sâmbătă, 2 decembrie 2017

Blood Orange (2016)

a lesser bigger splash...Blood Orange.
an English version of La Piscine meets the beginning of the Sexy Beast (thesetting of the Spanish villa, the pool)
the only worthy ingredient: The Igg, Mr. Iggy Pop. Iggy is Bill, a rock star who is half-blind and chases rabbits. His young and almost always naked wife (whose great talent is how she swims), Kasey Clarke, is a little promiscuous and screws with the boy who cleans the pool - Antonio Magro / another cliché. The former boyfriend Ben Lamb also appears. Iggy can not act too much, and he does not have much to do with what he got. As the Guardian says, "Unfortunately, it also demonstrates his pronounced limitations as an actor, even when playing a variant on himself." Toby Tobias's movie (a podcast with him here) is mediocre at best, and if you want to see a rock star on an island and a pool, you see A Bigger Splash, one of my favorites from last year. 2 out of 5, 4 out of 10.
blood-orange-poster
a lesser bigger splash...Blood Orange.
o versiune engleza la La Piscine meets inceputul la Sexy Beast (mai mult settingul vilei spaniole)
singurul ingredient meritoriu: The Igg, mr. Iggy Pop. Iggy este Bill, un rock star apoape orb, care vineaza iepuri . Nevasta sa tinara si mereu goala (are carei talent major e cum inoata), Kasey Clarke, e cam promiscua si si-o trage cu baiatul care curata piscina -Antonio Magro/ alt cliseu. Apare si fostul iubit-Ben Lamb. Iggy nu prea poate sa joace, si nici nu prea are cu ce.de ce. Dupa cum zice The Guardian,
 Unfortunately, it also demonstrates his pronounced limitations as an actor, even when playing a variant on himself.
Filmul lui Toby Tobias (un podcast cu el aici) e medicocru at best, si daca vreti sa vedeti un rock star pe o insula si o piscina, vedeti A Bigger Splash, unul din favoritele mele de anul trecut.
2 din 5, 4 din 10.
             

on the end credits, Tim Arnold's song Money Kills Love, its credited neither to Iggy but found a version on youtube that says so. my shazam and soundhound says it's Tim Arnold, whose other song is The Devil's Interval -theme of Blood Orange-with sax and piano, a cool one but instrumental, using the musical interval that Lygeti used and Kubrick put it in Eyes Wide Shut.



vineri, 1 decembrie 2017

Most Beautiful Island (2017)

Most Beautiful Island (2017) is one of the interesting films of this year which you won't seee in a cinema near you. Presented in festivals, awarded at SXSW & distributed by Orion (which came back i see) & Samuel Goldwyn films.
Ana Asenio is a director whose debut is very powerful. She is also a courageous actress. She is Spanish but the film is shot in New York, on the mean streets. She is Luciana, a struggling immigrant who finds a job at a mystery party.
A realistically shot thriller, which reminded me a a bit of  13 Tzameti (the original), but in colors, and with feminity and feminism.
3 1/2 or 7 out of 10 !

Most Beautiful Island (2017) e unul din filmele interesante de anul acesta pe care nu le puteti vedea in cinema. Prezentat in festivaluri, premiat la SXSW si distribuit de Orion (care vad ca au revenit !)
Ana Asenio e o regizoare debutanta de mare forta, si o actrita si mai si. Ea este spaniola dar filmul e filmat in New York, on the mean streets, despre Luciana (Asenio), o emigranta cu probleme financiare care isi gaseste o slauba la o petrecere misterioasa.
Un thriller filmat realist, care aduce un pic cu 13 Tzameti (originalul), dar in culori, cu femininatae si feminism.
3 1/2 din 5, 7 din 10 !












miercuri, 22 noiembrie 2017

Cannes 2018 announced

En 2018, pour sa 71e édition, le Festival de Cannes aura lieu du mardi 8 au samedi 19 mai. Il commencera un jour plus tôt mais aura une durée identique aux années précédentes.
L’ouverture aura donc lieu le mardi 8 mai en soirée et la remise des prix le samedi 19 mai.
« Après l’édition-anniversaire de 2018, le Festival ouvre une nouvelle période de son histoire, déclare Pierre Lescure, son Président. Nous entendons renouveler le plus possible nos principes d’organisation, tout en continuant à interroger le cinéma de notre époque et à accompagner ses bouleversements. »