauded as film of the year. Sean Penn is in for an Oscar nod surely-best supposting. Di Caprio does a OUIH bit imo. He's like Rick Dalton playing the fried brains revolutionary recluse Bob Ferguson aka Ghetto" Pat. Benicio Del Toro is also superfunny as the Sensei, shades of him in Fear and Loathing in Las Vegas...but Sean Penn's performance as Col. Steven J. Lockjaw is surreal. One for the books !
Chase Infiniti's big screen debut as Bob and Perfidia's daughter Willa is intense. Special mention to Eric Schweig as Avanti.
Plus the Christmas Adventurers Club, man, kudos for this one off ;)
I'd call this No Country For Any One...
It's a relentless ride, shot beautifully on 35 mm film in VistaVision (second film in this format in this century, after The Brutlalist), by Michael Bauman (his second film with PTA after Licorice Pizza), his first feature credit !
Thomas Pynchon's book Vineland (1990) was the inspiration of PTA, who did a crazy looney tones political bonanza. Reminde me a lot of Eddington. It's somehow PTA's funniest film to date. Some bits reminiscent of the weed haze of Inherent Vice, his adaptation of Pynchon's other counterculture book.
There is also a big connection (and inspiration) with Gillo Pontecorvo's revolutionary classic Batle of Algiers (1966).
Epic duration, 2h41, but it goes fast, on this one I would've liked to be even longer, more Christmas Adventureres, Billy Goat, Beegee, Comrade Josh and Talleyrand.
The film is dedicated to Adam Somner, the legendary second unit director (Gladiator, Phantom Thread) and producer of 5 of PTA's films from There Will Be Blood, The Master, Inherent Vice, Licorice Piza to this last, OBATA. Somner died last year in November after completing this film...
4 out of 5, 8 out of 10 !!!
*Defintely it's a film that you can revisit, plus very TODAY in the actual political climate.
"Walk or Die"
Francis Lawrence never struck me as an auteur director. The Long Walk is his closest to a a personal filmmaking effort.
Constantine was probably his best flick, the man directed tons and tons of music videos, a sh***y version of I Am Legend, Red Sparrow, four Hunger Games, those probably qualifying him for this film.
Stephen King's novel The Long Walk was published in 1979 under the name Richard Bachman, same as The Running Man, Rage, etc.
It is set in a dystopic America, as in Hunger Games or recently in Civil War, in which young men participate in a race, without stops, until one remains. Same principle as Turkey Shoot or The Running Man (which was remade this year). You have to keep walking at 3mph, steadily. You get only three warnings, one erased per hour if you march on.
The camera moves and moves and moves all along with the protagonist. The whole film is in movement. Belgian cinematographer Jo Willems, who worked with Lawrence on his Hunger Games films and Red Sparrow shot the film anamorpically on 2.39.1. The whole thing was shot in Manitoa, Canada, for 20 mill. $.
