sâmbătă, 31 august 2024

The Killer (2024)

 *not to be confused with David Fincher's thriller with the same name of 2023. 

This is John Woo's THE KILLER, his own remake to his famous cult film The Killer from 1989, that premiered (streaming :( on Peacock on Aug. 23 2024.


it's woke but is more than that.

It is John Woo's French film, it's an homage to Le Samourai (1967) even more than the original Killer was. In the circumstance of recent Alain Delon's demise, this works more nostalgic than intended. Shot in Paris of no limits A budget and in touristic spots, plus the church from the original and the pigeons TM. And a goldfish. A samurai (!) sword. A black hat. And a crossword pun. And bikers on relanti. In flames. Woo-ish. 

Woo will be 78 this September (22), so he's not getting any younger. His influences on the action cinema were in the '90's. That's why they called him overseas, after hardboiled (1992). He started with Hard Target (soft spot as I was a publicist on it, back in 1994's Media Pro Pictures distribution), moved on to Broken Arrow and hit the mark with Face/Off. His last great film was Mission: Impossible in 2000. After the failure of Paycheck he went back to China but I didn't resonate with any of his films there (actually I only saw the 1st Red Cliff). 

The man is surely a woman now -Zee-Nathalie Emmanuel-from the Fast & Furious series ( a la Nikita, there's even a quote of that, and that's Tcheky Karyo's cameo) and the cop -Sey-Omar Sy-international star since Inotochables- is black. The singer is given more to do and done, and the plot is mambojumbo-ish to the maxxx. The remake has been in the works from the 90's and I think it's great that finally Woo gets to re-do it and in Paris of all places. The script is credited to Brian Helgeland, Josh Sanders and Matt Stueken (surely not all together, , but Woo sure added up his own marks. The whole thing is marred by the need to switch to English all the time, and keep some French just for the picturesque. 

But Omar Sy could've been Belmondo. Le Flic.And Nathalie Emmanuel, Delon, Le Samourai.

Woo's daughter, Angeles Woo is acting in it as a killer. Name of her character, Chi Mai ;)

She's also a co-producer.

Lots of juicy parts, Eric Cantona is a Top gangster, Said Taghmaoui is an Arab prince, Diana Silvers is Jenn, the singer, victim and target, Sam Worthington is Finn, the contracter of Zee, he does a Strong Irish accent complete with the annoying "beat of my heart' bit in Irish. A stand-out, stunt woman Aurelia Ager as the baddie blonde evil henchie with ponytails Juliet, her 1st real acting part (hope she goes Zoe Bell's way). 

The music is key, Marco Beltrami at the helm, with Buck Sanders helping him, doing an Ennio Morricone tribute, with whisting, a woman operatic voice, complete with a song (that integrates the film-"Introuvable", sang by Jorane), Eric Serra style. There's even a cue from Le Samourai, "Costello dans la ville", from the score by Francois de Roubaix. 

Very well lit cinematography by Mauro Fiore, Antoine Fuqua and Oscar winner for Avatar cinematographer. Edited by Zach Staenberg, the guy who cut all the Matrix trilogy.

So, it's flawed, it's naive but I could feel it's goodhearted as opposed to cringe, and someone else would've done it worse. 


It looks like a Europacorps prod. from the 90's, it's been in development for so long, Universal studios bound, and though it ended on streaming.

Pity it wasn't in theaters, even if it's not John Wick (a series that took from Woo big time), it's his Grandfather and granddaughters. Inc. 

3 out of 5, 6 out of 10 !



marți, 20 august 2024

L'insoumis (1964)

L'insoumis (1964) or The Unvanquished (in Engish) an early gem in Delon's filmography, little seen but famous for one shot in pop culture, The Smiths' album cover The Queen is Dead (1986).

A political thriller/film noir/doomed existential love story by arthouse auteur Alain Cavalier (Therese), and the only film Delon did with him. It is the first from Delon's production company (his first too, Delbeau) and it seems the film was a flop then and AD had an injury during filming, so he wasn't so happy with it at that time. But the film grew-given the further influence of a final shot into an iconic cover I suggest you to go for it. This is a one to (re)visit, especially now with the final dissapearence of "Le fauve", le Grand Delon.

I found it on youtube in a very good copy, with burned English subtitles.

https://www.youtube.com/watch?v=w7L4y9KduN8

There is a little bummer, this cut has 101 mins, and the original cut is supposed to have 114 mins.  I understand the cuts were made by the French then, this is the film released by MGM, with whom Delon had a 5 picture deal at the time. Alternate English title, Have I the Right To Kill.

Written by Cavalier with Jean Cau, based on a real story, though they said it's not (and got sued by the real judge person).

Exquisite black and white Cinematography by Claude Renoir.

Great music score by Georges Delerue.

1961. Delon is Thomas, a Luxembourgois Legionnaire, deserter from the Algerian war (still superhot at that time, this is even before Battle of Algiers-1966), is recruited by the OAS to kidnap a young judge (Lea Massari) that came from Lyon to Alger to defend two Arabic "terrorists". And he somehow falls for it...

cool review & info here


8 out of 10 / 4 out of 5


1 minute of making of
https://www.youtube.com/watch?v=L2jicS4Zfl0


duminică, 18 august 2024

RIP Alain Delon

 Le Samourai est parti definitivment....il est le dernier de son temps perdu...legende.


88 years Alain Delon roamed the world, changing cinema, loving women, breaking hearts, making friends out of making enemies, loving integrity, creating outrage, playing cops, flics, private dicks, gangsters, doctors, gitans...He is considered by many the most handsome man ever on the silver screen. 

He and Bebel were France incarnated on the screen and in person, old France, younger than Gabin, Ventura, but old lions. The Leopards. La race des seigneurs.

Le clan des siciliens, Plein Soleil, La Piscine, L'insoumis, Jeff, La tulipe noire, Les Aventuriers, Borsalino, Le Cercle Rouge, Flic Story, Pour la peau d'un flic, Zorro, Mr. Klein, La mort d'un pourri, Notre Histoire. Oui, Antonioni et Visconti aussi.


I met him at TIFF in 2017, it was an honor ! 

Can't say more now, listen to him singing a cheesy song about moviemaking, "Comme au Cinema".  I just love it...


In his own words here.

https://x.com/CinemaOnSundays/status/1825084162522382441

Adieu l'ami...


joi, 15 august 2024

RIP Gena Rowlands

John Cassavetes' muse (and wife and partner) is gone now at 94...

Gena Rowlands

Gloria ...A Woman Under the Influence...Minnie (& Moskovitz)