Tarja Turunen revine la Bucuresti intr-un spectacol extraordinar desfasurat sub numele „The Beauty and the Beat”, alaturi de tobosarul Mike Terrana, un cor format din 15 voci si o orchestra formata din 70 de instrumentisti.
Concertul va avea loc la Sala Palatului pe 11 aprilie si este organizat de Phoenix Entertainment.
Biletele au fost puse în vânzare în rețeaua Eventim - magazinele Vodafone, Germanos, Orange, Domo, din librăriile Humanitas și Cărturești, de la Sala Palatului și online prin www.eventim.ro. Prețul unui bilet variază în funcție de categoria de loc, după cum urmează: V.I.P: 245 lei; Cat.I: 195 lei; Cat.II: 145 lei; Cat.III: 115 lei; Cat.IV: 90 lei.
versiunea 1.3. redux (incl. ROCKLAND & alinland)
marți, 11 decembrie 2012
luni, 10 decembrie 2012
Hobbitul-unde sa-l vedeti cum trebuie
Hobbitul (The Hobbit: An Unexpected Journey), care din cartulia care e, a devenit nu unul ci trei filme !!! intra in cinematografe de vineri. Este totodata primul film in 48 de fotograme pe secunda, HFR (high frame rate) in 3D, dar filmat in 2.35.1, care poate fi vazut la noi astfel doar in trei cinematografe, Bucharest: Cinema City, BUc_Sun Plaza si Bucharest: Grand Cinema Digiplex (dupa lista cinematografelor 48 fps HFR 3D)
ce este HFR 3D:
dupa pagina oficla de la The Hobbit HFR3D
HFR 3D represents a technological advancement in the motion picture experience. This innovative format presents the picture in 48 frames per second (fps), which is closer to what the human eye actually sees. This is twice the rate of the standard 24 fps, which is the current format in cinemas worldwide.
altfel filmul Hobbit: An Unexpected Journey e proiectat si in celalate formate:
2D, 3D, IMAX, IMAX 3D dar a fost facut special in HFR 3D !
*l-am vazut in real D la 24 fps si a fost Ok, am auzit de la cei care l-au vazut in ambele formate ca prefera cel clasic !!!
ce este HFR 3D:
dupa pagina oficla de la The Hobbit HFR3D
HFR 3D represents a technological advancement in the motion picture experience. This innovative format presents the picture in 48 frames per second (fps), which is closer to what the human eye actually sees. This is twice the rate of the standard 24 fps, which is the current format in cinemas worldwide.
altfel filmul Hobbit: An Unexpected Journey e proiectat si in celalate formate:
2D, 3D, IMAX, IMAX 3D dar a fost facut special in HFR 3D !
*l-am vazut in real D la 24 fps si a fost Ok, am auzit de la cei care l-au vazut in ambele formate ca prefera cel clasic !!!
De ce nu mai face David Lynch film-e ?
In The Hollywood Reporter, David Lynch explica de ce nu a mai facut un film de la Inland Empire (2006), si de ce n-are nici in plan sa schimbe asta.
"THR: You haven't made a feature film in a long time. From the outside, it looks like you don’t want to. Is financing the problem?
Lynch: No, no, I have no problem getting financing. I have a problem catching ideas that I fall in love with for the next feature. I think part of the reason ideas haven’t come in is that the world of cinema is changing so drastically, and in a weird way, feature films I think have become cheap. Everything is kind of throwaway. It’s experienced and then forgotten. It goes really fast. And you have to do those things you are just in love with.
There is that expression, “Man has control of action alone, never the fruit of the action.” So you better enjoy the doing of a thing and not worry about the outcome. And I think that somewhere along the line, ideas will start coming and I may make a feature film. But I don’t hold out any hope for an audience. I just make it because I’m in love.
THR: At a time when it was unpopular to “do television,” you were one of the first big feature directors to go there, with Twin Peaks. Why aren’t you in that market now?
Lynch: I’ll tell you. I’m walking down the street. There are people in the street. There is someone you fancy. And you turn a corner. And there she is. No two ways about it. She is the idea. You are in love. And she is the story." ■
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via noteworthy/mubi
Lynch: No, no, I have no problem getting financing. I have a problem catching ideas that I fall in love with for the next feature. I think part of the reason ideas haven’t come in is that the world of cinema is changing so drastically, and in a weird way, feature films I think have become cheap. Everything is kind of throwaway. It’s experienced and then forgotten. It goes really fast. And you have to do those things you are just in love with.
There is that expression, “Man has control of action alone, never the fruit of the action.” So you better enjoy the doing of a thing and not worry about the outcome. And I think that somewhere along the line, ideas will start coming and I may make a feature film. But I don’t hold out any hope for an audience. I just make it because I’m in love.
THR: At a time when it was unpopular to “do television,” you were one of the first big feature directors to go there, with Twin Peaks. Why aren’t you in that market now?
Lynch: I’ll tell you. I’m walking down the street. There are people in the street. There is someone you fancy. And you turn a corner. And there she is. No two ways about it. She is the idea. You are in love. And she is the story." ■
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via noteworthy/mubi
Tony Scott: o apreciere critica
Tony Scott: A Moving Target, pe mubi, o serie de articole critice si eseuri (movement a si b), despre filmele atit de subevaluate ale disparutului anului 2012 in lumea cinematografica.
am revazut de curind Deja Vu, pe care nu l-am apreciat in 2006, si l-am reconsiderat, mai ales in lumina New Orleans post Katrina si rapelurile la Vertigo.
citat din "A Moving Traget" din eseul lui Otie Wheeler:
The young American filmmakers have nothing to say, said Luc Moullet. It's as true now as it was then, and what Moullet said of Sam Fuller could've been said of Tony Scott: he had something to do, and he did it.
si With Each Touch, I Risk My Life (Domino) de Otie Wheeler, un video-eseu de 6 minute despre velocitate re; Domino, esenta stilului eminamente vizual al lui Scott
-si aici, One of The Missing: primul film de Tony Scott !
citat din "A Moving Traget" din eseul lui Otie Wheeler:
The young American filmmakers have nothing to say, said Luc Moullet. It's as true now as it was then, and what Moullet said of Sam Fuller could've been said of Tony Scott: he had something to do, and he did it.
si With Each Touch, I Risk My Life (Domino) de Otie Wheeler, un video-eseu de 6 minute despre velocitate re; Domino, esenta stilului eminamente vizual al lui Scott
-si aici, One of The Missing: primul film de Tony Scott !
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