fuckin LOU, and Schnabel, the butterfly and the diver, (unlike Dio, and his holy diver)///
" and i am the waterboy" what my freund Terje tought me was the "Red Army Blues" by them Waterboyz... not in Berlin, by another wall, not with Dubonnet on ice, but still men of goood fortune can't do sometimes anything at all...
song by The Raconteurs (Jack White) de pe Consolers of the Lonely (2008),
Dylan's legacy, some won't drink milk after this...
Lyrics to Carolina Drama :
"I'm not sure if there's a point to this story
But I'm going to tell it again
So many other people try to tell the tale
Not one of them knows the end
It was a junk-house in South Carolina
Held a boy the age of ten
Along with his older brother Billy
And a mother and her boyfriend
Who was a triple loser with some blue tattoos
That were given to him when he was young
And a drunk temper that was easy to lose
And thank god he didn't own a gun
Well, Billy woke up in the back of his truck
Took a minute to open his eyes
He took a peep into the back of the house
And found himself a big surprise
He didn't see his brother but there was his mother
With her red-headed head in her hands
While the boyfriend had his gloves wrapped around an old priest
Trying to choke the man
Ah Ah Ahhh...
Billy looked up from the window to the truck
Threw up, and had to struggle to stand
He saw that red-necked bastard with a hammer
Turn the priest into a shell of a man
The priest was putting up the fight of his life
But he was old and he was bound to lose
The boyfriend hit as hard as he could
And knocked the priest right down to his shoes
Well, now Billy knew but never actually met
The preacher lying there in the room
He heard himself say, "That must be my daddy"
Then he knew what he was gonna do
Billy got up enough courage, took it up
And grabbed the first blunt thing he could find
It was a cold, glass bottle of milk
That got delivered every morning at nine
Ah Ah Ahhh...
Billy broke in and saw the blood on the floor, and
He turned around and put the lock on the door
He looked dead into the boyfriend's eye
His mother was a ghost, too upset to cry, then
He took a step toward the man on the ground
From his mouth trickled out a little audible sound
He heard the boyfriend shout, "Get out!"
And Billy said, "Not till I know what this is all about"
"Well, this preacher here was attacking your mama"
But Billy knew just who was starting the drama
So Billy took dead aim at his face
And smashed the bottle on the man who left his dad in disgrace, and
The white milk dripped down with the blood, and the
Boyfriend fell down dead for good
Right next to the preacher who was gasping for air
And Billy shouted, "Daddy, why'd you have to come back here?"
His mama reached behind the sugar and honey, and
Pulled out an envelope filled with money
"Your daddy gave us this," she collapsed in tears
"He's been paying all the bills for years"
"Mama, let's put this body underneath the trees
and put Daddy in the truck and head to Tennessee"
Just then, his little brother came in
Holding the milk man's hat and a bottle of gin singing,
La la la la, la la la la, yeah
La la la la, la la la la, yeah
La la la la, la la la la, yeah
La la la, la la la...
La la la la, la la la la, yeah
La la la la, la la la la, yeah
La la la la, la la la la, yeah
La la la, la la la...
La la la la, la la la la, yeah
La la la la, la la la la, yeah
La la la la, la la la la, yeah
La la la la, la la la la, yeah
Well now you heard another side to the story
But you wanna know how it ends?
If you must know, the truth about the tale
Go and ask the milkman...."
Pretty fucked up, i say...
*
aici o versiune apriga, live la from the basement
MIRCEA DANELIUC DECLARĂ RĂZBOI CRITICILOR -comunicat de presa
Regizorul Mircea Daneliuc refuză să permită difuzarea filmelor sale în cadrul galei Top 10 - Cele mai bune filme româneşti.
Deşi este singurul regizor care are două filme în clasamentul alaturi aminit - e vorba de "Proba de microfon" şi "Croaziera", clasate pe locurile 9, respectiv 10 - Mircea Daneliuc pretinde ca cele două titluri să fie scoase "din acesta listă făcută de nişte nepricepuţi" şi, totodată, să nu fie sub nicio formă prezentate în acest final de săptămână la cinema Studio. În caz contrar, el ameninţă cu darea în judecată a celor care "au îndrăznit să-i judece opera fără acordul său".
O posibilă explicaţie pentru această supărare ar fi frustarea unui mare regizor care în ultima vreme a înregistrat numai eşecuri: publicul nu mai vine la cinematograf ca să-i vadă filmele iar prezenţa sa în cadrul festivalurilor internaţionale sau a topurilor anuale "best-of" a devenit o amintire. Potrivit datelor publicate în Anuarele statistice editate de către CNC, niciunul dintre filmele sale din perioada 2000-2007 nu s-a clasat în primele 20 de titluri, nici ca încasări şi nici ca număr de spectatori.
Gestul cineastului nu face decât să-i jignească pe criticii care l-au votat, pe colegii de breaslă care se află alături de el în top şi, nu în ultimul rând, pe spectatorii care şi-ar fi dorit să-i revadă două dintre filmele emblematice ale anilor '70-'80. Trist şi, din păcate, perfect românesc.
......asta e comunicatul, eu nu stiu de ce l-au votat, omul e psihotronic total, noul lui opus Marilena mie mi s-a părut ce mai interesant film românesc (psihotronic, da, daa psycho-tronic ) al anului (Restul e tacere e din 2007, daa ?), şi căruia eu personal i-am scris cronici pozitive dupa 90 şi consider Patul conjugal mai bun ca cele două alese in top. But that's me, an efant terrible (terrible, that's what it is-Billy Bob vs. Iggy, from Dead Man ) citatul complet:
Big George: That's terrible. Sally: It's horrible. Big George: Terrible is what it is.
istoria filmului romanesc, story of my life too :->
Iată topul meu, am auzit deja comentarii sarcastice, („teribilist” a fost cel mai amical) .
1. De ce trag clopotele, Mitică ? 2. Reconstituirea 3. Nemuritorii 4. Cu mîinile curate 5. Capcana mercenarilor 6. Pădurea spînzuraţilor 7. Felix şi Otilia 8. E pericoloso sporgersi 9. Restul e tăcere 10. A fost sau n-a fost?
Locurile sunt aleatorii, nu reprezintă poziţia de numerotare, şi da, sunt 3 Nicolaescu, printre care protoptipul filmului poliţist, şi al celui de aventuri (chiar daca Capcana e serie B, au reputatia de film-cult). Nu am pus o producţie istorică greoaie gen Mihai Viteazul şi nici filme indigeste şi voit pretenţioase sau important-festivaliere. Iar cu Acvtorul si salabaticii am probleme legate de adevar istoric, asa cum sunt si cu Revansa. Dar, verificaţi şi topul Empire 500 şi vedeţi că Raiders a bătut Kane şi nu e nici un Jean Renoir pe locurile fruntase. Restul comentariului, in articolul din Sapte Seri care o sa apara joi.
