RIP Phil Campbell

Phil Campbell was Motorhead's last guitarist, on a series of greats (Larry Wallis, Wurzel, "Fast" Eddie Clarke), survived by only Brian Robertson (70 now).

Official Motorhead announcement:

He was Motörhead's guitarist for 31 years (the longest serving member aside from Lemmy) having joined in 1984. After Lemmy’s passing, he was blessed to form Phil Campbell and The Bastard Sons with his sons Todd, Dane and Tyla, which recorded and toured together for years.

Phil was a wonderful guitarist, writer, performer, and musician who had Motörhead in his veins. He always led with his gift of guitar, and carried a great sense of humour, but most of all, Phil led with his heart. You could not be around him without a chuckle or twenty, because quite simply, Phil loved life and lived it with great joy.

There will be plenty of time for us to share stories -tales of Campbell glory- and some damn good jokes together; for now, please send love and positive energy to Gaynor and the boys while affording them time, space, and privacy.

Much love and RIP Phil. The world has just lost an enormous beam of light, and we are devastated.

Saw Phil on all the dates with Motorhead I got to see and with his band, Phil Campbell and The Bastard Sons in 2018 at Qunatic club in Bucharest. Last year they opened for Guns 'n Roses on the National Arena in Buch. They played Suceava in 2024 and REF too in 2023.

Phil Cambell was just 64 !!!

How to Make a Killing (2026)

How to Make a Killing is in cinemas now. This is John Patton Ford's second film. Loved his first effort, Emily the Criminal back in 2022, it made my Top Films list. 

This is Film Noir, dark comedy, thriller, and most of all an homage of Kind Hearts and Coronets (1959), the classic Ealing comedy with Alce Guiness es ;), based on the novel , it says on the credits. "Insiperd by" those two. 

Also has an 80's air, it's cynical and politically incorrect, stylish and crisp. 

Finally a good part for Glen Powell as Becket Redfellow (cool names in this family !), after the huge misfire of  new Running Man-Liked the guy in his SNL episode, I think he has more comedic potential than action chops, definetly romantic too.

Margaret Qualley is the bad femme fatale in the story, another good part in her resume after Honey Don't, Drive-Away Dolls, Kinds of Kindness, Poor Things, The Substance. I first liked her in Once Upon A Time in...Hollywood. 

Jessica Henwick is the romantic interest, Ruth. Bill Camp has a nice part as Warren Redfellow, also Topher Grace as one of the Redfellows (Steven) and Zach Woods (from Sillicon Valley) another one (Noah). Also Ed Harris' part as the patriarch Whitelaw Redfellow is more like a cameo, but he's effective as ever. 

Amazingly enough this was shot in South Africa instead of New York and New Jersey !!!

Great score by Emile Mosserri and effective soundtrack-The Clapping Song (Shirley Ellis) , the Brazilian classic Take Me Back to Piaui by Juca Chaves, No Fear by Inflo, etc. 

7 out of 10 / 3 1/2 out of 5 ! 

Remembering George Harrison

 George Harrison would've been 83 today....Living in the Material World...

When he died George was only 58....He became my hero in highschool with his hit album Cloud Nine (1987). I love most his stuff with The Travelling Willburys...

Now only Jeff Lynne and His Bobness still around here....

RIP Tom Noonan

Tom Noonan, most famously known as  Francis Dollarhyde/ The Toothfairy in Michael Mann's Manhunter, the first Hannibal Lecter (spelled Lektor) film in 1986, is gone at 74. I re saw the film last year...It's the best Lecter / Thomas Harris film for me still. And Noonan is pretty scary. 

Great character actor , he was also iFrankenstein's monster in The Monster Squad, the baddie in Robocop 2. He returned for Michael Mann in Heat. 

In his youth, Noonan was a guitarist and a composer and a theatre actor. He directed 2  indie feature films, a play and some shorts.

Terribly sad about Tom Noonan passing. In casting Manhunter I auditioned about 10-15 actors in New York when Tom walked in the door and said, “I don’t want to talk. I just want to read.” He read and it was magical. We worked closely. I based Dollarhyde less on the novel’s character and more on a convicted killer whom I met and with whom I corresponded who was doing life in Vacaville. I took Tom into that world and he made it his own. It was an automatic to cast Tom in a wheelchair as Kelso in Heat. He did so much more fine work, but it was as the battered child become a killer adult - both alive in the same bottle - that projected the range and deep soul of this so acute and committed artist. Rest in peace, Tom.

(Michael Mann)