Blüesferatü revine la Castelul Bran – 28 iunie 2025, ora 21:30

Cine-concertul live Blüesferatü revine la Castelul Bran – 28 iunie 2025, ora 21:30

 

Nosferatu – Eine Symphonie des Grauens (1922), capodopera regizorului expresionist F.W. Murnau, este considerat unul dintre cele mai importante filme mute din istoria cinematografiei. Muzica originală a filmului s-a pierdut, iar de-a lungul timpului s-au realizat numeroase partituri alternative, făcând din Nosferatu un favorit al cine-concertelor din întreaga lume.

 

Dar niciodată nu s-a cântat blues pe el. Până acum.

 

Blüesferatü – eine Symphonie des Blues aduce în România o versiune live în care imaginea iconică a lui Nosferatu este acompaniată de o coloană sonoră originală, compusă și interpretată live de șase muzicieni brașoveni, într-o cheie blues psihedelic, intensă și cinematică.

După premiera mondială din 2023 și reprezentațiile din 2024 în cadrul Transilvania Blues Festival Brașov, Buzău International Arts Festival și TIFF Timișoara, proiectul revine în 2025, pe 28 iunie 2025, ora 21:30, într-o nouă punere în scenă, în grădina Castelului Bran.

 

Muzica originală este compusă și interpretată live de muzicieni brașoveni: Ionuț Constantin „Yokko” – compozitor, dirijor; Robert Watzatka „Watzzy” – compozitor, chitară; Ilyes Botond „Boti” – chitară; Mihai Nedea – clape; Ciprian Pârvu – bas; Claudiu Rusu „Kani” – tobe. Muzicienii vor cânta live în fața ecranului pe toată durata filmului - 95 de minute!

 

Un eveniment rar, aflat la granița dintre muzică, film și performance, sub clar de lună, în inima Transilvaniei.

 

Un proiect produs de Alin Ludu Dumbravă și Vlad Popescu pentru Asociația Transilvania Arts & Events.

 

 Bilete: iabilet.ro

110 RON în presale | 130 RON la intrare

 Eveniment Facebook: Blüesferatü – Live at Bran Castle

 

Un proiect produs de Alin Ludu Dumbravă și Vlad Popescu pentru Asociația Transilvania Arts & Events finanțat de Consiliul Județean Brașov, cu sprijinul Castelului Bran, recomandat de Rock FM și Zile și Nopți.

Sponsori: BCR, Butan Gas

Parteneri culinari: Stoker Wines

Public Image Limited -PIL Live in Dublin 12.06.2025

My piece on a fabulous concert, Johnny Lydon & co. aka PIL for Sunete Live here

https://sunetelive.ro/de-la-pil-la-nin-in-dublin-cu-alin/

also they got a new great logo 

The Phoenician Scheme (2025)

 The Phoenician Scheme (2025) is Wes Anderson's 12th feature (out of 12, 2 films are animations), presented at the 78th Cannes film festival in the Official Competition. 

The New Yorker review here

It's supposed to be a film dedicated by the writer-director to his daughter, a more emotional relationship of characters and less parodic as in his other films.

A lot of in-house references and cyphres, even more and obscure than before. From the name of the character, Zsa Zsa (Gabor), Korda (the famous filmmaking brothers), to Casablanca, Orson Welles' Mr. Arkadin, Max Ophuls shots, Igor Stravinski & Mussorsky-Ravel, Pierre-August Renoir's painting (that was owned by Greta Garbo). Black Narcissus nurse included ;) The score is again by the great Alexandre Desplat, on his seventh collaboration with WA, in a synchopatic sound and beat very similar to the music from The Grand Hotel Budapest (the best Wes Anderson film for my money).  What is new is the cinematographer, Bruno Dellbonnel's first film with WA. Top set & production design (done again at Babelsberg studios, where the Grand Budapest Hotel was shot) by Adam Stockhausen and cool costumes by the legendary Milena Canonero.

Za-Zsa Korda (genius name !) Benicio Del Toro chews scenery, actually he machetes it, in a part half inspired by Howard Hughes, part Groucho Marx. Matthieu Amalric (Marseille Bob !!! -Bob le flambeur ?) plays Peter Lorre and Jeffrey Wright (Marty- "man") is the epitomy f cool !

IMO Benedict Cumberbatch (uncle Nubar) looks like from Feulliade's Fantomas or any silnet films villains, with a fake beard and diabolic eyes (Jack Lemmon in Blake Edwards' The Great Race too?). Also Michael Cera's Bjorn accent is far far out. The Monty Python affiliation is automatic.

If you know Wes Anderson's favorite films and directors, you know there is not much Americanism in him. He might be the most European Art-house American director. Also he is starting to live completely in his own MU (movie universe), like latter Fellini, Roy Andersson, etc. Is that a good thing, or a Phoenician scheme ;) ?

All in all, 7 out of 10 /3 1/2 out of 5 (could've been 10 mins. shorter) and the Black and white Bunuelian mocking Bergman (or Pasollini ?) sequences (except the Bill Murray cameo as God). Too much of mannerism, tends to deja-vu/veja-du ?. 

RIP Brian Wilson

Just on my first day in Ireland, the evening of July 11th, while stopping on a gas station I got the X notice, from Keith Richards, "goodbye Brian Wilson"...Then the news and the social media were flooded, the next day's newspaper in Dublin had a one page obituary, all my facebook, even the radio played his songs...Took me 5 days to get to write this...(adapter/charger/chord problems plus 1 PIL & 1 NIN)

I saw Brian Wilson in Lyon in July 2017, at Théâtre Antique de Fourvière (Les Nuits de Fourvière Festival, avec Toubib Mishu). I cam all the way from Grossmann Fest in Slovenia, via Zagreb and Milan, and left afterwards to Geneva for Sardegna. It was a detour and a stop I wanted to do and I am so happy I did. It was a magical, wonderful evening, filled with uplifting songs. 

Here's the setlist , he played Beach Boys songs and then Pet Sounds live, ending it with Love and Mercy, the title of his biopic picture from 2014 (as Love & Mercy), where he was played by Paul Dano (young) and John Cusack (old).  That film dealt with his recovering from psychosis and forced medication, a very dark long chapter in Brian Wilson's life. He was, as his song says, not a man on his times. The dark side of Genius. Cos' Wilson is one of the greatest genius in XXth century music, admired by his peers, McCartney, Lennon, Dylan, Neil Young, etc. If The Beach Boys wouldn't put out Pet Sounds in 1966 (and the lost 1967 Beach Boys unfinished album, updated and completed by BW in his master Opus, SMILE, in 2004), there wouldn't have been no Beatles' Revolver, then Sgt. Pepper, then no Their Satanic Majesties, and maybe no Tommy and no Dark Side of the Moon. God Only Knows ...

Good Bye Brian...it was an honor to see you live and I thank Uncut magazine for introducing me to your work, on Smile era.